Chapter 26

His mother cranked the tractor for a longer time than he could have imagined. And so he knew this was her final act. She was not saving anything. There would be no attempt to dig her way out or to hammer the planks loose again. If she failed to start the tractor, that would be it. She’d have nothing left.

Galen listened carefully to the cranking, because he knew this was a meditation, a gift she was giving him on her way out. A strange sound and a powerful one because it connected all the way back through his childhood and through her own. It was a sound to begin his journey across lifetimes, a cable he could reach onto that was being winched back into the darkness.

Thank you, he said. I honor this.

With his pitchfork and his covering of dirt, he was being armed for a symbolic journey, and she was the opening.

The sound fainter on each upswing, then hard as she came down, and there was a cough to that sound, the compression in the engine. Galen stepped forward on the cough, stepped into a furrow with his left foot. Then he rocked back on the upswing and stepped forward again as she swung down. A dance.

Galen squatted lower, stepped harder and harder, held the spear high in his right hand. He stamped forward on that beat, shook his spear, felt the heat rise in him, his entire body wet with sweat. He had to find the right sound, the right voice, to go with the stamp, and he was afraid to try, afraid he’d have the wrong sound and wreck the moment. He was building to something here. This was his mother’s final gift to him. He didn’t know whether to go with a grunt or more of a ho. The ho more ceremonial, but the grunt more authentic. Or an aah that would be more of a yell. He tried to just let whatever would happen happen.

And what came out was a grunt, a low huh kind of grunt. And that felt good. That felt right. It was real, just a low grunt, the first sound made by any human, the early sound. He shook his spear and grunted from deep in his gut, deep in his root chakra, his base, his chi.

The grunt shaking all the spirit walls inside him, the long throat chord linking his voice to his chi, even his lung walls shaking, and the good smell of dirt, his guide, with him now, with him always, the dirt, and he reached down with his bad hand, scooped the dirt and threw it into his mouth, howled from the pain, the mangled hand coming alive, and he howled and grunted and chewed the earth and the pain rose in his head in wavy bands, his hand a pulsating mass, so he held that out front, held that to guide him into the spirit world.

We could never see it, but we journeyed through it every moment of every day. The trick was to wake up in the middle of the dream and yet still dream, and then we could battle. To wake up, we had to tear away at illusion, and his hand was good for that. The cranking of the tractor was good for that.

The crank, the whump as it went round and round, the cough and compression, his mother a kind of shaman, leading him forward, and he danced, he stamped as hard as he could, he shook everywhere inside, and he tried to dance through time. That was one way to break through the dream, to make time shift, to dance in an older orchard. Old wall, old dirt, dancing back.

The spear an ancient weapon, from the first dance. The long jointed arm a thrower, formed for this. The first man shaking his spear, raging at the wilderness, at the void, claiming the world. Galen tried to dance back in time, tried to reconnect. Tried to make himself that first man, stamping at the earth, fueled by breath, a fire all around him, and he crushed hard enough to break furrow and crust, felt the spear’s power, and then he lunged. He lunged into the wall, lunged through the air headfirst with a scream and drove that spear into the wall, into the spirit fortress, and it hit hard and bounced and he flew and banged into the wall with his shoulder and head and fell to the ground and rose again. Aaaah! he yelled. Aaah! His hand a living thing, a hive of pain.

He grabbed his spear and stepped back into place to stamp again. The same piece of earth, his blow felt all through the crust, reaching downward, sending shock waves. He built again, step and rock and the low grunts, feeling his source, the energy coming from deep within him. He would use everything to break through the spirit wall. He would circle back and come from another time.

Galen turned in a circle as he rocked and shook his spear. The shadows long, walnut trees like sentinels, casting their truer selves across furrows. They had been waiting for this, waiting through lifetimes, waiting for him, for his coming. They would rise up out of their shadows in the earth, and that would be their shape. Not the shape of a tree, of what we imagined, but a deeper form. Galen screamed and shook his spear, triumphant. He had seen into the spirit world. This was his first true seeing, to see the trees would form up out of their shadows, that they were made of earth, not of wood. He might even be the first man to have seen this, the first to know the trees. Ho! he yelled, acknowledging the gift. He circled and crushed and looked sideways at the dark long shadows all around him, and he understood now that the stamping of his feet was what would free the spirit selves of the trees. He was the unlocker, the one to break through. He plunged his spear into the earth, rocked the handle as he danced to loosen all that would hold them back.

They were growing as the light fell, and they would rise impossibly tall, great dark earth presences reaching into the sky. They would stride miles at every step, cross continents. They would carry him, loft him, and fling him.

Half waking, Galen lived in the double world, seeing the presences and also still chained to appearances. He had to not look too long at any shadow, because if he did, it became only shadow, and the dirt became only dirt. He had to keep his vision moving, had to keep circling and spinning. Engulfed in fire, unable to breathe, his body failing but spirit gathering.

Galen realized he was singing, a low, guttural song, a song of becoming. Gathering his previous lives around him, he saw that they were time itself. He was summoning time and being in his final burst of becoming.

Galen began to feel afraid of what was happening here. The shamanic was different from the meditative. Shoveling dirt, he had focused on the fling and fall and the nothing. It was a dissipation. But this was a gathering now, something entirely different, something frightening because it might be exactly the wrong path, a trick. How could becoming be the goal? Detachment was supposed to be the goal, and detachment was not the same as becoming.

Galen spun and stamped but he was exhausted and confused. He didn’t understand how it all fit together, and his confusion had made the spirit world recede. He was hot and tired and wet and muddy and the shadows of the trees were only shadows, and all had fallen so quickly and so terribly. He could feel the bones in his thin legs, the muscles locked and stiff. Empty, all his movements now.

Galen stopped dancing, stood in place dizzy and hungry and thirsty. He was alone. The air still, no wind. The endless hum of the air conditioners all along the high wall. He realized there was no cranking. That sound had stopped. He wondered how long ago. He had been dancing for a long time.

He dropped the pitchfork. The sun no longer burning, much of the orchard in shadow, and he lay down in a furrow, in the radiating earth, decided he would just lie here until he understood, but he was starving and parched and couldn’t focus at all. His head and shoulder hurt from lunging into the shed. So he rose on cramped legs and walked slowly to the house.

That pile on the lawn still waiting to be burned. The grass still waiting to be cut. The house always waiting, through lifetimes. Impossibly large and ornate and white. A solidity that was untrue. The great chimney at the center, and the giant trees. A house that promised peace and reasonable people but had held only crazies. A house that was a way to hide.