All the cameras were strewn about in the grass while everybody waited for the President to arrive. Raymond wondered what would they do if he could find a sidearm some place and shoot her through the face—through that big, toothy, flapping mouth? Look how she held Johnny down. Look how she could make him seem docile and harmless. Look how she had kept him sober and had made him seem quiet and respectable as he shook hands so tentatively and murmured. Johnny Iselin was murmuring! He was crinkling his thick lips and making them prissy as he smirked under that great fist of a nose and two of the photographers (they must be his mother’s tame photographers) were listening to him as though he were harmless.
The airport. O Jesus, Jesus, Jesus. She had got the AP photographer by the fleshy part of his upper right arm and she had got Johnny by the fleshy part of his upper left arm and she had charged them forward across that concrete apron at the National Airport yelling at the ramp men, “Get Shaw off first! Get that sergeant down here!” and the action and the noises she made had pulled all thirty news photographers and reporters along behind her at a full run while the television newsreel truck had rolled along sedately abreast of her, filming everything for the world to see that night, and thank God they were not shooting with sound.
The lieutenant had pushed him out of the plane and his mother had pushed Johnny at him and Johnny had pulled him down the ramp so he wouldn’t look too much taller in the shot. Then to make sure, Raymond’s mother had yelled, “Get on that ramp, Johnny, and hang onto him.” Johnny gripped his right hand and held his right elbow, and towered over him. Raymond’s mother didn’t say hello. She hadn’t seen him for over two years but she didn’t say hello and neither did Johnny. Thank God they were a family who didn’t waste a lot of time on talking, Raymond thought.
Johnny kept grinning at him insanely and the pupils of his eyes were open at about f.09 with the sedation she had loaded into him. The pressmen were trying to keep their places in a tight semicircle and, as always at one of those public riots where every man had been told to get the best shot, the harshest, most dominating shouter finally solved it for all the others: one big Italian-looking photographer yelled at nobody at all, “Get the mother in there, fuh crissake! Senator! Get your wife in there, fuh crissake!” Then Raymond’s mother caught on that she had goofed but good and she hurled herself in on Raymond’s offside and hung off his neck, kissing him again and again until his cheek glistened with spit, cheating to the cameras about thirty degrees, and snarling at Johnny between the kisses, “Pump his hand, you jerk. Grin at the cameras and pump his hand. A TV newsreel is working out there. Can’t you remember anything?” And Johnny got with it.
It had taken about seven minutes of posing, reposing, standing, walking toward the cameras, then the photographers broke ranks and Raymond’s mother grabbed Johnny’s wrist and took off after them.
The assistant press secretary from the White House steered Raymond to a car, and the next time Raymond saw his mother she was handing out cigars in the Rose Garden and paying out spurts of false laughter.
Everybody got quiet all of a sudden. Even his mother. They all looked alert as the President came out. He looked magnificent. He was ruddy and tall and he looked so entirely sane that Raymond wanted to put his head on the President’s chest and cry because he hadn’t seen very many sane people since he had left Ben Marco.
He stood at attention, eyes forward.
The President said, “At ease, soldier.” The President leaned forward to pick up Raymond’s right hand from where it dangled at his side and as he shook it warmly he said, “You’re a brave man, Sergeant. I envy you in the best sense of that word because there is no higher honor your country has to give than this medal you will receive today.” Raymond watched his mother edge over. With horror, he saw the jackal look in her eyes and in Johnny’s. The President’s press secretary introduced Senator Iselin and Mrs. Iselin, the sergeant’s mother. The President congratulated them. Raymond heard his mother ask for the honor of a photograph with the President, then moved her two tame photographers in with a quick low move of her left hand. The others followed, setting up.
The shot was lined up. Raymond’s mother was on the President’s left. Raymond was on the President’s right. Johnny was on Raymond’s right. Just before the bank of press cameras took the picture, Mrs. Iselin took out a gay little black-on-yellow banner on a brave little gilded stick and held it over Raymond’s head. At least it seemed that she must have meant it to be held only over Raymond’s head, but when the pictures came out in the newspapers the next day, then in thousands of newspapers all over the world beginning three and a half years hence, and with shameful frequency in many newspapers after that, it was seen that the gay little banner had been held directly over the President’s head and that the lettering on it read: JOHNNY ISELIN’S BOY.
Four
IN 1940, RAYMOND’S MOTHER HAD DIVORCED his father, a somewhat older man, while she was six months pregnant with a second child, to marry Raymond’s father’s law partner, John Yerkes Iselin, who had a raucous laugh and a fleshy nose. There was more than the usual talk in their community that loud, lewd Johnny Iselin was the father of the unborn child.
Raymond had been twelve years old at the time of his mother’s remarriage. He hadn’t particularly liked his father but he disliked his mother so much more that he felt the loss keenly. In later years the second son, Raymond’s brother, could have been said to have favored noisy Johnny more than did the dour and silent Raymond, as he had many of the identical interests in making sounds for the sake of making sounds, and also the early suggestion of a nose that promised to be equally fleshy—but Raymond’s brother died in 1948, greatly helping John Iselin’s bid for the governorship by interjecting that element of human sympathy into the campaign.
The unquestionable fact was that Eleanor Shaw’s marriage to John Iselin was a scandal and the questions that aroused curiosity must have been an insufferable torment in the mind of young Raymond as his awakening consciousness absorbed the details which kept filtering fresh drops of bitterness into his memory.
Raymond’s father had paused with his grief for six years before killing himself. At this disposition, Raymond, if no one else, was inconsolable. In the driving rain, in the presence of so few witnesses, most of whom having been rented through the funeral director, he made a graveside oration. As he spoke he looked only at his mother. He told, in a high-pitched, tight voice, of what an incomparably noble man his father had been and other boyish balderdash like that. To Raymond, from that day in 1940 when he had seen his father’s tears, his mother would always be a morally adulterous woman who had deserted her home and had brought sadness upon her husband’s venerable head.
Iselin, the stepfather, was doubly hateful because he had offended, humiliated, and betrayed a noble man by robbing him of his wife, and because he seemed to make noises with every movement and every part of his body, forsaking silence awake and asleep; belching, bawling, braying, blaspheming; snoring or shouting; talking, always, always, never stopping talking.
Raymond’s father and Johnny Iselin had been law partners until 1935 when Johnny had switched his party affiliations to run for judge of the three-county Thirteenth Judicial District. The announcement of his candidacy had come as a staggering blow to his partner and benefactor who had had his heart set for some time on running for the circuit judgeship in that district, so words were exchanged and the partnership was dissolved.