I finally got around to reading Telemachus Sneezed on the flight to Munich, a touch of appropriate synchronicity, since Atlanta Hope (like the Illuminati's pet paperhanger) had an umbilical connection backward toward Clark Kent's old enemy Lothar and his festive burgher's unsure God. In fact, Atlanta wrote as if she had her own Diet of Worms for breakfast every morning. What made it even more fan-fuckin'-tastic was that she was on the same flight with me, sitting, in fact, a few seats ahead of me and to port, or starboard, or whatever is the correct word for right when you're in the air.

Mary Lou was with me; she was a hard woman to get out of your system once you'd made it with her. John had advanced me only enough money for my own passage, so I'd hustled some Alamout Black on Wells Street to raise the extra fare for her, and then I had to explain that it wasn't just a pleasure trip.

"What's all the mystery?" she had asked, "Are you CIA or a Commie or something for Christ's sake?"

"If I told you," I said, "you wouldn't believe it. Just enjoy the music and the acid and whatever else is coming down, and when it happens you'll see it. You'd never believe it before you see it."

"Simon Motherfucking Moon," she told me gravely, "after the yoga and sex you've taught me these last three days, I'm ready to believe anything."

"Ghosts? The grand zombi?"

"Oh, there you go again, putting me on," she protested.

"See?"

So it was more or less left at that and we smoked two joints and hopped a cab out to O'Hare, passing all the signs where they were tearing down lower-middle-class neighborhoods to turn them into upper-middle-class high-rise neighborhoods and each sign said,

THIS IS ANOTHER IMPROVEMENT FOR CHICAGO-RICHARD J. DALEY, MAYOR.

Of course, in the lower-class neighborhoods, they weren't tearing anything down, just waiting for the people to go on another rampage and burn it down. The signs there were all done with spray cans and had more variety: OFF THE PIG, BLACK P. STONE RUNS IT, POWER TO THE PEOPLE, FRED LIVES, ALMIGHTY LATIN KINGS RUN IT, and one that would have pleased Hagbard, OFF THE LANDLORDS. Then we got into the traffic on the Eisenhower Expressway (Miss Doris Day standing before Ike's picture in my old schoolroom flashed through memory like the ghost of an old hard-on, the flesh of her mammary) and we put on our gas masks and sat while the cab crawled along fast enough to possibly catch a senile snail with arthritis.

Mary Lou bought Edison Yerby's seventieth or eightieth novel in the airport, which suited me fine since I like to read on airplanes myself. Looking around, I spotted Telemachus Sneezed and decided, what the hell, let's see how the other half thinks. So there we were at fifty thousand feet a few yards from the author herself and I was plunged deeply into the donner-und-blitzen metaphysics of God's Lightning. Unlike the lamentable Austrian monorchoid, Atlanta wrote like she had balls, and she expressed her philosophy in a frame of fiction rather than autobiography. Pretty soon, I was in her prose up to my ass and sinking rapidly. Fiction always does that to me: I buy it completely and my critical faculties come into action only after I'm finished.

Briefly, then, Telemachus Sneezed deals with a time in the near future when we dirty, filthy, freaky, lazy, dope-smoking, frantic-fucking anarchists have brought Law and Order to a nervous collapse in America'. The heroine, Taffy Rhinestone, is, like Atlanta was once herself, a member of Women's Liberation and a believer in socialism, anarchism, free abortions and the charisma of Che. Then comes the rude awakening: food riots, industrial stagnation, a reign of lawless looting and plunder, everything George Wallace ever warned us against- but the Supreme Court, who are all anarchists with names ending in -stein or -farb or -berger (there is no overt anti-Semitism in the book), keeps repealing laws and taking away the rights of policemen. Finally, in the fifth chapter- the climax of Book One- the heroine, poor toughy Taffy, gets raped fifteen times by an oversexed black brute right out of The Birth of a Nation, while a group of cops stand by cursing, wringing their hands and frothing at the mouth because the Supreme Court rulings won't allow them to take any action.

In Book Two, which takes place a few years later, things have degenerated even further and factory pollution has been replaced by a thick layer of marijuana smoke hanging over the country. The Supreme Court is gone, butchered by LSD crazed Mau-Maus who mistook them for a meeting of the Washington chapter of the Policemen's Benevolent Association. The President and a shadowy government-in-exile are skulking about Montreal, living a gloomy emigre existence; the Blind Tigers, a rather thinly disguised caricature of the Black Panthers, are terrorizing white women everywhere from Bangor to Walla Walla; the crazy anarchists are forcing abortions on women whether they want them or not; and television shows nothing but Maoist propaganda and Danish stag films. Women, of course, are the worst sufferers in this blightmare, and, despite all her karate lessons, Taffy has been raped so many times, not only by standard vage-pen but orally and anally as well, that she's practically a walking sperm bank. Then comes the big surprise, the monstro-rape to end all rapes, committed by a pure Aryan with hollow cheeks, a long lean body, and a face that never changes expression. "Everything is fire," he tells her, as he pulls his prick out afterwards, "and don't you ever forget it." Then he disappears.

Well, it turns out that Taffy has gone all icky-sticky-gooey over this character, and she determines to find him again and make an honest man of him. Meanwhile, however, a subplot is brewing, involving Taffy's evil brother, Diamond Jim Rhinestone, an unscrupulous dope pusher who is mixing heroin in his grass to make everybody an addict and enslave them to him. Diamond Jim is allied with the sinister Blind Tigers and a secret society, the Enlightened Ones, who cannot achieve world government as long as a patriotic and paranoid streak of nationalism remains in America.

But the forces of evil are being stymied. A secret underground group has been formed, using the cross as their symbol, and their slogan is appearing scrawled on walls everywhere:

SAVE YOUR FEDERAL RESERVE NOTES, BOYS, THE STATE WILL RISE AGAIN!

Unless this group is found and destroyed, Diamond Jim will not be able to addict everyone to horse, the Blind Tigers won't be able to rape the few remaining white women they haven't gotten to yet, and the Enlightened Ones will not succeed in creating one world government and one monotonous soybean diet for the whole planet. But a clue is discovered: the leader of the Underground is a pure Aryan with hollow cheeks, a long lean body, and a face that never changes expression. Furthermore, he is in the habit of discussing Heracleitus for like seven hours on end (this is a neat trick, because only about a hundred sentences of the Dark Philosopher survive- but our hero, it turns out, gives lengthy comments on them).

At this point there is a major digression, while a herd of minor characters get on a Braniff jet for Ingolstadt. It soon develops that the pilot is tripping on acid, the copilot is bombed on Tangier hash and the stewardesses are all speed freaks and dykes, only interested in balling each other. Atlanta then takes you through the lives of each of the passengers and shows that the catastrophe that is about to befall them is richly deserved: all, in one way or another, had helped, to create the Dope Grope or Fucks Fix culture by denying the "self-evident truth" of some hermetic saying by Heracleitus. When the plane does a Steve Brodie into the North Atlantic, everybody on board, including the acid-tripping Captain Clark, are getting just what they merit for having denied that reality is really fire.