I'm asking, Would she consider purchasing toothpicks artificially treated to taste like chocolate? Like beef? Like apples? Then I realize how desperately lonely and isolated this old lady must feel. Probably I'm the only human contact she's enjoyed all day, and her meat loaf or rice pudding sits rotting on the plate in front of her because she's more starved for communication with another person.
Even as a telemarketer, it's best not to enjoy yourself too much. If you don't look miserable, the demons will reseat you next to someone who whistles. Then next to someone who farts.
From the survey questions I've already asked, I know the old lady is eighty-seven years old. She lives alone in a freestanding home. She has three grown children who live more than five hundred miles distant from her. She watches seven hours of television each day; and in the past month, she's read fourteen romance novels.
Just so you know, before you decide to do telemarketing over doing Internet porn, the sleazy Pervy Vanderpervs who text you with one hand while they abuse themselves with their other—at least they're not going to break your heart. Not like the pathologically lonely oldsters and cripples you quiz about nonstreak glass cleaner.
Listening to this sad old lady, I want so much to reassure her that death isn't so bad. Even if the Bible is correct, and it's easier to push caramels through the eye of a needle than get to Heaven, well, Hell doesn't totally suck. Sure, you're menaced by demons and the landscape is rather appalling, but she'll meet new people. I can tell from her 410 area code that she lives in Baltimore, so even if she dies and goes straight to Hell and gets immediately dismembered and gobbled by Psezpolnica or Yum Cimil, it won't be a huge culture shock. She might not even notice the difference. Not at first.
Too, I yearn to tell her that—if she loves reading books— she's going to adore being dead. Reading most books feels exactly like you're a dead body. It's all so... finished. True, Jane Eyre is an eternal, ageless character, but no matter how many times you read that darned book, she always gets married to gross, burn-victim Mr. Rochester. She never enrolls at the Sorbonne to earn her master's degree in French ceramics, nor does she open a swanky bistro in New York's Greenwich Village. Reread that Bronte book all you want, but Jane Eyre's never going to get gender-reassignment surgery or train to become a kick-ass ninja assassin. And it's pathetic that she believes she's real. Jane's just ink stamped on a page, but she really, truly thinks she's a living-alive person. She's convinced she has free will.
Listening to this eighty-seven-year-old voice weep about her aches and pains, I yearn to encourage her to just give up and die. Kick the bucket. Forget toothpicks. Forget chewing gum. It won't hurt, I swear. In fact, death will make her feel way better. Look at me, I want to say, I'm only thirteen, and being deceased constitutes about the best thing that's ever happened to me.
As a word to the wise, I'd advise her just to make sure she's wearing some durable, low-heeled, dark-colored shoes before she croaks.
A voice says, "Here." And standing at my elbow is Babette with her fake Coach bag and straight skirt and breasts. In one hand, Babette holds a strappy pair of high heels. She says, "I got these from Diana Vreeland. I hope they fit. And she drops them into my lap.
On the phone, the old lady in Baltimore continues to sob.
The high heels are silver-colored patent leather, with ankle straps and rhinestone buckles across the toe, stilettos so tall I'll never have to wade through cockroaches. These are shoes like I've never worn before because they'd make me look too old, and thereby make my mom REALLY look too old. Ridiculous shoes. These silly shoes are uncomfortable and impractical and too formal, and way too grown-up.
With the old lady still yammering through my headset, I kick off my Bass Weejuns and slip my feet into the strappy high heels.
And yes, I'm well aware of all the valid reasons why I should politely but firmly refuse these shoes...But instead, I LOVE THEM. And they fit.
XV.
Are you there, Satan? It's me, Madison. I hope this won't sound too confusing, but I do hereby and forever abandon abandoning all hope. Honestly, I give up on giving up. I'm just not cut out to be some hopeless, disillusioned wretch with no aspirations for the rest of eternity, sprawled catatonic in my own feces on a cold stone floor. In all probability the Human Genome Project will, someday, find that I carry some recessive gene for optimism, because despite all my best efforts I still can't scrape together even a couple days of hopelessness. Future scientists will call it the Pollyanna Syndrome, and if forced to guess', I'd say that mine has been a way-long case history of chasing rainbows.
How come I click so well with Goran is that he's never been allowed to be a child, and I'm strictly forbidden to grow any older. The day before my mom was supposed to appear at the Oscars, she took me to a day spa on Wilshire for a little industrial-strength pampering, mother-daughter style. While she and I got our hair highlighted, belted in identical fluffy white terry-cloth bathrobes, our faces caked with masks of Sonoran mud, my mom explained how Goran grew up as a refugee in one of those Iron Curtain orphanages where the babies all lie ignored and untouched in cavernous wards until they're old enough to vote for the current regime. Or to be conscripted.
There in the day spa, even as Laotian masseuses knelt to buff the dead skin from our feet, my mom told me that infants require a minimum amount of physical touch in order to develop any sense of empathy and connection with other human beings. Without such handling, a baby Would grow up to be a sociopath, lacking any conscience or ability to love. More as a political gesture—not merely for publicity's sake—we're having all of our acrylic finger- and toenail overlays replaced. One of my mom's deepest political convictions is that, if people want so desperately to come to the United States, wading across the Rio Grande at great risk to their life and limb simply for the opportunity to pick our lettuce and iron our hair, well, we should allow them. Entire nations would enjoy nothing more than the opportunity to scrub our kitchen floors, she says, and to prevent them from doing so would be a violation of their most basic human rights.
My mom is adamant on the subject. At the moment, "We're surrounded by various political and economic refugees as they crowd forward to scrape and wax and pluck at °Ur imperfections.
After all the herbal high colonics I've endured, not to Mention the electrolysis, the tortures of Hell hold little terror. It never fails to impress me how so many of the huddled masses and wretched refuse can flee the political oppression and torture of a foreign government, then arrive in America ready and eager to inflict largely the same tortures on the ruling classes here.
As my mom sees it, her dry, flaky skin is some immigrant's vocational opportunity. Plus, hurting her offers immigrants a nifty cathartic therapy for venting their rage. Her chapped lips and split ends constitute someone's rungs up the socioeconomic ladder to escape poverty. Sliding into her middle age complete with cellulite and scaly elbows, my mother has become an economic engine, generating millions of dollars which will be wired to feed families and purchase cholera medicine in Ecuador. Should she ever decide to "let herself go," no doubt tens of thousands would perish.
And no, I haven't overlooked the steadfast way in which my parents blame Goran's failure to adore them on everyone except themselves. To them, if Goran doesn't love them, that clearly indicates that Goran is damaged and incapable of loving anyone.