"October 23. Have prayed and worked over the poem for Michael's memorial services—think that I have made it as good as I can, but not good enough. Alas! I am too old."

She went up to Boston for this meeting in Tremont Temple, which was a most impressive one, Greeks and Americans uniting to do honor to a good man.

"October 24.... I read my verse, my voice serving me very well. Bishop Lawrence helped me both to rise and to return to my seat. He made a most touching allusion to my dearest dear Julia's devotion to the blind, and said where a man was engaged in a noble work there usually rose up a noble woman to help him."

"October 26. Had a sudden blessed thought this morning, viz.: that the 'Tabernacle eternal in the heavens' is the eternity of truth and right. I naturally desire life after death, but if it is not granted me, I have yet a part in the eternal glory of this tabernacle."

"October 29. Dear H. M. H. left us this morning, after a short but very pleasant visit. He brought here his decorations of his Russian order to show us; they are quite splendid. He is the same dear old simple music- and mischief-loving fellow, very sensitive for others, very modest for himself, and very dear."

"November 7.... Prayed hard this morning that my strength fail not."

During this summer, an electric elevator had been put into the Boston house, and life was made much easier for her. From this time we became familiar with the vision of her that still abides, flitting up or down in her gilded car. Watching her ascent, clad in white, a smile on her lips, her hand waving farewell, one could only think of "The chariot of Israel and the horsemen thereof."

Another good gift was a Victor machine. When the after-dinner reading was over, she would say, "Now bring my opera-box!"

The white armchair was wheeled into the passage between the two parlors. Here she sat in state, while the great singers poured out their treasures before her, while violinist and pianist gave her their best. She listened with keen and critical enjoyment, recalling how Malibran gave this note, how Grisi and Mario sang that duet. Then she would go to the piano and play from memory airs from "Tancredi," "Il Pirata," "Richard Cœur de Lion," and other operas known to us only through her. Or she would—always without notes—play the "Barber of Seville" almost from beginning to end, with fingers still deft and nimble.

She loved the older operas best. After an air from "Don Giovanni," she would say, "Mozart must be in heaven: they could never get on without him!" She thought Handel's "Messiah" the most divine point reached by earthly music. Beethoven awed and swayed her deeply, and she often quoted his utterance while composing, "Ich trat in der Nähe Gottes!" She thrilled with tender pleasure over Verdi's "Non ti scordar," or "Ai nostri monti," and over "Martha." She enjoyed Chopin "almost too much." "He is exquisite," she would say, "but somehow—rotten!"

Among the pleasures of this winter was a visit to New York. She writes after it:—

"My last day in my dear son's house. He and Fannie have been devotedly kind to me. They made me occupy their room, much to my bodily comfort, but to the great disquiet of my mind, as I hated much to inconvenience them. My son has now a very eminent position.... God bless the house and all in it."

"December 17. The Old South Chapter of D.A.R.'s met in the real Old South Church; there was much good speaking. I recited my 'Battle Hymn' and boasted my descent from General Marion, the Swamp Fox, saying also, 'When, eluding the vigilance of children and grandchildren, I come to such a meeting as this, without a previous promise not to open my lips, I think that I show some of the dexterity of my illustrious relative.' I also had to spring up and tell them that my grandmother, niece to General Marion, gave her flannel petticoat to make cartridges for the soldiers of the Revolution."

The path of the guardian (or jailer, as she sometimes put it) was not always plain. The wayfaring woman might easily err therein.

After some severe fatigue, convention or banquet, she might say, "This is the last time. Never let me do this again!"

Thereupon a promise would be exacted and made. The fatigue would pass and be forgotten, and the next occasion be joyously prepared for.

"You told me not to let you go!" the poor jailer would say.

"Oh, I didn't mean it!"

"But you promised!"

"That was two weeks ago. Two weeks is a long time for me to keep a promise!"

If the jailer still persisted, she played her last card and took the trick.

"I can't talk about it. You tire my head!"

Now and then Greek met Greek. One snowy afternoon she encountered the resident granddaughter, cloaked and hooded, preparing to brave the storm.

"Dear child," said the grandmother, "I do not often use authority with you young people, but this time I must. I cannot allow you to go out in this blizzard!"

"Dearest grandmother," replied the maiden, "where are you going yourself?"

There was no reply. The two generations dissolved in laughter, and started out together.

She bids farewell to 1906 as "dear Year that hast brought me so many comforts and pleasures!" and thus hails the New Year:—

"I earnestly pray for God's blessing on this year!... I might possibly like one more European journey to see the Gallery at Madrid, and the châteaux of Touraine, but I do not ask it, as I may have more important occupation for my time and money.... Du reste, the dear Father has done so much better for me, in many ways, than I have ingenuity to wish, that I can only say, 'Thy will be done, only desert me not.'"

She determines "at last to be more prompt in response to letters and bills. I am now apt to lose sight of them, to my great inconvenience and that of other people."

It was pain to her to destroy even a scrap of paper that bore writing: the drifts of notes and letters grew higher and higher among the piles of books, new and old. The books were not all her own choice. Many a firstling of verse found its way to her, inscribed with reverent or loving words by the author. Would Mrs. Howe send a few lines of appreciation or criticism? She would; mostly she did. She wrote in the autograph albums, and on the pieces of silk and cotton for "autograph quilts": she signed the photographs: she tried to do everything they asked.

"January 11. Having hammered at some verses for General Lee, when I lay down to rest a perfect flood of rhymes seized me. Nonsense verses for to-morrow's festival; there seemed to be no end to them. I scrawled some of them down as it was late and dark. Sanborn to dine—unexpected, but always welcome."

"January 12. Copied and completed my lines for the evening. Found a large assemblage of members and invited guests [of the Authors' Club]; a dais and chair prepared for me, Colonel Higginson standing on my right. Many presentations—Gilder and Clyde Fitch, Owen Wister, Norman Hapgood. Aldrich [T. B.] took me in to dinner and sat on my right, Hon. John D. Long on my left; next beyond A. sat Homans Womans.[149] I despaired of making my jingle tell in so large and unfamiliar a company. At last I took courage and read it, bad as I thought it. To my surprise, it told, and created the merriment which had been my object so far as I had any. My 'Battle Hymn' was sung finely by a male quartette. Colonel Higginson and I were praised almost out of our senses. A calendar, got up with much labor, was presented to each of us."