“Take one, honey,” Evelyn says easily, holding a flute out to me.

I hesitate, searching her face for signs that my mask has slipped and she’s caught a glimpse of my rawness. But her face is clear and genial.

“No, don’t you argue,” she adds, misinterpreting my hesitation. “I bought a dozen cases and I hate to see good alcohol go to waste. Hell no,” she adds when the girl tries to hand her a flute. “I hate the stuff. Get me a vodka. Straight up. Chilled. Four olives. Hurry up, now. Do you want me to dry up like a leaf and float away?”

The girl shakes her head, looking a bit like a twitchy, frightened rabbit. Possibly one that had sacrificed his foot for someone else’s good luck.

Evelyn’s attention returns to me. “So how do you like LA? What have you seen? Where have you been? Have you bought a map of the stars yet? Dear God, tell me you’re not getting sucked into all that tourist bullshit.”

“Mostly I’ve seen miles of freeway and the inside of my apartment.”

“Well, that’s just sad. Makes me even more glad that Carl dragged your skinny ass all the way out here tonight.”

I’ve put on fifteen welcome pounds since the years when my mother monitored every tiny thing that went in my mouth, and while I’m perfectly happy with my size-eight ass, I wouldn’t describe it as skinny. I know Evelyn means it as a compliment, though, and so I smile. “I’m glad he brought me, too. The paintings really are amazing.”

“Now don’t do that—don’t you go sliding into the polite-conversation routine. No, no,” she says before I can protest. “I’m sure you mean it. Hell, the paintings are wonderful. But you’re getting the flat-eyed look of a girl on her best behavior, and we can’t have that. Not when I was getting to know the real you.”

“Sorry,” I say. “I swear I’m not fading away on you.”

Because I genuinely like her, I don’t tell her that she’s wrong—she hasn’t met the real Nikki Fairchild. She’s met Social Nikki who, much like Malibu Barbie, comes with a complete set of accessories. In my case, it’s not a bikini and a convertible. Instead, I have the Elizabeth Fairchild Guide for Social Gatherings.

My mother’s big on rules. She claims it’s her Southern up-bringing. In my weaker moments, I agree. Mostly, I just think she’s a controlling bitch. Since the first time she took me for tea at the Mansion at Turtle Creek in Dallas at age three, I have had the rules drilled into my head. How to walk, how to talk, how to dress. What to eat, how much to drink, what kinds of jokes to tell.

I have it all down, every trick, every nuance, and I wear my practiced pageant smile like armor against the world. The result being that I don’t think I could truly be myself at a party even if my life depended on it.

This, however, is not something Evelyn needs to know.

“Where exactly are you living?” she asks.

“Studio City. I’m sharing a condo with my best friend from high school.”

“Straight down the 101 for work and then back home again. No wonder you’ve only seen concrete. Didn’t anyone tell you that you should have taken an apartment on the Westside?”

“Too pricey to go it alone,” I admit, and I can tell that my admission surprises her. When I make the effort—like when I’m Social Nikki—I can’t help but look like I come from money. Probably because I do. Come from it, that is. But that doesn’t mean I brought it with me.

“How old are you?”

“Twenty-four.”

Evelyn nods sagely, as if my age reveals some secret about me. “You’ll be wanting a place of your own soon enough. You call me when you do and we’ll find you someplace with a view. Not as good as this one, of course, but we can manage something better than a freeway on-ramp.”

“It’s not that bad, I promise.”

“Of course it’s not,” she says in a tone that says the exact opposite. “As for views,” she continues, gesturing toward the now-dark ocean and the sky that’s starting to bloom with stars, “you’re welcome to come back anytime and share mine.”

“I might take you up on that,” I admit. “I’d love to bring a decent camera back here and take a shot or two.”

“It’s an open invitation. I’ll provide the wine and you can provide the entertainment. A young woman loose in the city. Will it be a drama? A rom-com? Not a tragedy, I hope. I love a good cry as much as the next woman, but I like you. You need a happy ending.”

I tense, but Evelyn doesn’t know she’s hit a nerve. That’s why I moved to LA, after all. New life. New story. New Nikki.

I ramp up the Social Nikki smile and lift my champagne flute. “To happy endings. And to this amazing party. I think I’ve kept you from it long enough.”

“Bullshit,” she says. “I’m the one monopolizing you, and we both know it.”

We slip back inside, the buzz of alcohol-fueled conversation replacing the soft calm of the ocean.

“The truth is, I’m a terrible hostess. I do what I want, talk to whoever I want, and if my guests feel slighted they can damn well deal with it.”

I gape. I can almost hear my mother’s cries of horror all the way from Dallas.

“Besides,” she continues, “this party isn’t supposed to be about me. I put together this little shindig to introduce Blaine and his art to the community. He’s the one who should be doing the mingling, not me. I may be fucking him, but I’m not going to baby him.”

Evelyn has completely destroyed my image of how a hostess for the not-to-be-missed social event of the weekend is supposed to behave, and I think I’m a little in love with her for that.

“I haven’t met Blaine yet. That’s him, right?” I point to a tall reed of a man. He is bald, but sports a red goatee. I’m pretty sure it’s not his natural color. A small crowd hums around him, like bees drawing nectar from a flower. His outfit is certainly as bright as one.

“That’s my little center of attention, all right,” Evelyn says. “The man of the hour. Talented, isn’t he?” Her hand sweeps out to indicate her massive living room. Every wall is covered with paintings. Except for a few benches, whatever furniture was once in the room has been removed and replaced with easels on which more paintings stand.

I suppose technically they are portraits. The models are nudes, but these aren’t like anything you would see in a classical art book. There’s something edgy about them. Something provocative and raw. I can tell that they are expertly conceived and carried out, and yet they disturb me, as if they reveal more about the person viewing the portrait than about the painter or the model.

As far as I can tell, I’m the only one with that reaction. Certainly the crowd around Blaine is glowing. I can hear the gushing praise from here.

“I picked a winner with that one,” Evelyn says. “But let’s see. Who do you want to meet? Rip Carrington and Lyle Tarpin? Those two are guaranteed drama, that’s for damn sure, and your roommate will be jealous as hell if you chat them up.”

“She will?”

Evelyn’s brows arch up. “Rip and Lyle? They’ve been feuding for weeks.” She narrows her eyes at me. “The fiasco about the new season of their sitcom? It’s all over the Internet? You really don’t know them?”

“Sorry,” I say, feeling the need to apologize. “My school schedule was pretty intense. And I’m sure you can imagine what working for Carl is like.”

Speaking of . . .

I glance around, but I don’t see my boss anywhere.

“That is one serious gap in your education,” Evelyn says. “Culture—and yes, pop culture counts—is just as important as—what did you say you studied?”

“I don’t think I mentioned it. But I have a double major in electrical engineering and computer science.”

“So you’ve got brains and beauty. See? That’s something else we have in common. Gotta say, though, with an education like that, I don’t see why you signed up to be Carl’s secretary.”

I laugh. “I’m not, I swear. Carl was looking for someone with tech experience to work with him on the business side of things, and I was looking for a job where I could learn the business side. Get my feet wet. I think he was a little hesitant to hire me at first—my skills definitely lean toward tech—but I convinced him I’m a fast learner.”