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Table of Contents

Cover

About the Author

Title Page

Copyright

Dedication

Part 1. Severn Beach

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Part 2. South Downs

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Part 3. London

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Epilogue

Acknowledgements

About the author

Fergus McNeill has been creating computer games since the early eighties, writing his first interactive fiction titles while still at school. Over the years he has designed, directed and illustrated games for all sorts of systems, including the BBC Micro, the Apple iPad, and almost everything in between. Now running an app development studio, Fergus lives in Hampshire with his wife and teenage son. Eye Contact is his first novel.

EYE CONTACT

Fergus McNeill

Eye Contact _1.jpg

www.hodder.co.uk

First published in Great Britain in 2012 by Hodder & Stoughton An Hachette UK company Copyright © Fergus McNeill 2012

The right of Fergus McNeill to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

All characters in this publication are fictitious and any resemblance to real persons, living or dead is purely coincidental.

A CIP catalogue record for this title is available from the British Library Ebook ISBN 978 1 444 73963 3

Hardback ISBN 978 1 444 73961 9

Hodder & Stoughton Ltd

338 Euston Road

London NW1 3BH

www.hodder.co.uk

For Anna & Cameron

Always & Completely

He realised very early on that he’d have to set rules. Otherwise, there would be no structure, no real challenge . . . and what would be the point if there was no challenge? He wondered how many others might have walked this road before him, moving unseen through society, their actions sending out little ripples over the surface of the news, while they remained quietly anonymous, hidden in plain sight.

Little ripples.

He smiled at the thought. It was certainly harder to do now, so much more challenging than it would have been even twenty years ago – tougher surveillance, tougher forensics – but in many ways that was the appeal of it.

Little ripples.

He watched them spreading away into the twilight, glittering with reflected street lamps from across the otherwise calm water. He watched them fading as they expanded outwards, silent rings around the face-down figure, now so still after moments of such struggle. And then, like the last of the ripples, he was gone.

part 1

SEVERN BEACH

1

Wednesday, 2 May

Robert Naysmith peered thoughtfully at the typewritten menu in the window, then pushed open the door with his forearm, the sleeve of his jacket preventing any direct contact with the glass.

Old habits.

A little bell clinked above the doorway as he stepped inside, his polished shoes tapping quietly across the scrubbed wooden floor. Eight tables, neatly squeezed in, with linen tablecloths and flowers in slender vases, artistic photographs on the walls. But only one customer – an owlish old man lost in his newspaper, a half-empty mug at his elbow.

Naysmith walked over to the counter, his eyes on the woman with her back to him, studying the shape of her – those narrow shoulders, the straight brown hair – then calmly switched his gaze to the menu board as she started to turn round.

‘Can I help you?’

She had a soft voice, warm, with a slight West Country lilt. He allowed his eyes to drift back from the menu, as though he hadn’t been watching her before, his smile mirroring hers.

‘Are you still serving breakfast?’ he asked.

She glanced up at the wall clock, then looked back to him with a slight shake of her head.

‘We’re only supposed to do that till ten thirty . . .’

‘I understand,’ Naysmith sympathised. ‘I wouldn’t want you to get into trouble . . .’

He held her gaze, a hint of mischief in his unblinking eyes, until she smiled again and looked away.

‘Well,’ she admitted, pushing an errant strand of hair away from her face, ‘it’s not as though we’re busy. What was it you wanted?’

Naysmith turned to the menu board.

‘Eggs Benedict?’

‘I think we can do that for you.’ She called the order through to the kitchen.

‘Anything to drink?’

‘Black coffee, thanks.’

She turned and picked up an empty mug, while Naysmith reached for his wallet. She was wearing a blue sweater – plain, but just tight enough to show that she had a pleasing figure. Very little make-up, but that sort of sleepy beauty he’d always found rather appealing.

‘So is this your place?’ he asked. ‘Or are you a rebel employee who serves breakfast whenever the mood takes you?’

The woman laughed as she placed the mug under the coffee machine.

‘A bit of both,’ she replied. ‘I run it with my sister, so I suppose I can do whatever I like.’

‘Must be nice to be your own boss.’

She placed his coffee on the counter and took the money he offered.

‘Sometimes,’ she nodded as she turned to the till. ‘You get to meet some nice people.’

Naysmith smiled at her as she handed him his change.

‘Thanks.’ He remained at the counter, inhaling the steam rising from his coffee.

‘And you?’ the woman asked him after a moment. She had a wonderfully shy expression.

‘I’m just one of those nice people,’ he lied.

Naysmith had always liked Clifton. It was quite beautiful in parts, especially up near the suspension bridge. Leafy streets with grand old houses, narrow lanes that fell away down steep inclines, boutiques and cafés and the well-dressed people who frequented them. So different from the rest of Bristol – a little island of calm, looking out across the hazy urban sea below.

He stopped by a second-hand bookshop, smiling as he studied the sign taped to the door: Back in 10 mins. The ink was faded and some of the tape looked older – the shopkeeper was obviously out a lot – but somehow that made the place even more charming. Yellowing paperbacks were stacked high in the window, larger volumes propped up against them in a precariously balanced display. He thought about coming back to browse and checked his watch – quarter to twelve. The Merentha Group meeting wasn’t until three. Plenty of time if he did decide to return this way.