"I thought we were supposed to do the bread and wine bit in commemoration of you?" Simon objected.

"Do both," the ghostly one said. "The bread and wine is too symbolic and arcane for some folks. This one is what will bring in the mob. You see, fellows, if you want to bring the Movement to the people, you have to start from where the people are at. You, Luke, don't write that down. This is part of the secret teachings.")

Slurp, slurp… Camp-town ladies sing this song.…

(But how do you account for a man like Drake? one of Carl Jung's guests asked at the Sunday afternoon Kaffeeklatsch where the strange young American had inspired so much speculation. Jung sucked on 'his pipe thoughtfully- wondering, actually, how he could ever cure his associates of treating him like a guru- and answered finally, "A fine mind strikes on an idea like the arrow hitting bull's-eye. The Americans have not yet produced such a mind, because they are too assertive, too outgoing. They land on an idea, even an important idea, like one of their fullbacks making a tackle. Hence, they always crumple or cripple it. Drake has such a mind. He has learned everything about power- more than Adler knows, for all his obsession on the subject- but he has not learned the important thing. That is, of course, how to avoid power. What he needs, and will probably never achieve, is religious humility. Impossible in his country, where even the introverts are extroverted most of the time.")

It was a famous novelist, who was later to win the Nobel Prize, who actually gave Drake his first lead on what the Mafia always called il Segreto. They had been talking about Joyce and his unfortunate daughter, and the novelist mentioned Joyce's attempts to convince himself that she wasn't really schizophrenic. "He told Jung, 'After all, I do the same sorts of things with language myself.' Do you know what Jung, that old Chinese sage disguised as a psychiatrist, answered? 'You are diving, but she is sinking.' Incisive, of course; and yet, all of us who write anything that goes below the surface of naturalism can understand Joyce's skepticism. We never know for sure whether we're diving or just sinking."

That reminded Drake of his thesis, and he went and got the last words of Mr. Arthur Flegenheimer, a.k.a. Dutch Schultz, from his bureau. He handed the sheets to the novelist and asked, "Would you say the author of this was diving or sinking?"

The novelist read slowly, with increasing absorption, and finally looked up to regard Drake with extremely curious eyes. "Is it a translation from the French?" he asked.

"No," Drake said. "The author was an American."

"So it's not poor Artaud. I thought it might be. He's been around the bend, as the English say, since he went to Mexico. I understand he's currently working on some quite remarkable astrological charts involving Chancellor Hitler." The novelist lapsed into silence, and then asked, "What do you regard as the most interesting line in this?"

" 'A boy has never wept nor dashed a thousand kim,' " Drake quoted, since that was the line that bothered him most.

"Oh, that boy imagery is all personal, just repressed«homosexuality, quite ordinary," the novelist said impatiently. " 'I was in the can and the boy came at me.' I think the author hurt the boy in some way. All the references are tinged with more than normal homosexual guilt."

My God, Drake thought, Vince Coll. He was young enough to seem like a boy to Schultz. The Dutchman thought Coil's ghost was shooting at him in that John in Newark.

"I would imagine the author killed himself, or is in a mental hospital by now," the novelist went on thoughtfully.

"He's dead," Drake said grudgingly. "But I won't give you any more clues. It's fascinating to see how well you're doing on your own."

"This is the interesting line," the novelist said. "Or three lines rather. 'I would hear it, the Circuit Court would hear it, and the Supreme Court might hear it. If that ain't the payoff. Please crack down on the Chinaman's friends and Hitler's commander.' You swear this author was American?"

"Well, he came of German ancestry," Drake said, thinking of Jung's theory of genetic memory. "But Chancellor Hitler would hate to admit it. His people were not Aryan."

"He was Jewish?" the novelist exclaimed.

"What's so surprising about that?"

"Only that scarcely two or three people in the whole world, outside the inner circle of the Nazi Party, would understand what was meant by the Chinaman and Hitler's commander. This author must have delved very deeply into occult literature- things like Eliphas Levi, or Ludvig Prinn, or some of the most closely guarded Rosicrucian secrets, and then made a perfectly amazing guess in the right direction."

"What in the world are you talking about?"

The novelist looked at Drake for a long time, then said, "I hate to even discuss it. Some things are too vile. Some books, as your Mr. Poe said, should not allow themselves to be read. Even I have coded things in my most famous work, which is admired for all the wrong reasons. In my search for the mystical, I have learned things I would rather forget, and the real goal of Herr Hitler is one of those things. But you must tell me: who was this remarkable author?"

("He just called me," Luciano told Maldonado, "and I got this much at least: he's not a shakedown artist. He's aiming big, and he's big already himself. I'm getting my lawyer out of bed, to run down all the best Boston families, and find one with a son who shows signs of having the old larceny in his heart. I bet it's a banking family. I can hear money in a voice, and he has it.")

Drake was persistent, and finally the novelist said, "As you know, I refuse to live in Germany because of what is happening there. Nevertheless, it is my home, and I do hear things. If I try to explain, you must get your mind out of the arena of ordinary politics. When I say Hitler does have a Master, that doesn't mean he is a front man in the pedestrian political sense." The novelist paused. "How can I present the picture so you will understand it? You are not German… How can you understand a people of whom it has been said, truthfully, that they have one foot in their own land and one foot in Thule? Have you even heard of Thule? That's the German name for the fabulous kingdom the Greeks called Atlantis. Whether this kingdom ever existed is immaterial; the belief in it has existed since the dawn of history and beliefs motivate actions. In fact, you cannot understand a man's actions unless you understand his beliefs."

The novelist paused again, and then began talking about the Golden Dawn Society in England in the 1890s. "Strange things were written by the members. Algernon Blackwood, for instance, wrote of intelligent beings who preexisted mankind on earth. Can you take such a concept seriously? Can you think about Black-wood's warnings, of his guarded phrases, such as, 'Of such great powers or beings there may conceivably be a survival, of which poetry and legend alone caught a flying memory and called them gods, monsters, mythical beings of all sorts and kinds'? Or, Arthur Machen, who wrote of the 'miracles of Mons' during the Great War, describing the angels, as they were called, and published this two days before the soldiers at the scene sent back reports of the incident. Machen was in the Golden Dawn, and he left it to rejoin the Catholic Church, warning, 'There are sacraments of Evil as well as of Good.' William Butler Yeats was a member, too, and you must certainly know his remarkable lines, 'What rough beast/ Its hour come round at last/ Slouches toward Bethlehem to be born?' And the Golden Dawn was just the outer portal of the Mysteries. The things that Crowley learned after leaving the Golden Dawn and joining the Ordo Templi Orientis… Hitler suppressed both the Dawn and the Ordo Templi Orientis, you know. He belonged to the Vril Society himself, where the really extraterrestrial secrets are kept…"