‘For your troubles, gutter rat,’ the old man said, and shoved another page of something that had once been perfect into his maw to chew it to bits.
Jess found he was weeping, and he didn’t know why, except he knew he could never go back to what he’d been before he’d climbed in that carriage. Never not remember.
The man in the vest climbed up to the driver’s seat of the carriage. He looked down on Jess with an unsmiling, unfeeling stare, then engaged the engine.
Jess saw the old toff inside the carriage tip his hat before he slammed the door, and then the conveyance lurched to a roll, heading away.
Jess came to his feet and ran a few steps after the departing carriage. ‘Wait!’ he yelled, but it was useless, worthless, and it drew attention to the fact he was half-naked, and there was a very visible smuggling harness clutched to his chest. Jess wanted to retch. The death of people crushed under the paws of the Library’s lions had shocked him, but seeing that deliberate, horrifying destruction of a book, especially that book – it was far worse. St Paul had said, lives are short, but knowledge is eternal. Jess had never imagined that someone would be so empty that they’d need to destroy something that precious, that unique, to feel full.
The carriage disappeared around a corner, and Jess had to think about himself, even shaky as he was. He tightened the buckles on the harness again, slipped the shirt over his head and added the vest, and then he walked – he did not run – back to the warehouse where his father waited. The city swirled around him in vague colours and faces.
He couldn’t even feel his legs, and he shivered almost constantly. Because the route had been burnt into him, he walked by rote, taking the twists and turns without noting them, until he realised he was standing in the street of his father’s warehouse.
One of the guards at the door spotted him, darted out, and hustled him inside. ‘Jess? What happened, boy?’
Jess blinked. The man had a kind sort of look at the moment, not the killer Jess knew he could be. Jess shook his head and swiped at his face. His hand came away wet.
The man looked grave when Jess refused to speak, and motioned over one of his fellows, who ran off quick in search of Jess’s father. Jess sank down in a corner, still shaking, and when he looked up, his mirror image was standing in front of him – not quite his mirror, really, since Brendan’s hair had grown longer and he had a tiny scar on his chin.
Brendan crouched down to stare directly into his brother’s eyes. ‘You all right?’ he asked. Jess shook his head. ‘You’re not bleeding, are you?’ When Jess didn’t respond, Brendan leant closer and dropped his voice low. ‘Did you run into a fiddler?’
Fiddler was the slang they used for the perverts, men and women alike, who liked to get their pleasure from children. For the first time, Jess found his voice. ‘No,’ he said. ‘Not like that. Worse.’
Brendan blinked. ‘What’s worse than a fiddler?’
Jess didn’t want to tell him, and at that moment, he didn’t have to. The office door upstairs slammed, and Brendan jumped to his feet and disappeared again as he climbed up a ladder to the darkened storage where the book crates were hidden.
His father hurried over to where his eldest son sat leaning against the warehouse wall, and quickly ran hands over him to check for wounds. When he found none, he took off Jess’s vest and shirt. Callum breathed a sigh of relief when he saw the harness sat empty. ‘You delivered,’ he said, and ruffled Jess’s hair. ‘Good lad.’
Approval from his father brought instant tears to Jess’s eyes, and he had to choke them down. I’m all untied, he thought, and he was ashamed of himself. He hadn’t been hurt. He hadn’t been fiddled. Why did he feel so sullied?
He took a deep breath and told his father the truth, from the lions and the dead people, to the toff in the carriage, to the death of On Sphere Making. Because that was what he’d seen: a murder – the murder of something utterly unique and irreplaceable. That, he began to realise, was what he felt that had left him so unsettled: grief. Grief, and horror.
Jess expected his father – a man who still, at heart, loved the books he bought and sold so illegally – to be outraged, or at least share his son’s horror. Instead, Callum Brightwell just seemed resigned.
‘You’re lucky to get away with your life, Jess,’ he said. ‘He must have been drunk on his own power to let you see that, and walk. I’m sorry. It’s true, there are a few like him out there; we call ’em ink-lickers. Perverts, the lot of them.’
‘But … that was the book. Aristotle’s book.’ Jess understood, at a very fundamental level, that when he’d seen that book be destroyed, he’d seen a light pass out of the world. ‘Why did you do it, Da? Why did you sell it to him?’
Callum averted his eyes. He clapped Jess hard on the shoulder, and squeezed with enough force to bend bone. ‘Because that’s our business. We sell books to those who pay for the privilege, and you’d best learn that what is done with them after is not our affair. But still, well done. Well done this day. We’ll make a Brightwell of you yet.’
His father had always been strict about his children writing nightly in their handwritten journals, and Jess took up his pen before bed. After much thought, he described the ink-licker, and what it was like seeing him chew up such a rare, beautiful thing. His da had always said it was for the future, a way for family to remember him once he was gone … and to never talk about business, because business lived beyond them. So he left that part out, running the book. He only talked about the pervert and how it had made him feel, seeing that. His da might not approve, but no one read personal journals. Even Brendan wouldn’t dare.
Jess dreamt uneasily that night of blood and lions and ink-stained teeth, and he knew nothing he’d done had been well done at all.
But it was the world in which he lived, in London, in the year 2025.
EPHEMERA
Decree of the Work submitted by the Scholar Johannes Gutenberg, in the year 1455. Restricted to the Black Archive under the order of the Archivist Magister, for use of Curators only.
… One thing is certain: the foundation of the Great Library itself, from the Doctrine of Mirroring forward, rests the safety and security of human knowledge upon the work of Obscurists, and this system cannot be long sustained.
I propose a purely mechanical solution. The attached designs show a device that can efficiently, accurately reproduce text without the involvement of an Obscurist, through the simple use of hand-cut letters, a frame in which they would be placed, ink, and plain paper. Through this method, we may eliminate the Doctrine of Mirroring and instead create fast, easily made reproductions of our volumes.
I have created a working model, and reproduced the page you hold now. It is the first of its kind, and I believe it is the future of the world.
Tota est scientia.
Annotation in the hand of the Archivist Magister:
It is unfortunate that Scholar Gutenberg has fallen prey to this unthinkable heresy. He fails to realise the danger of what he proposes. Without the Library’s steady guidance, this device would allow the uncontrollable spread not only of knowledge, but folly. Imagine a world in which anyone, anywhere, could create and distribute their own words, however ignorant or flawed! And we have often seen dangerous progress that was only just checked in time to prevent more chaos.
The machine is to be destroyed, of course, and all such research interdicted. Sadly, it becomes obvious that Scholar Gutenberg cannot be trusted. We must silence him, and put this lethal heresy out of our minds.