About 13,000 B.C. a new culture is planted on a hillside near the headwaters of the Euphrates and it starts to spread. A tribe of Cro-Magnons, magnificently tall, strong, large-headed people, is marched at gunpoint down from the snows of Europe to the fertile lands of the Middle East. They are taken to the site chosen for the first agricultural settlement and shown how to plant crops. For several years they do so while the Unbroken Circle's men guard them with flame throwers. Their generations pass rapidly, and once the new way of life has taken hold the Illuminated Ones leave them alone. The tribe divides into kings, priests, scribes, warriors, and farmers. A city surrounded by farms rises up. The kings and priests are soft, weak and fat. The peasants are stunted and dulled by malnutrition. The warriors are big and strong, but brutal and unintelligent. The scribes are intelligent, but thin and bloodless. Now the city makes war on neighboring tribes of barbarians. Being well organized and technologically superior, the people of the city win. They enslave the barbarians and plant other cities nearby. Then a great tribe of barbarians comes down from the north and conquers the civilized people and burns their city. This is not the end of the new civilization, though. It only revitalizes it. Soon the conquerors have learned to play the roles of kings, priests and warriors, and now there is a kind of nation consisting of several cities with a large body of armed who must be kept occupied. Marching robotlike in great square formations, they set out over the plain to find new peoples to conquer. The sun shines down on the civilization created by the Illuminati. And below the sea the eye on the pyramid glares balefully upward.
THE END
Lights flashed on suddenly. The screen rolled up into its receptacle with a snap. Blinded, Joe rubbed his eyes. He had a ferocious headache. He also had a ferocious need to urinate at once, before his bladder exploded. He'd had an awful lot of drinks at the plastic martini party, then made love to that Chinese girl in the cab, then sat down to watch this movie without once taking time out to go to the bathroom. The pain in his groin was excruciating. He imagined it felt something like what Evoe, that fellow in the movie, had experienced after he castrated himself.
"Where the hell is the John?" said Joe loudly. There was no one in the room. While he was absorbed in the movie, they, doubtless having seen it before, had crept away softly, leaving him alone to watch the death of Atlantis.
"Christ's sake," he muttered. "Gotta take a leak. If I don't find the bathroom right away I'll pee in my pants." Then he noticed a wastepaper can tinder the table. It was walnut with a metal lining. He bent over and picked it up, sending new tremors of anguish through a body on the verge of bursting. He decided to use it as a receptacle, set it down again, unzipped his fly, took out his dick and let go into the can. What if they all came trooping back into the room now, he thought. Well, he would be embarrassed, but what the hell. It was their fault for springing this movie on him without giving him a chance to make himself comfortable. Joe looked somberly down into the foam.
"Piss on Atlantis," he muttered. Who the hell were those people he'd seen tonight? Simon and Padre and Big John had never told him about a group like this. Nor had they ever said anything about Atlantis. But there was the clear implication, if this movie was to be believed, that the Ancient Illuminated Seers of Bavaria might better be called the Ancient Illuminated Seers of Atlantis. And that the word "Ancient" meant a lot older than 1776.
It was clearly time to leave this place. He could try searching the offices, but he doubted whether he'd find anything, and, anyway, he was much too tired and hung over- not only from the alcohol he'd drunk, but also from the strange drug the Oriental girl had given him before the movie. Still, it had been a very nice drug. It had been Joe's habit since 1969, when he wasn't too busy and didn't have to get up early in the morning, to get stoned and watch late movies on television. He found this so enjoyable a pastime that he'd lost two girlfriends to it; they'd both wanted to go to bed when he was just settling down in front of the tube, laughing himself silly at the incredibly clever witticisms, marveling at the profundity of the philosophical aphorisms tossed off by the characters (such as Johnny's line in Bitter Rice: "I work all week and then on Sundays I watch other people ride the merry-go-round"-what a world of pathos had been expressed in that simple summation of a man's life) or appreciating, as one wordsmith does another, the complex subtlety of the commercials and the secret links between them and the movies into which they were inserted (like the slogan: "You can take the Salem out of the country but you can't take the country out of Salem," in the middle of The Wolf Man). All of this capacity for appreciating movies had been raised to a new high with the drug Mao Tsu-hsi had given him, and added to this it was a full-color movie on a large screen uninterrupted by commercials or, come to think of it, by fnords- and commercials no matter how trickily interwoven with the plot of the movie did tend to seem like interruptions, even to one who was stoned enough to know better. It had been a great movie. The best movie of his life. He would never forget it. Joe tried the knob of the boardroom door and it opened at once. He stopped, considering whether he should take out his pocket knife and carve "Malik was here" or some obscenity into the beautiful wood of the table. That would, he felt in an obscure way, let them know that he knew where they were at. But it would be a shame to spoil the wood, and besides, he was dreadfully tired. He walked through darkened outer corridors, staggered down the stairs and let himself out into the street. Looking toward the East River, he thought he could see light in the sky over Queens. Was the sun coming up? Had he been there that long?
A cab cruised by with its light on. Joe hailed it. Sinking into the back seat as he gave the driver his home address, he noticed that the man's name on his hack license was Albert Feather.
Well, here's that ladder now, Come on, let's climb. The first rung is yours, The rest are mine.
Funny, thought Lieutenant Otto Waterhouse of the State's Attorney's Police. Every time things get hairy, that damn song starts going through my head. I must be an obsessive-compulsive neurotic. He'd first heard the song, "To Be a Man" by Len Chandler, at the home of a chick he was balling back in '65. It expressed pretty well for him his condition as a member of the tribe. The tribe, that was how he thought of black people; he'd heard a Jew refer to the Jews that way, and he liked it better than that soul brother shit. Deep down, he hated other blacks and he hated being black. You had to climb, that was the thing. You had to climb, each man alone.
When Otto Waterhouse was eight years old, a gang of black kids on the South Side had beaten him, knifed him and thrown him into Lake Michigan to drown. Otto didn't know how to swim, but somehow he'd pulled himself along the concrete pilings, clinging to rusty steel where there was nothing to cling to, his blood seeping out into the water, and he'd stayed there, hidden, till the gang went away. Then he pulled himself along to a ladder, climbed up and dragged himself onto the concrete pier. He lay there, almost dead, wondering if the gang would come back and finish him.
Someone did come along. A cop. The cop nudged Otto's body with his toe, rolled it over and looked down. Otto looked up at the Irish face, round, pig-nosed and blue-eyed.
"Oh, shit," said the cop, and walked on.