The clerk peered at us through the glass. Took off his bifocals and wiped them clean and put them on again, just to make sure he was seeing properly. I’m sure we were a shocking sight: our clothes were mud-splotched, our hair greasy and sticking up at odd angles. We probably stank, too.

“So sorry,” the clerk said. “The train is full.”

I looked around. Aside from a few people dozing on benches, the depot was empty.

“That’s absurd!” said Emma. “Sell us the tickets at once or I shall report you to the rail authority for child discrimination!”

I might’ve handled the clerk with a softer touch, but Emma had no patience for the self-important authority of petty bureaucrats.

“If there were any such statute,” the clerk replied, his nose rising disdainfully, “it would certainly not apply to you. There’s a war on, you know, and more important things to be hauled about her majesty’s countryside than children and animals!” He gave Miss Peregrine a hard look. “Which aren’t allowed in any case!”

A train hissed into the station and squealed to a stop. The conductor stuck his head out of one of its windows and shouted, “Eight-thirty to London! All aboard!” The bench-sleepers in the depot roused themselves and began to shuffle across the platform.

A man in a gray suit shoved past us to the window. He pushed money at the clerk, received a ticket in exchange, and hurried off toward the train.

“You said it was full!” Emma said, rapping hard on the glass. “You can’t do that!”

“That gentleman bought a first-class ticket,” the clerk said.

“Now be gone with you, pestilent little beggars! Go find pockets to pick somewhere else!”

Horace stepped to the ticket window and said, “Beggars, by definition, do not carry large sums of money,” and then he reached into his coat pocket and slapped a fat wad of bills down on the counter. “If it’s first-class tickets you’re selling, then that’s what we’ll have!”

The clerk sat up straight, gaping at the pile of money. The rest of us gaped too, baffled as to where Horace had gotten it. Riffling through the bills, the clerk said, “Why, this is enough to buy seats to an entire first-class car!”

“Then give us an entire car!” said Horace. “That way you can be sure we’ll pick no one’s pocket.”

The clerk turned red and stammered, “Y-yes sir—sorry, sir—and I hope you won’t take my previous comments as anything other than jest …”

“Just give us the blasted tickets so we can get on the train!”

“Right away, sir!”

The clerk slid a stack of first-class tickets toward us. “Enjoy your trip!” he said. “And please don’t tell anyone I said so, sirs and madams, but if I were you, I’d hide that bird out of sight. The conductors won’t like it, first-class tickets or not.”

As we strode away from the counter with tickets in hand, Horace’s chest puffed out like a peacock’s.

“Where on earth did you get all that money?” said Emma.

“I rescued it from Miss Peregrine’s dresser drawer before the house burned,” Horace replied. “Tailored a special pocket in my coat to keep it safe.”

“Horace, you’re a genius!” said Bronwyn.

“Would a real genius have given away every cent of our money like that?” said Enoch. “Did we really need an entire first-class car?”

“No,” said Horace, “but making that man look stupid felt good, didn’t it?”

“I suppose it did,” Enoch said.

“That’s because the true purpose of money is to manipulate others and make them feel lesser than you.”

“I’m not entirely sure about that,” Emma said.

“Only kidding!” said Horace. “It’s to buy clothes, of course.”

We were about to board the train when the conductor stopped us. “Let’s see your tickets!” he said, and he was reaching for the stack in Horace’s hand when he noticed Bronwyn stuffing something into her coat. “What’s that you’ve got there?” the conductor said, rounding on her suspiciously.

“What’s what I’ve got where?” Bronwyn replied, trying to seem casual while holding her coat closed over a wriggling lump.

“In your coat there!” the conductor said. “Don’t toy with me, girl.”

“It’s, ahhh …” Bronwyn tried to think fast and failed. “A bird?”

Emma’s head fell. Enoch put a hand over his eyes and groaned.

“No pets on the train!” the conductor barked.

“But you don’t understand,” said Bronwyn. “I’ve had her ever since I was a child … and we must get on this train … and we paid so much for our tickets!”

“Rules are rules!” the conductor said, his patience fraying.

“Do not toy with me!”

Emma’s head bopped up, her face brightening. “A toy!” she said.

“Excuse me?” said the conductor.

“It isn’t a real bird, conductor sir. We’d never dream of breaking the rules like that. It’s my sister’s favorite toy, you see, and she thinks you mean to take it away from her.” She clasped her hands pitifully, imploring. “You wouldn’t take away a child’s favorite toy, would you?”

The conductor studied Bronwyn doubtfully. “She looks too old for toys, wouldn’t you say?”

Emma leaned in and whispered, “She’s a bit delayed, you see …”

Bronwyn frowned at this but had no choice but to play along. The conductor stepped toward her. “Let’s see this toy, then.”

Moment of truth. We held our breath as Bronwyn opened her coat, reached inside, and slowly withdrew Miss Peregrine. When I saw the bird, I thought for one terrible moment that she had died. Miss Peregrine had gone completely stiff, and lay in Bronwyn’s hand with her eyes closed and legs sticking out rigidly. Then I realized she was just playing along.

“See?” Bronwyn said. “Birdy ain’t real. She’s stuffed.”

“I saw it moving earlier!” the conductor said.

“It’s a—ehm—a wind-up model,” said Bronwyn. “Watch.”

Bronwyn knelt down and set Miss Peregrine on the ground on her side, then reached under her wing and pretended to wind something. A moment later Miss Peregrine’s eyes flew open and she began to toddle around, her head swiveling mechanically and legs kicking out as if spring-loaded. Finally she jerked to a stop and toppled over, stiff as a board. Truly an Oscar-worthy performance.

The conductor seemed almost—but not quite—convinced.

“Well,” he hemmed, “if it’s a toy, you won’t mind putting it away in your toy chest.” He nodded at the trunk, which Bronwyn had set down on the platform.

Bronwyn hesitated. “It isn’t a—”

“Yes, fine, that’s no bother,” said Emma, flipping open the trunk’s latches. “Put it away now, sister!”

“But what if there’s no air in there?” Bronwyn hissed at Emma.

“Then we’ll poke some blessed holes in the side of it!” Emma hissed back.

Bronwyn picked up Miss Peregrine and set her gently inside the trunk. “Ever so sorry, ma’am,” she whispered, lowering and then latching the lid.

The conductor finally took our tickets. “First class!” he said, surprised. “Your car’s all the way down front.” He pointed to the far end of the platform. “You’d best hurry!”

“Now he tells us!” said Emma, and we took off down the platform at a jog.

With a chug of steam and a metallic groan, the train began to move beside us. For now it was just inching along, but with each turn of its wheels it sped up a little more.

We came even with the first-class car. Bronwyn was first to jump through the open door. She set her trunk down in the aisle and reached out a hand to help Olive on board.

Then, from behind us, a voice shouted, “Stop! Get away from there!”

It wasn’t the conductor’s voice. This one was deeper, more authoritative.

“I swear,” Enoch said, “if one more person tries to stop us getting on this train …”

A gunshot rang out, and the sudden shock of it made my feet tangle. I stumbled out the doorway and back onto the platform.

“I said stop!” the voice bellowed again, and looking over my shoulder I saw a uniformed soldier standing on the platform, his knees bent in firing stance, rifle aimed at us. With a pair of loud cracks he volleyed two more bullets over our heads, just to drive his point home. “Off the train and on your knees!” he said, striding toward us.