I waited for the container to settle and for her to come and open the door.

When she did, a uniformed man, a port inspector, stood with her.

“Everything is fine,” she said to me in Russian. The inspector stepped inside and displayed great interest in the Vermonter soap. Mila spoke rapidly to the inspector in Dutch; he nodded, didn’t look at us.

Mila and I walked out into the gray cloudy day.

“You are very handy with the bribes,” I said to her, as we hurried across the busy docking area.

“I am beloved and popular,” Mila said. “I have friends in every corner of the world.”

And we vanished into the flood of goods and people coming into Europe.

25

WE TOOK THE TRAIN TO AMSTERDAM, fifty-six kilometers away, and I watched the flatland of Holland unpeel before my gaze. I was back in Europe, where I had been happiest with Lucy, and imprisoned by the Company. I thought of the dead intruder and his own ticket to Amsterdam.

I leaned back against the train seat. I’d traded one chain, from Howell, to another from Mila. I watched the brief stretch of Holland pan out in silence. I’d had months to sit and think about what I’d do if I got the chance to find Lucy, and here it was, and my skin felt like lit matches lay under it. The possible truths—that Lucy and our baby were dead, or that Lucy had betrayed me—loomed large, the monsters I didn’t want to see and yet had to see.

Fine. I was going to find the man with the scar, force him to tell me where my wife and child were. Then I was going to be the last thing he ever saw on this earth.

PART TWO

APRIL 10–14

“The most powerful weapon on earth is the human soul on fire.”

—Marshal Ferdinand Foch

26

THE BAR IN AMSTERDAM was called De Rode Prins, the “Red Prince,” and it was located along a lovely old canal called the Prinsengracht, the “Prince’s Canal,” with many small cafés, hotels, stately residences, and offices on both sides of its long curve. The Anne Frank Huis stood a few blocks away (usually with a quiet, respectful crowd snapping pictures), and the only boat on the canal was one of those get-on/get-off tour numbers, purring forward while the tourists took their snaps of the waterside buildings and soaked up the charm.

The air smelled of morning rain but the sun had scattered the clouds. The second thing you notice about Amsterdam—after the canals, of course—are the bicycles. They are everywhere, and on an early spring day they swarm like bees rising from hives. The bicycles are not at all fancy, since they are often stolen, but you will see them ridden by lawyers in suits, mothers with the kids balanced on the back or on the handlebars, students and office workers hurrying along. No one wears a helmet. A steady stream of bikes—although rush hour was over and lunch not yet beginning—zipped their way past the small Rode Prins. A few tables perched on the outside, and two gentlemen sat drinking spring beers, watching the light dance on the water beyond the parked houseboats.

Mila and I stepped inside and I could see, from my couple of trips earlier to Amsterdam, that the Rode Prins was a prime example of a dying art. It was a “brown bar,” so called because in the olden days an incessant stream of tobacco smoke stained the walls. Now there was no smoking in the bar, and the walls were brown because they’d been painted that way. The room was narrow, with a long-running leather banquette with several tables on one side, a large table near the window, and a beautiful bar along the opposite wall. Red-shaded lamps hung from the ceiling. A painting of some forgotten royal hung on the wall, and there was a red smear across the canvas—across face and finery and hands—as though a glob of blood or paint had been hurled at it years ago. The painted prince looked very alone. To me, Rode Prins sounded like Road Prince, a king of the wanderers.

I glanced at a menu while Mila waited for the barkeep. They offered beers brewed especially for each season. This was my kind of bar. It surprised me that Mila would choose such a spot for a meeting.

A bartender, tall, bald, heavy-built, and with a small gap between his front teeth, appeared from the back. Mila and the man spoke rapid Dutch; he gave me the wariest of glances. Then Mila said to me, “Sam, this is Henrik. Henrik, this is Sam. Sam will be staying upstairs. Give him whatever he needs.” Henrik shook my hand, a solid, firm grip. Where Mila seemed all exotic secrets, Henrik seemed like a bartender to whom you could talk. I was staying here? I didn’t say anything but Henrik just gave me a polite nod.

He gestured toward the back of the establishment, to a narrow hallway decorated with black-and-white photographs of the Prinsengracht through the years. I followed Mila as she headed for the rear of the bar and up a flight of stairs.

Mila stopped and looked at me. “Bahjat Zaid is a man who is absolutely terrified for his daughter. He doesn’t know you and he’s trusting his daughter’s life to you. Don’t rattle his trust. We’re his only hope. He can’t go to the police.”

“Why?”

“He can explain.” Mila turned and I followed her up the stairs. In a private apartment above the Rode Prins, a tall man sat, shoulders hunched, as though he’d played at Atlas carrying the world, and failed. He stood as we entered, smoothing his palms on his tailored suit jacket.

“This is the man I told you about, Bahjat,” Mila said. “Sam Capra.” I was surprised she used my name but I didn’t let the shock show. A woman like Mila had a reason.

Bahjat Zaid shook my hand, measuring me with his eyes. He had a firm grip and a firmer stare. He looked at me like a boss looks at an employee who might be about to give him bad news.

We sat; Mila asked if I wanted coffee. I said no.

Bahjat Zaid had a narrow face, worn with anguish, and he spoke his English with the faintest of Beirut accents. His navy silk tie was perfectly knotted at a collar of snow-white cotton. A cup of coffee, grown cold, sat untouched at his elbow. He was immaculate and enraged, all at once.

“Tell me about your daughter, Mr. Zaid,” I said.

“Yasmin. She is my pride. My only child. Last year she completed advanced degrees in both chemistry and physics. She is twenty-five. She is about one point seven meters tall. Her…” He stopped suddenly, as though embarrassed by the spill of words.

“Yes,” I said, “but Mila can tell me all that. Tell me about her.”

He blinked, and opened a manila folder next to him. He seemed to gather himself.

“This is Yasmin,” Bahjat Zaid said, pushing a photo toward me.

I studied it. The young woman was lovely. A spill of dark hair, eyes alive with joy and intelligence, a narrow smile. She wore a pretty blue sweater and jeans, and the sky behind her was gray, pregnant with rain. She was pushing a windblown hank of hair from her eyes. Behind her a large estate stood, trees swaying in the wind.

“That’s a nice house.”

He swelled with pride.

“My estate in Kent. It is historically important. It was to serve as a redoubt for the government should England be invaded. It has underground offices, a bunker, that would have housed Churchill in the event of a Nazi occupation. The house has been in my wife’s family for many years. We have a town house in London, but we love living in Kent. So did Yasmin.”