She could find no work as a schoolteacher and so started her own business as a seamstress. All through Chinatown, she posted handwritten signs, and there was steady work mending shirts and coats, the occasional wedding gown. Together, she and Matthew painted the walls of her workroom, built cabinets for notions and patterns. A year passed. Still Matthew was out of work. To meet their mortgage payments, he took a job in a restaurant. Eventually, he apprenticed as a cook.
After Gail was born, he began to withdraw into himself, sleeping less or not at all. Day by day, he faltered. Clara could not put her finger on the event that caused this change in him. Perhaps it was only the winter. It rained and rained, flooding the streets, and the city seemed to melt away, leaving a poverty around them that they had not expected. Two blocks down, people lived in cardboard boxes. There were prostitutes in the back alleys, needles hidden in the grass. On overcast days, the mountains and water disappeared, indistinguishable behind the mist. Clara and Matthew wrapped themselves up in sweaters found at the Salvation Army, unable to adjust to the cold and damp. He could not sleep, and began to disappear from the house at night. When he came home, exhausted, ill, he said that he wanted to return to Australia, to Malaysia, that he had underestimated how different this country would be. He had been mistaken, he said, to believe he could start over, leave Sandakan and all that happened there behind.
His father lived on in his mind, a presence that shaped his thoughts. The way, when he rose from bed in the morning, his confidence seemed to make the house full. In the darkness, his father would walk the aisles of the rubber plantation, he and the workers wearing headlamps or carrying torches, a stream of light illuminating the track ahead of them. How beautiful their home had been, on Jalan Campbell. There had been cabinets full of glass figurines and trinkets, pottery from China, painted fans. He remembered his parents dancing, the phonograph on the high shelf, music like a tent around them. Now Matthew was twenty-eight years old, the same age his father had been when he died. He said that he was losing his bearings, he did not know how to see into the future, how to become the man he wished to be.
At night, she listened to his dreams, and in the day, when he stared listlessly at the newspaper, she ran her hands over his back, searching for the knots of tension, easing them with her fingers. In the dining room was a chandelier, laden with crystal beads. She had found it, abandoned, in the attic of the house. Each week, while Gail, only a year old, slept in a sling against her body, she unhooked the pieces and, one by one, cleaned them to a shine. She focused her thoughts on the task, imagining the moment when she reassembled the chandelier. A hundred lights burning. Darkness receding like fog on the water.
It was Clara who encouraged him to write to his mother in Tawau, to his uncle who still lived in Sandakan. It was she who took those letters to the post office and sent them away, thinking that it was the disconnection, the act of immigration, that was breaking her husband apart.
But when the letters came back, the unexpected happened. Whatever had been supporting her husband seemed to collapse. He came apart like a string unravelling. She did not know, then, what it was that she had set into motion.
The grounds are busy today, and Clara cannot help but watch the other people gathered here, some in groups, talking together, others crouched on the ground, alone, their faces hidden. Here, she stands among the other bereaved, outside of time, in a landscape devoted only to memory.
Nearby is a tall metal container, one of many that the cemetery distributes through the grounds. The bottom is lined with ashes, remnants of previous offerings. She lights the first folded sheet, and a thin strand of smoke rises into the air, then she touches the sheet to another, and then another. Inside the container, the flames flicker and twist. When all of the pieces are burning, she picks up the book again and begins to remove the pages. The air around her is warm and heavy. The pages turn to fire, to ashes, a transmutation that she cannot see, the book becoming filaments in the air. In the afterlife that she imagines, the pieces fall around Gail, so numerous they cover her like a blanket, a protection against the cold.
“Zuang Zi dreamed that he was a butterfly,” her father used to say, beginning the famous story. “When he awoke, he wondered whether he was a man dreaming he was a butterfly. Or if, perhaps, he was a butterfly dreaming that he was a man.” This life is illusory, her father said. It has the quality, the importance, of a dream.
She had argued with him, remembering the boy as he lay on the sidewalk, the kite lifting away from him. In life, she said, one feels both exultation and suffering. The emotions, intense though fragmentary, are real. They exist. Her father had nodded, taken aback by her insistence. He said there were consequences to one’s actions. She must choose for herself what to put into this world.
All those years ago, Matthew had written to Sandakan, and from his uncle he had learned Ani’s whereabouts. He had written to her, and, eventually, a letter came back from Jakarta. He laid it on the table between them, overwhelmed, unable to hide his distress. So much had been left unfinished. He told her there were things he needed to know.
She had felt as if a part of herself were dying, coming to an end.
He said that he had a nightmare in which he was an old man. He walked in the dirt but left no marks. He went into the water thinking it could hold him up, but the water just passed through him.
She wondered if was possible to cross back in time, cross borders and nations, begin again, if this was what he needed. The thought had come to her suddenly: If you go, you will not return. She believes in the present moment, that a decision made now can shift the balance, that every act realigns the past. Imagine it this way, she had told Matthew. It is like walking across a vast field as the sun rises, burns, and slowly falls. The shadows around us change depending on which direction we walk, what steps we choose to take.
“Look at me,” she said.
He met her eyes, and she did not allow herself to falter.
She told him to leave, to travel to Jakarta, to find what he needed to know. Come back, she said, only if you intend to stay.
5. The Bird Feather
JAKARTA
1957
In the heat of the afternoon, Ani’s son sleeps peacefully in her arms. Through the half-shuttered windows, she can hear the sound of the city drifting by, bicycle bells, the nervous rattling of mopeds and bemos. The vendors call out their wares, singing the words above the traffic. On Ani’s stomach, Wideh’s breaths are deep and easy. He presses his mouth against her chin, opens and closes his lips as if he is chewing, dreaming once more about food. She loops her arms around his warm and sweating body, keeps time by the rhythm of his breathing.
In the kitchen, she can hear the muted brushing of Saskia’s slippers on the tiled floor as she sets a pot of water to boil. Saskia’s daughter, Tash, is whispering, I’m hungry, Ibu, as she rummages in the cupboard for cookies. Ani closes her eyes and the apartment falls away, her few belongings, a divan, cot and a small charcoal brazier, the thin blue curtain that divides the room.
Four years ago, she had left Sandakan, boarding the steamer for Tarakan. There, she had met her mother’s eldest brother, Bashir, who was ill, and from there she had gone to Ujung Padang, then Pontianak, continuing on to Jakarta. It was on the boat from Pontianak that she had met Saskia, born in the same year as Ani. Saskia and her family had welcomed her into their lives, helping her to find her place here. In this city of three million people, she feels as if she has disappeared, slipped into the outline she has made for herself: a twenty-two-year-old woman, known as a widow, alone in the world except for her small son.