Martins was inside — well, now you know. That was the deal.

You can’t look at this woman and think it’s become your case. All you can do by being here now is compromise the investigation.’

‘You don’t get it, do you?’

‘What? That you could have made a difference two years

ago? I know the case, and you’re right. It could well be that you messed up and other girls have paid for it, but how many are still out there because you have taken bad people off the streets?’

‘This isn’t about checks and balances.’

‘I know that. Do you? And I know that you have to leave.’

‘You think that’s what she’d want?’ I ask, nodding towards

the dead girl. ‘Or do you think she’d want as many people as she could get trying to find who did this to her?’

‘Come on, Theo, it’s time to go. I’ll let you know if one of the bodies that turns up is Martins’.’

‘Yeah. Okay, do that,’ I say as she walks me to the corridor.

The moment we step into it, her cellphone rings. She shakes

it open and starts talking. I pat down my pockets, then turn

them inside out. I mouth the word ‘keys’ to her and point back towards the morgue.

‘Make it quick,’ she says, lowering the phone so the person on the other end can’t hear.

I walk back into the morgue. I stare at the dead girl and I

wonder what she looked like before Death crammed her into

this coffin, taking everything away from her in one brutal insult.

Looking at this cheap imitation of her makes me feel ill.

Tracey is finishing up her phone call when I rejoin her in the corridor.

“They’ve found the one that sank again, and another one,’ she

says, slipping the phone into her jacket. ‘That’s four in total.’

‘Any IDs?’

“They’re close to ID-ing one of them.’

-How’d she come up to the surface? The freshest one?’

‘It was the cinderblock,’ she says. looks like the rope was

tied around it, but those cinderblocks can have sharp edges. The block landed against another block down there, and it damaged

the rope. It cut through it partly. Gas build-up in the body was enough to break it. Look, you really have to leave.’

‘I get the feeling I’m going to be hearing that a lot over the next few days.’

“Then do yourself a favour and drop this thing, she says,

before turning away and heading back into the morgue.

chapter six

The elevator is chilly, as if it sucked in most of the cold air when the doors opened. Outside it’s only slightly warmer again. I think the sun could be melting the city into a pool of lava and I’d still feel this way after coming out of there.

On the way to my car I take the dead woman’s diamond ring

out of my pocket and begin to study it. There is an inscription on the inside, and I have to squint in the weak light of the car park to make it out. Rachel & David for ever. It reads like an adolescent inscription carved into a tree. The three stones are not diamonds, which could be why the ring was still by the woman’s hand and not sitting in some pawnshop gathering dust. They’re

glass, cloudy-looking glass that for some reason seems to make the poignancy of what happened to her that much more awful.

Somebody bought this for her; he couldn’t afford real diamonds, but she didn’t need real diamonds. Maybe they had a promise

that when things got better, when the money started flowing

from some plan he would one day hatch, he would buy for her

any stone she wanted. The ring didn’t come from her wedding

finger, it was from the other hand, but perhaps there were other promises too.

If Tracey spotted the ring, then pretty soon she’s going to

realise it’s gone. The question is what she’ll do about it. Call me?

Or call somebody else about me? I should never have put her in that position.

This time when I get back to my office I slip in behind my

computer and boot it up, studying the ring while I’m waiting.

If the ring had been expensive, or custom made, it might have

been easy to track down. I surf into a Missing Persons secured site accessible only to the police and social workers and a handful of private investigators. It only takes a few minutes to come up with a list of missing Rachels. I set the parameters of the search to go back two years, figuring she was dead after Henry Martins was buried.

I end up with two names, and one of them is from the same

week Henry Martins died. The description could easily match the Rachel I was looking at half an hour ago.

I print out Rachel Number One’s details. Nobody has seen

Rachel Tyler, the nineteen-year-old reported missing by her

parents, in two years. I don’t remember the case, and I guess

that’s because she was one of many girls believed to have run

away. The reality is people in this country go missing every single day. Sometimes they turn up: they’re broke and high and living in a single-room motel, having burned off all their cash in casinos betting on red instead of black. Sometimes they’re being pimped out, forced into prostitution to pay back money for gambling or drugs or as a form of self-abuse. Other times they’ve left their wife or husband for somebody with a bigger bank account or a bigger house or a younger body. Other times they don’t turn up at all.

The photograph of Rachel was taken at a moment of sourness,

either faked or real, and it sure beats seeing a happy and outgoing girl holding ice creams or diplomas or helping the sick and elderly.

She would be twenty-one now if somebody hadn’t killed her, then jammed her into a coffin.

I study the photograph. Her brown hair is darker than when

I saw it less than an hour ago; her blue eyes in the picture are bright and alive. I read through the file. The conclusion was that she ran away, that she fought with her parents or her boyfriend and couldn’t take it any more.

I look up the phonebook and find Rachel’s parents are still at the same address. I wonder if they’re still married and what kind of state they are in. I wonder how many nights they sit watching the door, waiting for her to stroll inside and tell them everything is going to be okay.

I slip the ring into a small plastic bag and drop it into my

pocket. Then I look again at the watch I took from the body

in the lake. I compare the time to my own. It’s out by only a

few minutes, but it could be the Tag that is accurate and my

one isn’t. Its owner must have died in the same six-month period we’re in now, between October and March, because the watch is

set for daylight saving time. The date is out by fourteen days.

I grab a pen and start doing the addition. Every month an

analogue watch goes to thirty-one days, regardless of what month it is, and the user has to adjust it manually in the other five months when there are fewer. I work out that those five months would

add up to seven days a year that the watch would be out by if it wasn’t adjusted. That means this watch hasn’t been touched in

two years. So. It is now nearing the end of February. The guy

who owned this watch was put in the ground sometime after the

beginning of December and before the end of February two years ago.

I pick up the file with Henry Martins’ details on it. He died on the ninth of January. Could be his.

I grab the phone. It takes half a minute for Detective Schroder to answer it.

‘Come on, Tate, you know I can’t answer any questions,’ he

says when he hears my voice. ‘This has nothing to do with you.

And soon it won’t have anything to do with me either. I’ve got too much on my plate to chase after this one too.’

‘You’re working the Carver case?’

‘Trying to. Unless I retire. Which I might.’

‘One question. The body that floated up without the legs. Is