She was dressed in the humblest and poorest of clothes, her skimpy shawl round her shoulders could scarce protect her against the cold of this cruel winter's morning; her hair was entirely hidden beneath a frilled and starched cap, and her feet were encased in coarse worsted stockings, but her hands were delicate and fine, and her face had that nobility of feature and look of patient resignation in the midst of overwhelming sorrow which proclaimed a lofty refinement both of soul and mind.

The old Letter-Writer was surveying the pathetic young figure before him through his huge horn-rimmed spectacles, and she smiled at him through her fast-gathering tears. He used to have his pitch at the angle of the Pont Neuf, and whenever Agnes had walked past it she had nodded to him and bidden him "Good morrow!" He had at times done little commissions for her and gone on errands when she needed a messenger; today, in the midst of her despair, she had suddenly thought of him and that rumor credited him with certain knowledge which she would give her all to possess.

She had sallied forth this morning with the express purpose of speaking to him; but now suddenly she felt afraid, and stood looking at him for a moment or two, hesitating, wondering if she dared tell him--one never knew these days into what terrible pitfall an ill-considered word might lead one.

A scarecrow he was, that old Public Letter-Writer, more like a great, gaunt bird then a human being, with those spectacles of his, and his long, very sparse and very lanky fringe of a beard which fell from his cheeks and chin and down his chest for all the world like a crumpled gray bib. He was wrapped from head to foot in a caped coat which had once been green in color, but was now of many hues not usually seen in rainbows. He wore his coat all buttoned down the front like a dressing-gown, and below the hem there peeped out a pair of very large feet encased in boots which had never been a pair. He sat upon a rickety, straw-bottomed chair under an improvised awning which was made up of four poles and a bit of sacking. He had a table in front of him-a table partially and very insecurely propped up by a bundle of old papers and books, since no two of its four legs were completely whole--and on the table there was a neckless bottle half-filled with ink, a few sheets of paper and a couple of quill pens.

The young girl's hesitation had indeed not lasted more then a few seconds.

Furtively, like a young creature terrified of lurking enemies, she once more glanced to right and left of her and down the two streets and the river bank, for Paris was full of spies these days, human bloodhounds ready for a few sous to sell their fellow-creatures' lives. It was middle morning now, and a few passers-by were hurrying along wrapped to the nose in mufflers, for the weather was bitterly cold.

Agnes waited until there was no one in sight, then she leaned forward over hte table and whispered under her breath:

"They say, citizen, that you alone in Paris know the whereabouts of the English milor'-of him who is called the Scarlet Pimpernel.."

"Hush-sh-sh!" said the old man, quickly, for just at that moment two men had gone by, in ragged coats and torn breeches, who had leered at Agnes and her neat cap and skirt as they passed. Now they had turned the angle of the street and the old man, too, sank his voice to a whisper.

"I know nothing of any Englishman," he muttered.

"Yes, you do," she rejoined insistently. "When poor Antoine Carre was somewhere in hiding and threatened with arrest, and his mother dared not write to him lest her letter be intercepted, she spoke to you about the English milor', and the English milor' found Antoine Carre and took him and his mother safely out of France. Mme. Carre is my godmother....I saw her the very night when she went to meet the English milor' at his commands. I know all that happened then...I know that you were the intermediary.

"And if I was," he muttered sullenly as he fiddled with his pen and paper, "maybe I've had cause to regret it since. For a week after the Carre episode I dared not show my face in the streets of Paris; for nigh on a fortnight I dared not ply my trade...I have only just ventured to again set up business. I am not going to risk my old neck again in a hurry..."

"It is a matter of life and death," urged Agnes as once more the tears rushed to her pleading eyes and the look of misery settled again upon her face.

"Your life, citizeness?" queried the old man, "or that of citizen-deputy Fabrice?"

"Hush!" she broke in again ,as a look of real terror now overspread her face. Then she added under her breath:

"You know?"

"I know that Mademoiselle Agnes de Lucines is fiancee to the citizen-deputy Arnould Fabrice," rejoined the old man quietly, " and that it is Mademoiselle Agnes de Lucines who is speaking with me now."

"You have known all along?"

"Ever since mademoiselle first tripped past me at the angle of the Pont Neuf, dressed in winsey kirtle and wearing sabots on her feet......"

"But how," she murmured, puzzled, not a little frightened, for his knowledge might prove dangerous to her. She was of gentle birth, and as such an object of suspicion to the Government of the Republic and of hte Terror: her mother was hopeless cripple, unable to move: this, together with her love for Arnould Fabrice, had kept Agnes de Lucines in France these days, even though she was in hourly peril of arrest.

"Tell me what has happened," the old man said, unheeding her last anxious query. "Perhaps I can help..."

"Oh! you cannot--the English milor can and will if only we could know where he is. I thought of him the moment I received that awful man's letter--and then I thought of you..."

"Tell me about the letter--quickly," he interrupted her with some impatience. "I'll be writing something--but talk away, I shall hear every word. But for God's sake be as brief as you can."

He drew some paper nearer to him and dipped his pen in the ink. He appeared to be writing under her dictation. Thin, flaky snow had begun to fall and settled in a smooth white carpet upon the frozen ground and the footsteps of the passers-by sounded muffled as they hurried along. Only the lapping of the water of the sluggish river close by broke the absolute stillness of the air. Agnes de Lucienne's pale face looked ethereal in this framework of white which covered her shoulders and the shawl crossed over her bosom: only her eyes, dark, appealing, filled with a glow of immeasurable despair, appeared tensely human and alive.

"I had a letter this morning," she whispered, speaking very rapidly, "from citizen Heriot--that awful man--you know him?"

"Yes, yes!"

"He used to be valet in the service of deputy Fabrice. Now h e too is a member of the National Assembly...he is arrogant and cruel and vile. He hates Arnould Fabrice and he professes himself passionately in love with me."

"Yes, yes!" murmured the old man,"but the letter?"

"It came this morning. In it he says that he has in his possession a number of old letters, documents and manuscripts which are quite enough to send deputy Fabrice to the guillotine. He threatens to place all those papers before the Committee of Public Safety...unless I..."

She paused, and a deep blush, partly of shame, partly of wrath, suffused her pale cheeks.

"Unless you accept his grimy hand in marriage," concluded the old man dryly.

Her eyes gave him answer. With pathetic insistence she tried now to glean a ray of hope from the old scarecrow's inscrutable face. But he was bending over his writings, his fingers were blue with cold, his great shoulders were stooping to his task.