Изменить стиль страницы

Devi hugs Freya and Badim. She looks worried, as always.

“Hungry?” Badim asks.

“Yes,” she says. “And I could use a drink.”

“It’s good that’s fixed,” Badim remarks on the walk home.

“That’s for sure!” She shakes her head gloomily. “If the lock doors were to get stuck, I don’t know what we’d do. I must say, I’m not impressed by the people who built this thing.”

“Really? It’s quite a machine, when you think about it.”

“But what a design. And it’s just one thing after another. It’s pillar to post. I just hope we can hang on till we get there.”

“Deceleration mode, my dear. It won’t be much longer.”

Aurora  _3.jpg

The Coriolis force is the push sideways that you can’t feel. Whether you can feel it or not, however, it still pushes the water. So now that the water has the deceleration pushing it sideways, they have to pump water across to the other sides of biomes to get it to where it used to go. They have to replace the force in ways that don’t actually work very well in comparison to it. They planned for this with their pumping of water, but they haven’t been able to make up for the altered pushes inside plant cells, which some plants are turning out not to like. There was a little push inside every cell that is altered now. Which is maybe why things are getting sick. It doesn’t make sense, but then neither does anything else.

On Devi goes, talking and talking as they make their rounds. “It’s not the Coriolis force that matters, it’s the Coriolis effects. Those were never accounted for except in people, as if people are the only ones who feel things!”

“How could they have been so stupid?” Freya says.

“Exactly! Maybe all the cell walls will hold, so maybe it isn’t obvious, but the water! The water!”

“Because water always moves.”

“Exactly! Water always flows downhill, water always takes the path of least resistance. And now we’ve got a new downhill.”

“How could they be so stupid?”

Devi seizes her around the shoulders as they walk, hugs her. “I’m sorry, I’m just worried is all.”

“Because there are things to worry about.”

“That’s right, there are. But I don’t have to afflict you with them.”

“Will you have some salty caramel ice cream?”

“Of course. You couldn’t stop me. You couldn’t stop me with twenty years of fusion bombs going off twice a second!”

This is how they are slowing the ship down. As always, they laugh at how crazy this is. Luckily the bombs are very teeny. They meet Badim at the dairy, and learn that there’s a new flavor of ice cream there, Neapolitan, which has three flavors combined.

Freya is confused trying to think this through. “Badim, will I like that?”

He smiles at her. “I think you will.”

Aurora  _3.jpg

After the Neapolitan ice cream, on to the next stop on Devi’s rounds. Algae labs, the salt mine, the power plant, the print shop. If everything is going well, they’ll choose some item that has come up on the parts swap-out list, and go through Amazonia to Costa Rica, where the print shop is, and arrange for one of the printers to print out the part to be swapped out, and then they’ll go to wherever the part belongs, and switch on the backup system, if there is one, or simply turn off whatever it is and hurry to take out the old part and put in the new part. Gears, filters, tubes, bladders, gaskets, springs, hinges. When they’re done and the system is turned back on, they’ll study the old part to see how well it has endured, and where it has worn; they’ll take photos of it, and talk its diagnosis into the ship’s record, and then take the part to the recycling rooms, which are right next to the print shop, and provide the printers with many of their feedstocks.

That’s when things are going well. But usually, not everything is going well. Then it’s a matter of troubleshooting, grasping the bull by the horns, seizing the nettle, coping and hoping, damning torpedoes, and trying any old thing, including the engineer’s solution, which is to hit things with a hammer. On really bad days, they even have to hope the whole shithouse doesn’t come down on their heads! Have to hope they don’t end up living like savage beasts, eating trash or their own dead babies! Devi’s face and voice can get very ugly as she spits out these bad fates.

Aurora  _3.jpg

At home in the kitchen, even after bad days, Devi can get a little cheery. Drink some of Delwin’s white wine, fool around with Freya like a big sister. Freya doesn’t have any brothers or sisters, so she can’t be sure, but as she is already bigger than Devi, it feels to her like what she imagines having a sister would feel like. A sister who is littler, but older.

Now Devi sits on the kitchen floor under the sink, calls for Badim to come join them and play spoons. Badim appears in the doorway looking pleased, holding the fat stack of big tarot cards. He sits, and they split up the cards among them, and begin each to build card houses at the three corners of the floor that they always take. They build the card houses low and thick, for defense against the others’ nefarious attacks, adding cards at angles so there are no faces presented square to each other. Devi always makes hers like a boat turned upside down, and as she usually wins, Badim and Freya have begun to imitate her style.

When they are done building their card houses, they take turns flicking a plastic spoon across the kitchen at each other’s constructions. The rule is you have to launch the spoon by bending it between your hands, then letting it loose to spring through the air end over end. The spoons are light, and their little bowls catch the air so that their flights are erratic, and only seldom do they hit their targets. So they flick, and the spoon arcs across the floor veering this way and that—flick and miss, flick and miss—and then there will be a hit, thwack! But if the afflicted card house has been built well, and gets lucky, it will withstand the blow, or only partly fall, losing an outer rampart or bartizan. Badim has found names for all these features, which makes Devi laugh.

Every once in a while a single hit will simply crumple a card house completely, which always makes them cry out with surprise, and then laugh. Although sometimes a kill shot causes a bad look to cross Devi’s face. But mostly she laughs with her husband and child, and flicks the spoon when it’s her turn, her lips pursed in concentration. She leans back against the cabinets, wearily content. This Badim and Freya can do for her. Okay, she is often angry, but she can shut that in a box inside her at times like this, and besides, her anger is directed mostly at things outside Freya’s ken. She isn’t angry at Freya. And Freya does her best to keep it that way.

Aurora  _3.jpg

Then one day one of the printers breaks, and this puts Devi into an immediate fury of worry. No one sees it but Freya, as everyone is upset, scared, looking to Devi to make things right. So Devi hurries down to the print shop, dragging Freya along, talking on her headset and sometimes stopping mid-conversation to put her hand over the little mike in front of her mouth and curse sharply, or say “Wait just a second,” so she can talk to people coming up to her on the corniche. Often she puts her hand on these people’s arms to calm them down, and they do calm down, even though it’s clear to Freya that Devi herself is very mad. But the others do not see or feel it. It’s strange to think that Devi is such a good liar.