* This association, attributing diabolism to the left-hand path, is oversimplified, prejudiced, and superstitious. In general, it can be said that the left-hand pentagram is suitable for both invocations and evocations, whereas the right-hand pentagram is suitable only for evocations, and mat is the only important difference. (It is assumed that the reader understands the pentagram as an exclusively male symbol.)

** Cf. the Tarot trumps II and III-the Magus, holding one arm upward and one downward, and the High Priestess, sitting between the pillars of Day and Night. (The Priestess is also associated with the Hebrew letter gimmel, the camel, and part of the meaning of this symbolism is contained in the shapes of the camel's back and the Hebrew letter.)

*** This makes it quite useless for summoning werewolves. The Sacred Chao, however, is intended to teach a philosophical lesson, not to attract individuals with dubious pastimes.

Very few readers of the Golden Bough have pierced Sir Prof. Dr. Frazer's veil of euphemism and surmised the exact method used by Isis in restoring life to Osiris, although this is shown quite clearly in extant Egyptian frescoes. Those who are acquainted with this simple technique of resurrecting the dead (which is at least partially successful in all cases and totally successful in most) will have no trouble in skrying the esoteric connotations of the Sacred Chao- or of the Taoist yin-yang or the astrological sign of cancer. The method almost completely reverses that of the pentagrams, right or left, and it can even be said that in a certain sense it was not Osiris himself but his brother, Set, symbolically understood, who was the object of Isis's magical workings. In every case, without exception, a magical or mystical symbol always refers to one of the very few* variations of the same, very special variety of human sacrifice: the "one eye opening" or the "one hand clapping"; and this sacrifice cannot be partial- it must culminate in death if it is to be efficacious. The literal-mindedness of the Saures, in the novel, caused them to become a menace to life on earth; the reader should bear this in mind. The sacrifice is not simple. It is a species of cowardice, epidemic in Anglo-Saxon nations for more than three centuries, which causes most who seek success in this field to stop short before the death of the victim. Anything less than death-that is, complete oblivion-simply will not work.** (One will find more clarity on this crucial point in the poetry of John Donne than in most treatises alleging to explain the secrets of magick.)

* Fewer than seventy, according to a classical enumeration.

** The magician must always identify fully with the victim, and share every agonized contortion to the utmost. Any attitude of standing aside and watching, as in a theatrical performance, or any intellectualization during the moments when the sword is doing its brutal but necessary work, or any squeamishness or guilt or revulsion, creates the two-mindedness against which Hagbard so vehemently warns in Never Whistle While You're Pissing. In a sense, only the mind dies.

A. YIN-YANG; B. SACRED CHAD; c. OUROBOROS, THE SERPENT EATING ITS OWN TAIL;

D. ASTROLOGICAL SIGN OF CANCER; E. SWASTIKA;

F. ROMAN CATHOLIC SACRED HEART; G. HEXAGRAM.

The symbolism of the swastika is quite adequately explained in Wilhelm Reich's Mass Psychology of Fascism.

Ouroboros, the serpent eating its own tail, is chiefly emblematic of the Mass of the Holy Ghost.*

* See Israel Regardie, The Tree of Life.

The Roman Catholic symbolism of the Sacred Heart is strikingly overt, especially to readers of Frazer and Payne-Knight. In essence, it is the same notion conveyed by the cartoonist's conventional rendering of Cupid shooting his arrow into a red pulsating heart. This is the basic meaning of the Dying God and the Resurrection. The identification of Christ with the pelican who stabs its own heart with its beak (to feed its young) is an analogous rendering of the same motif. We repeat that it was only because the Saure family so misread these simple symbols that they became cruel and sadistic.

In essence, then, the basic symbols, of magic, mythology, and religion-whether Eastern or Western, ancient or modern, "right-hand" or "left-hand"-are so simple that only the pernicious habit of looking for alleged "profundities" and "mysteries" prevents people from automatically understanding them almost without thinking. The meaning of the hexagram- the female equivalent of the male pentagram- was explicated by Freud himself, but most students, convinced that the answer could not be so elementary and down-to-earth, continue to look into the clouds.

The same principles apply to written symbols. The all-important name YOD HE VAU HE, for instance, has traditionally been scanned in various ways, of which the most significant correlations are given in the following table:

The traditional lion-man-eagle-bull symbolism also fits this table,* as do Joyce's Four Old Men in Finnegans Wake;** it can also be found in the Aztec codices and Buddhist mandalas.

* YOD, the fiery father, is the lion (fire-sign); HE, the watery mother, is man as humanity; VAU, the air spirit, is eagle; final HE, earth, is bull.

** Marcus Lyons (i.e., the lion) is the fiery father; Matt Gregory (i.e., the ego) is the watery mother; John McDougall (i.e., eagle) is the airy son; Luke Tarpey (taur, the bull) is the earthy daughter.

The essential and original meaning, of course, is a program for a ritual, and the ritual is magick. The four letters are simply the four beats in Wilhelm Reich's formula: muscular tension -» electrical charge -» electrical discharge -» muscular relaxation. In short, as Freud once noted, every sexual act involves, at a minimum, four parties. The father and son provide a "fist" and a "nail"; the mother and daughter provide two "windows." The case of the Chicago schizophrenic killer William Heirens, who experienced orgasm when climbing through windows, demonstrates that this symbolism does not have to be taught and is inherent in the human mind, although always subject to the distortion exemplified by the Saures.

Finally, the universal blessing given on page 218 is intimately involved with the YHVH formula:

I bless Ra, the fierce sun burning bright

I bless Isis-Luna in the night

I bless the air, the Horus-Hawk

I bless the earth on which I walk

The fiery father, the watery mother, the airy son, and the earthy daughter are all there, just as they are in every alchemical formula.* But we say no more at this point, lest the reader begin seeking for a 5 = 4 equation to balance the 5 = 6.

* In this connection-and also, en passant, as an indication that Adolf Hitler's link with the Illuminati was not invented for this work of "fiction"- we suggest that the reader look into The Morning of the Magicians, by Pauwels and Bergier.

We conclude with a final warning and clarification: Resort to mass sacrifice (as among the Aztecs, the Catholic Inquisition, and the Nazi death camps) is the device of those who are incapable of the true Rite of the Dying God.