“Nowhere is truly safe,” said Enoch. “Those bombs can penetrate even a deep shelter.”
“They can’t penetrate a loop,” Emma said. “And if there’s a tale about this cathedral, there’s probably a loop entrance here, too.”
“Perhaps,” said Millard, “perhaps, perhaps. Hand me the book and I shall investigate.”
Bronwyn opened her trunk and handed Millard the book.
“Let me see now,” he said, turning its pages until he reached “The Pigeons of St. Paul’s.”
Bombs are falling and we’re reading stories, I thought. I have entered the realm of the insane.
“Listen closely!” Millard said. “If there’s a loop entrance nearby, this tale may tell us how to find it. It’s a short one, luckily.”
A bomb fell outside. The floor shook and plaster rained from the ceiling. I clenched my teeth and tried to focus on my breathing.
Unfazed, Millard cleared his throat. “The Pigeons of St. Paul’s!” he began, reading in a big, booming voice.
“We know the title already!” said Enoch.
“Read faster, please!” said Bronwyn.
“If you don’t stop interrupting me, we’ll be here all night,” said Millard, and then he continued.
“Once upon a peculiar time, long before there were towers or steeples or any tall buildings at all in the city of London, there was a flock of pigeons who got it into their minds that they wanted a nice, high place to roost, above the bustle and fracas of human society. They knew just how to build it, too, because pigeons are builders by nature, and much more intelligent than we give them credit for being. But the people of ancient London weren’t interested in constructing tall things, so one night the pigeons snuck into the bedroom of the most industrious human they could find and whispered into his ear the plans for a magnificent tower.
“In the morning, the man awoke in great excitement. He had dreamed—or so he thought—of a magnificent church with a great, reaching spire that would rise from the city’s tallest hill. A few years later, at enormous cost to the humans, it was built. It was a very towering sort of tower and had all manner of nooks and crannies inside it where the pigeons could roost, and they were very satisfied with themselves.
“Then one day Vikings sacked the city and burned the tower to the ground, so the pigeons had to find another architect, whisper in his ear, and wait patiently for a new church tower to be built—this one even grander and taller than the first. And it was built, and it was very grand and very tall. And then it burned, too.
“Things went on in this fashion for hundreds of years, the towers burning and the pigeons whispering plans for still grander and taller towers to successive generations of nocturnally inspired architects. Though these architects never realized the debt they owed the birds, they still regarded them with tenderness, and allowed them to hang about wherever they liked, in the naves and belfries, like the mascots and guardians of the place they truly were.”
“This is not helpful,” Enoch said. “Get to the loop entrance part!”
“I am getting to what I am getting to!” Millard snapped.
“Eventually, after many church towers had come and gone, the pigeons’ plans became so ambitious that it took an exceedingly long time to find a human intelligent enough to carry them out. When they finally did, the man resisted, believing the hill to be cursed, so many churches having burned there in the past. Though he tried to put the idea out of his mind, the pigeons kept returning, night after night, to whisper it in his ear. Still, the man would not act. So they came to him during the day, which they had never done before, and told him in their strange laughing language that he was the only human capable of constructing their tower, and he simply had to do it. But he refused and chased them from his house, shouting, ‘Shoo, begone with ye, filthy creatures!’
“The pigeons, insulted and vengeful, hounded the man until he was nearly mad—following him wherever he went, picking at his clothes, pulling his hair, fouling his food with their hind-feathers, tapping on his windows at night so he couldn’t sleep—until one day he fell to his knees and cried, ‘O pigeons! I will build whatever you ask, so long as you watch over it and preserve it from the fire’
“The pigeons puzzled over this. Consulting among themselves, they decided that they might’ve been better guardians of past towers if they hadn’t come to enjoy building them so much, and vowed to do everything they could to protect them in the future. So the man built it, a soaring cathedral with two towers and a dome. It was so grand, and both the man and the pigeons were so pleased with what they’d made that they became great friends; the man never went anywhere for the rest of his life without a pigeon close at hand to advise him. Even after he died at a ripe and happy old age, the birds still went to visit him, now and again, in the land below. And to this very day, you’ll find the cathedral they built standing on the tallest hill in London, the pigeons watching over it.” Millard closed the book. “The end.”
Emma made an exasperated noise. “Yes, but watching over it from where?”
“That could not have been less helpful to our present situation,” said Enoch, “were it a story about cats on the moon.”
“I can’t make heads or tails of it,” said Bronwyn. “Can anyone?”
I nearly could—felt close to something in that line about “the land below”—but all I could think was, The pigeons are in Hell?
Then another bomb fell, shaking the whole building, and from high overhead came a sudden flutter of wingbeats. We looked up to see three frightened pigeons shoot out of some hiding place in the rafters. Miss Peregrine squawked with excitement—as if to say, That’s them!—and Bronwyn scooped her up and we all went racing after the birds. They flew down the length of the nave, turned sharply, and disappeared through a doorway.
We reached the doorway a few seconds later. To my relief, it didn’t lead outside, where we’d never have a hope of catching them, but to a stairwell, down a set of spiral steps.
“Hah!” Enoch said, clapping his pudgy hands. “They’ve gone and done it now—trapped themselves in the basement!”
We sprinted down the stairs. At the bottom was a large, dimly lit room walled and floored with stone. It was cold and damp and almost completely dark, the electricity having been knocked out, so Emma sparked a flame in her hand and shone it around, until the nature of the space became apparent. Beneath our feet, stretching from wall to wall, were marble slabs chiseled with writing. The one below me read:
B
ISHOP
E
LDRIDGE
T
HORNBRUSH, DYED ANNO 1721
“This is no basement,” Emma said. “It’s a crypt.”
A little chill came over me, and I stepped closer to the light and warmth of Emma’s flame.
“You mean, there are people buried in the floor?” said Olive, her voice quavering.
“What of it?” said Enoch. “Let’s catch a damned pigeon before one of those bombs buries us in the floor.”
Emma turned in a circle, throwing light on the walls. “They’ve got to be down here somewhere. There’s no way out but that staircase.”
Then we heard a wing flap. I tensed. Emma brightened her flame and aimed it toward the sound. Her flickering light fell on a flat-topped tomb that rose a few feet from the floor. Between the tomb and the wall was a gap we couldn’t see behind from where we stood; a perfect hiding spot for a bird.
Emma raised a finger to her lips and motioned for us to follow. We crept across the room. Nearing the tomb, we spread out, surrounding it on three sides.
Ready? Emma mouthed.
The others nodded. I gave a thumbs-up. Emma tiptoed forward to peek behind the tomb—and then her face fell. “Nothing!” she said, kicking the floor in frustration.