The walls were now entirely bare; and Morghi considered them for a long time, amid the respectful silence of his underlings. A queer panel, high up in the south-eastern side above the writing-table, had been revealed by the removal of one of the paintings. Morghi’s heavy brows met in a long black bar as he eyed this panel. It was conspicuously different from the rest of the wall, being an oval-shaped inlay of some reddish metal that was neither gold nor copper—a metal that displayed an obscure and fleeting fluorescence of rare colors when one peered at it through half-shut eyelids. But somehow it was impossible even to remember with open eyes the colors of this fluorescence.
Morghi—who, perhaps, was cleverer and more perspicacious than Eibon had given him credit for being—conceived a suspicion that was apparently baseless and absurd, since the wall containing the panel was the outer wall of the building, and could give only on the sky and sea.
He climbed upon the writing-table and struck the panel with his fist. The sensations which he felt, and the result of the blow, were alike astounding. A sense of icy cold so extreme that it was hardly distinguishable from extreme heat, ran along his hand and arm through his whole body as he smote the unknown reddish metal. And the panel itself swung easily outward, as if on unseen hinges, with a high sonorous clang that seemed to fall from an incomputable distance. Beyond it, Morghi saw that there was neither sky nor sea nor, in fact, anything he had ever seen or heard of, or had even dreamt of in his most outrageous nightmares...
He turned to his companions. The look on his face was half amazement, half triumph.
“Wait here till I return,” he commanded, and leapt headlong through the open panel.
II
The charges that had been brought against Eibon were indeed true. The sagacious wizard, in his life-long study of laws and agencies, both natural and supernatural, had taken account of the myths that were prevalent in Mhu Thulan regarding Zhothaqquah, and had thought it conceivably worth while to make a personal investigation of this obscure pre-human entity. He had cultivated the acquaintance of Zhothaqquah, who, in the desuetude of his worship, was now driven to lead an existence wholly subterranean; he had offered the prescribed prayers, had made the sacrifices that were most acceptable; and the strange, sleepy little god, in return for Eibon’s interest and his exvotes, had confided to him certain information that was more than useful in the practice of the black arts. Also he had told Eibon some autobiographical data that confirmed the popular legends in more explicit detail. For reasons which he did not specify, he had come to earth in former aeons from the planet Cykranosh (the name by which Saturn was called in Mhu Thulan); and Cykranosh itself had been merely a way-station in his travels from remoter worlds and systems. As a special reward, after years of service and burnt-offerings, he presented to Eibon a large thin oval plate of some ultra-telluric metal, instructing him to have it fitted as a hinged panel in an upper room of his house. The panel, if swung outward from the wall on open air, would have the peculiar property of giving admittance to the world Cykranosh, many million miles away in space.
According to the vague and somewhat unsatisfactory explanation vouchsafed by the god, this panel, being partly wrought from a kind of matter which belonged to another universe than man’s, possessed uncommon radiative properties that served to ally it with some higher dimension of space, through which the distance to astronomically remote spheres was a mere step.
Zhothaqquah, however, warned Eibon not to make use of the panel unless in time of extreme need, as a means of escape from otherwise inevitable danger; for it would be difficult if not impossible to return to earth from Cykranosh—a world where Eibon might find it anything but easy to acclimate himself, since the conditions of life were very different from those in Mhu Thulan, even though they did not involve so total an inversion of all terrene standards and norms as that which prevailed in the more outlying planets. Some of Zhothaqquah’s relatives were still resident in Cykranosh and were worshipped by its peoples; and Zhothaqquah told Eibon the almost unpronounceable name of the most powerful of these deities, saying that it would be useful to him as a sort of pass-word if he should ever need to visit Cykranosh.
The idea of a panel that would open on some remote world impressed Eibon as being rather fantastic, not to say far-fetched; but he had found Zhothaqquah to be in all ways and at all times a most veracious deity. However, he made no trial of the panel’s unique virtues, till Zhothaqquah (who maintained a close surveillance of all underground doings) had warned him of the machinations of Morghi and the processes of ecclesiastic law that were being instituted in the vaults below the temple of Yhoundeh. Knowing as he did the power of these jealous bigots, Eibon decided that it would be injudicious to the point of folly if he were to let himself fall into their hands. Bidding a short and grateful farewell to Zhothaqquah, and collecting a small parcel of bread and meat and wine, he retired to his study and climbed upon the writing-table. Then, lifting aside the crude picture of a scene in Cykranosh with which Zhothaqquah had inspired some primeval half-human artist, he pushed open the panel it had served to conceal.
Eibon saw that Zhothaqquah was indeed a god of his word: for the scene beyond the panel was nothing that could ever find a legitimate place in the topography of Mhu Thulan or of any terrestrial region. It did not altogether appeal to him; but there was no alternative, save the inquisitorial cells of the goddess Yhoundeh. Envisaging in thought the various refinements and complications of torture which Morghi would have now prepared, he sprang through the opening into Cykranosh with an agility that was quite juvenile for a wizard of mature years.
It was only a step; but turning he saw that all trace of the panel or of his dwelling had now disappeared. He was standing on a long declivity of ashen soil, down which a sluggish stream that was not water, but some liquescent metal resembling mercury, ran from tremendous unscalable shoulders and horns of the mountain-heights above, to debouch in a hill-surrounded lake of the same liquid. The slope beneath him was lined with rows of peculiar objects; and he could not make up his mind whether they were trees, mineral forms or animal organisms, since they appeared to combine certain characteristics of all these. This preternatural landscape was appallingly distinct in every detail, under a greenish-black sky that was over-arched from end to end with a triple cyclopean ring of dazzling luminosity. The air was cold, and Eibon did not care for its sulphurescent odor, or the odd puckery sensation it left in his nostrils and lungs. And when he took a few steps on the unattractive-looking soil, he found that it had the disconcerting friability of ashes that have dried once more after being wetted with rain.
He started down the slope, half-fearing that some of the equivocal objects around him would reach out their mineral boughs or arms to arrest his progress. They seemed to be a kind of bluish-purple obsidian cacti, with limbs that ended in formidable talon-like spines, and heads that were altogether too elaborate for either fruits or blossoms. They did not move as he passed among them; but he heard a faint and singular tinkling with many modulations of tone, that preceded and followed him along the slope. Eibon conceived the uncomfortable notion that they were holding converse with each other; and were perhaps debating what should be done with him or about him.
However, he reached without mishap or hindrance the end of the declivity, where terraces and ledges of decomposing trap, like a mighty stairway of elder aeons, had rimmed the sunken lake of liquescent metal. Wondering as to the way he should now take, Eibon stood irresolute on one of the ledges.