She lay relaxed for a moment, then picked herself up off the cabana floor and started to dress. She glanced out at the water and I followed her eyes. She pointed at the distant glint of gold.

"Hagbard's here."

A buzzing sound floated across the water. After a moment, I spotted a small black motorboat coming toward us. We watched in silence as the boat grounded its bow on the white beach. Mavis motioned at me, and I followed her down the sand to the water's edge. There was a man in a black turtleneck sweater sitting in the stern of the boat. Mavis climbed in the bow and turned to me with a questioning look. The woodpecker felt bad vibes and took off with a flapping and cawing like the omen of Doom.

What the hell am I getting into, and why am I so crazy as to go along? I tried to see what it was out there that the motorboat had come from, but the sun on the gold metal was flashing blindingly and I couldn't make out a shape. I looked back at the black motorboat and saw that there was a circular gold object painted on the bow and there was a little black flag flying at the stern with the same gold object in its center. I pointed at the emblem on the bow.

"What's that?"

"An apple," said Mavis.

People who chose a golden apple as their symbol couldn't be all bad. I jumped into the boat, and its pilot used an oar to push off. We buzzed over the smooth water of the Gulf toward the golden object on the horizon. It was still blinding from reflected sunlight, but I was now able to make out a long, low silhouette with a small tower in the center, like a matchbox on top of a broomstick. Then I realized that I had my judgment of distances wrong. The ship, or whatever it was, was much more distant than I'd first realized.

It was a submarine-a golden submarine-and it appeared to be the equivalent of five city blocks long, as big as the biggest ocean liner I had ever heard of. The conning tower was about three stories high. As we drew up beside it I saw a man on the tower waving to us. Mavis waved back. I waved halfheartedly, supposing somehow that it was the thing to do. I was still thinking about that Masonic tattoo.

A hatch opened in the submarine's side, and the little motorboat floated right in. The hatch closed, the water drained out, and the boat settled into a cradle. Mavis pointed to a door that looked like an entrance to an elevator.

"You go that way," she said. "I'll see you later, maybe."

She pressed a button and the door opened, revealing a carpeted gilt cage. I stepped in and was whisked up three stories. The door opened and I stepped out into a small room where a man was waiting, standing with a grace that reminded me of a Hindu or an American Indian. I thought at once of Metternich's remark about Talleyrand: "If somebody kicked him in the backside, not a muscle would move in his face until he decided what to do."

He bore a striking resemblance to Anthony Quinn; he had thick black eyebrows, olive skin, and a strong nose and jaw. He was big and burly, powerful muscles bulging under his black-and-green striped nautical sweater. He held out his hand.

"Good, George. You made it. I'm Hagbard Celine."

We shook hands; he had a grip like King Kong. "Welcome aboard the Lief Erickson, named after the first European to reach America from the Atlantic side, may my Italian ancestors forgive me. Fortunately, I have Viking ancestors, as well. My mother is Norwegian. However, blond hair, blue eyes, and fair skin are all recessive. My Sicilian father creamed my mother in the genes."

"Where the hell did you get this ship? I wouldn't have believed a submarine like this could exist without the whole world knowing about it."

"The sub's my creation, built in accordance with my design in a Norwegian fjord. This is what the liberated mind can do. I am the twentieth-century Leonardo, except that I'm not gay. I've tried it, of course, but women interest me more. The world has never heard of Hagbard Celine. That is because the world is stupid and Celine is very smart. The submarine is radar and sonar transparent. It is superior to the best either the American or Russian government even has on the drawing board. It can go to any depth in any ocean. We've sounded the Atlantic Trench, the Mindinao Deep, and a few holes in the floor of the sea that no one's ever heard of or named. Lief Erickson is capable of meeting the biggest, most ferocious, and smartest monsters of the deep, of which we've found God's plenty. I'd even risk her in battle with Leviathan himself, though I'm just as pleased that we've only seen him from afar hitherto."

"You mean whales?"

"I mean leviathan, man. That fish-if fish it be-that is to your whale what your whale is to your meanest guppy. Don't ask me what Leviathan is-I haven't even gotten close enough to tell you his shape. There's only one of him, her, or it in all that world that's water. I don't know how it reproduces-maybe it doesn't have to reproduce-maybe it's immortal. It may be neither plant nor animal for all I know, but it's alive, and it's the biggest living thing there is. Oh, we've seen monsters, George. We've seen, in Lief Erickson, the sunken ruins of Atlantis and Lemuriaor Mu, as it's known to keepers of the Sacred Chao."

"What the fuck are you talking about?" I asked, wondering if I was in some crazy surrealist movie, wandering from telepathic sheriffs to homosexual assassins, to nympho lady Masons, to psychotic pirates, according to a script written in advance by two acid-heads and a Martian humorist.

"I'm talking about adventure, George. I'm talking about seeing things and being with people that will really liberate your mind-not just replacing liberalism with Marxism so you can shock your parents. I'm talking about getting altogether off the grubby plane you live on and taking a trip with Hagbard to a transcendental universe. Did you know that on sunken Atlantis there is a. pyramidal structure built by ancient priests and faced with a ceramic substance that has withstood thirty thousand years of ocean burial so that the pyramid is clean and white as polished ivory-except for the giant red mosaic of an eye at its top?"

"I find it hard to believe that Atlantis ever existed," I said. "In fact"-I shook my head angrily-"you're conning me into qualifying that. The fact is I simply don't believe Atlantis ever existed. This is pure bullshit."

"Atlantis is where we're going next, friend. Do you trust the evidence of your senses? I hope so, because you'll see Atlantis and the pyramid, just as I said. Those bastards, the Illuminati, are trying to get gold to further their conspiracies by looting an Atlantean temple. And Hagbard is going to foil them by robbing it first. Because I fight the Illuminati every chance I get. And because I'm an amateur archeologist. Will you join us? You're free to leave right now, if you wish. I'll put you ashore and even supply you with money to get back to New York."

I shook my head. "I'm a writer. I write magazine articles for a living. And even if ninety percent of what you say is bullshit, moonshine, and the most elaborate put-on since Richard Nixon, this is the best story I've ever come across. A nut with a gigantic golden submarine whose followers include beautiful guerrilla women who blow up southern jails and take out the prisoners. No, I'm not leaving. You're too big a fish to let get away."

Hagbard Celine slapped me on the shoulder. "Good man. You've got courage and initiative. You trust only the evidence of your eyes and believe what no man tells you. I was right about you. Come on down to my stateroom." He pressed a button and we entered the golden elevator and sank rapidly till we came to an eight-foot-high archway barred by a silver gate. Celine pressed a button and the elevator door and the gate outside both slid back. We stepped out into a carpeted room with a lovely black woman sitting at one end under an elaborate emblem concocted of anchors, seashells, Viking figureheads, lions, ropes, octopi, lightning bolts, and, occupying the central position, a golden apple.