Mom and I were always close. Maybe because it was her and me so much. My dad ditched us shortly after I was born, and we didn’t live close to many relatives. So I never did the teenage rebellion thing. Or at least when I did, it was a halfhearted attempt that only made me feel stupid. Mom would look at me with her patented you’re-being-an-idiot-but-I-still-love-you expression and somehow I’d end up not only apologizing but cleaning my room. Not that I ever actually got it clean. My walls were filled with art prints, so many that they overlapped, and my desk drawers and bookcase shelves overflowed with art supplies, each in its own labeled container: oil paints, watercolors, pastels, pencils, clay. An easel took up most of my floor space, and a bulletin board filled with sketches obscured the door. Sometimes I wish I hadn’t thrown away those sketches.

Maybe I’ll find them here.

No. I didn’t lose them. I threw them away.

I remember Mom seeing them in the trash. She hadn’t said anything, and I was grateful that she hadn’t. She’d watched me work every Saturday during high school at the museum gift shop to pay for art classes. She’d watched me take course after course in college: sculpture, collage, animation. She’d put up with me for the first few years after college while I immersed myself in the starving-artist image. I wore clothes from thrift stores that I splattered with stray bits of paint. I left the apartment with paint caked in my hair. I was convinced that if I acted like an artist, I must be an artist. I lugged my portfolio to galleries and to job interviews, and I had coffee at a dingy café filled with aspiring musicians. Through all of it, Mom supported me and never complained about how selfish and self-centered I was. Or at least she didn’t complain much. She’d only listen to my soliloquies about the creative life for so long before she’d stick a cup of coffee in front of me and say, “Just do your work, Lauren.” And at the end of my art “career,” she never asked me why I gave it up. Maybe she knew.

I don’t like the direction my thoughts are taking. I lift my hand up and examine it, searching for signs that I’m fading. I still look normal. But I think I should save musing on Mom and art for some time when I’m not in the void. Certainly doesn’t seem to be helping me find her. I suppose she needs to be lost first. Or maybe only the Finder can find people.

With a conscious effort, I drag my thoughts back to Tiffany and her prom and continue to trudge through the dust storm. Seconds later, I find the newspaper.

It lays folded in front of me, as if it were waiting outside a hotel room door. I kneel and pick it up. It’s dated May 24, 1986. My hands start to shake. I swallow hard, my throat feels like chalk.

I did it, I think.

Or the void did it, more accurately.

I don’t know how it will help Tiffany, but I want to be out of this dust now before it leeches more thoughts from my head. I don’t want to wait for Peter to find me. I want to go, go, go, now, now, now.

Clutching the newspaper and my yellow prom dress, I walk quickly. And then I run.

I burst out of the dust and stumble onto the chopped-up sagebrush-covered desert floor. My knee lands hard on the caked dirt.

Getting to my feet, I scramble away from the void. I don’t stop running until I’m a quarter mile away from the looming mass of reddish-beige. My knee is throbbing. Stopping, I sit on a rock and massage it. My still-damp swimsuit is coated with dust.

I did it! I left the void. And I found things. I don’t know how or what it means, but right now, that doesn’t matter. I didn’t fail or fade.

I unfold the newspaper and flip through it. The death toll in the Beirut bombing rose to nine, eighty-four injured and three still missing. U.S. and Britain vetoed sanctions against South Africa. A woman killed her former son-in-law in a courtroom and then killed herself. Locally, a man was arrested after falsely reporting a shooting. A woman sued the city over an issue with her dog. A teen was killed in a car crash... Oh, God.

A teen was killed in a car crash on the way to her prom. Three other friends were injured. The driver of the other vehicle was in critical condition and had a blood alcohol level well above the legal limit.

There’s a photo by the article of a smiling girl in a pink satin dress. She has a corsage on her left wrist that looks like a butterfly is attacking her. Her date is behind her, his hands near but not touching her waist. They’re standing on the front steps.

I feel like vomiting.

She died on impact.

She died.

She’s dead.

I shake myself. Maybe it’s a mistake. After all, I talked to her. She’s walking, talking, breathing, alive. It’s a mistake, a terrible mistake. She was lost and presumed dead. Maybe there was a car accident, but maybe she injured her head and lost her memory and wandered away from the scene and ended up here... Yes, that’s much more plausible.

Clutching the newspaper, I get to my feet. I’ll show her the newspaper and maybe seeing the article will jog her memory about what really happened. I trudge toward the house.

Both Tiffany and Claire are sitting at the edge of the ocean. Claire has her toes in the surf. Tiffany has her knees drawn up to her chest. Despite Claire chatting at her, Tiffany looks utterly alone.

I hesitate. Maybe it’s better if she doesn’t see the article. Maybe she doesn’t remember because the accident was too traumatic. On the other hand, if this will help her...

Claire sees me first. She points.

Tiffany gets to her feet.

It’s too late to change my mind. She’s seen me. I’m holding the newspaper and my yellow prom dress. It’s only seconds before the two of them reach me, running across the desert sand. The crash of the waves drowns out the sound of their steps.

Tiffany grabs the newspaper out of my hands. She drops down on the ground and opens it. I watch her as Claire tugs on my arm, demanding to know what happened, ecstatic that it worked. I give her the prom dress.

I watch Tiffany as she reads, and I know the instant she reaches the article. Her face drains of all color. Her makeup is stark against her bloodless face. She reads it once, twice, three times. She carefully folds the newspaper.

Claire skips from foot to foot. “What’s it say? Do you remember?”

“I’m dead,” Tiffany says simply. She stands up.

I want to tell her that she’s not. Of course she’s not. She’s right here talking to me. But the emptiness in her eyes... Words die in my throat. I think of when I first met her. One of the first things she said was she wanted to step in front of a train. Later, she fashioned nooses out of rope. A part of her must have known.

She looks at Claire. “Scottsdale. Your parents are in Scottsdale, Arizona.”

She doesn’t say anything else. She takes off at a run toward town. I watch her and don’t try to stop her. I feel Claire’s hand slip into mine.

Chapter Seventeen

A buoy tolls outside my bedroom window, and I wake. Shooting out of bed, I launch myself at the window and look out. Waves lick the baseboards of the house. Whitecaps crest directly beneath me. It’s coming, I think. The void is coming for me! I grip the windowsill as if it will keep me tethered to the ground, safe from the void. The air tastes thick with salt. My mouth feels as dry as the desert that the ocean has eaten.

I step back from the window and try to take deep, calming breaths. It doesn’t help. All it does is make me feel like I’m gasping for air like a waterless goldfish. “Peter?”

He’d slept in my bed again last night, his arms around me, his body warm. I hear the mattress creak and know he’s standing directly behind me. He puts his arms around my waist and draws me against him. I fit against the curve of his chest. “It’s high tide.” His breath is soft against my ear and on my neck.