Which is why I didn’t hear what he heard. My Zeus sprang off me as if galvanised, snatched up Vol. I and winged it staircaseward with a curse. Now I heard the whirrs and clicketies over there! By the time I got my legs together and my hem pulled down, he had armed himself with the sack of Vols II, III, & IV and, bare-arsed with his spigot still adrip, was whamming in a rage at Reg Prinz, perched there with his hand-held!

Now, of course, I’m indignant at such sneakery. But at the time I was still too busy feeling Zeus’d to the Plimsoll, too surprised at my lover’s shocking leap off me, too marvellous at his fury to muster a proper indignation. How Ambrose did go at him, cursing, swinging good weighty Sam: first at Prinz’s fuzzy head (who till the last possible frame kept the camera running), then at the instrument itself, when he saw Prinz more concerned for it than for his own cranium. Chucking Clarissa, Ambrose fought for that camera — it was strapped to Prinz’s arm — and threatened to smash it and Reggie’s head together if he didn’t expose that film then and there. By george he did it, too, Prinz shrieking like a wired-up bat the while: prised open the case, did Ambrose, clawed out the reel, and flung it like a Frisbee from the tower top before two of Prinz’s graduate-film-workshop types came to their master’s rescue.

You’re bananas, Prinz cries now (the clearest statement I’ve ever heard from him): that was footage! Shove your effing footage, Ambrose replies, I’m done with it. He comes back now for his britches; the three cinéastes withdraw, examining their precious machine for damage and smirking over their shoulders, the two younger ones, and me at my bottomless beau.

So ends the Mating Season Sequence, I presume! Which I might’ve suspected I was set up for, had Ambrose’s outrage not swept all suspicion before it.

And if Reg Prinz’s riposte today hadn’t so gravely upped the ante. Good as his word (What shall we do for money?), Ambrose cut off his connexion with the film company as of that Monday. Inspired perhaps by Richardson as well as by the Battle in the Belfry, he has vowed to commit himself absolutely to the printed word: letters and empty spaces on the page! The whole hot week since, he has rededicated his energies to Perseus, resolved to redraft that piece (and, I daresay, somehow to work Bea Golden into the plot, now he’s been in her knickers). Bastille Day’s humour passed; his obnoxious “5th Stage” behaviour reasserted itself. I spent my week daily visiting his mum in hospital, wishing they could let the poor thing die; Magda more often than not was with me, a real friend now I’m in “her” stage, urging upon me patience and Italian old wives’ advice for getting pregnant. Between sickbed and seedbed (daily follow-ups to the Shower of Gold, here at 24 L), we watched Apollo-11 & Co. lift off for the moon (Magda’s one of those who seriously wonder, to Ambrose’s delight, whether it isn’t All Faked by the Television People) and Dorchester County, with proportionate to-do, make ready for last night’s opening of its nine-day tercentenary celebration.

We imagined Prinz’s crew to be on the margins of that latter action, though what exactly he’s up to these days in the Mating Sequence way, we can’t well tell. Yesterday evening we went down to Long Wharf to witness the opening-night activities: proclamations by the mayor and the county commissioners, tugs-o’-war between such civic organisations as the Citgo Bushwhackers and the Rescue Fire Co.‘s Chimney Sweepers, calliope tapes amplified from the Original Floating Theatre II at pierside — all amiable provincial entertainment, I don’t mean to belittle it. Most especially we approved the new county flag, a buff field bearing the arms of the 4th Earl of Dorset: supported by twin pards rampant, a shield quarterly or and gules with a bend vair, topped by the earl’s coronet, a fleur-de-lys or, and an Estoile argent of eight wavy points. Under all, the charge Aut Nunquam Tentes Aut Perfice (“Finish What You’ve Started,” shall we say), which it pleaseth us to take for our own, vis-à-vis our project of engenderment, and Ambrose for a particular spur to his myth in progress. Sure enough, the filmists were there, footage, footage, though nothing in the mating way was visibly transpiring. With them, if our eyes did not deceive us, was your odd-duck neighbour Jerome Bray, looking very strange even in the costumed crowd. No sign of Bea Golden, to my continuing relief, nor of Marsha Blank, ditto. Ambrose studiously ignored them all. Prinz gave us a long, neutral look through his viewer and turned away. This morning’s program, for us and for the tercentenary, was to have been a presentation, from the stage of the showboat, called Dorchester County in Art & Literature. But we never got aboard, for as we crossed the municipal park we saw Prinz’s crew setting up their light and sound gear beside that of a mobile television news unit from Baltimore. This latter, alas, was interviewing Ms. Golden — just flown in, presumably, from the Farm, and unfortunately fetching in early-19th-century crinolines (1669 or not, the committee had tapped her to dramatise the county’s resistance to Admiral Cockburn’s Chesapeake foraging raids in the War of 1812, so the telly man was explaining to his microphone) — and Ambrose was inclined to Say Hello. Before we could do that, however, I luckily espied (to my true dismay) J. Bray again, on the fringes of the crowd, in earnest conference with, of all people on the planet, Angela!

Magda, Peter, her twin elder cousins — nowhere in sight. What on earth was Angie doing there, with that person? Ambrose literally ran to snatch his daughter away, once I pointed out to him their tête-à-tête. The pair were passing under Prinz’s mike booms as he overtook them, manned by one of those chaps who’d come to their director’s rescue in the tower. Just as Ambrose collared Angie by her T-shirt top (MARYLAND IS FOR CRABS, with a red claw pinching each prominent nipple) and Bray by his — well, cloak — the boom swept ’round and down and caught him a terrific clout upside the head as aforespecified, dropping him cold as a mackerel to the blacktop.

Bray vanished (no mean trick, you’d think, in that drag, but he manages it); Angie set up a caterwaul; the mike boy was all apologies. One of the twins appeared after all, a husky young replica of Peter who’d only gone for ices; Bea Golden broke off her interview but kept a little distance; the Rescue Fire Co. ambulance crew, standing by, came to our rescue, even giving Carl and Angie a lift home via the hospital emergency room. Magda hurried down from the cancer ward upstairs, Peter over from the Lighthouse next door; it was a regular homecoming.

Ambrose was up by then, but groggy: mild concussion, no detectable fracture of the skull. We were instructed to keep an eye out for nausea and vertigo, barring which, sleep and aspirin ought to do the job; we weren’t to be alarmed at (what now pretty scarily began to manifest itself) his temporary circuit-failure. He was discharged. I overrode P. & M.‘s desire to fetch him chez lui for recuperation, but accepted Magda’s help in getting us back to 24 L (Peter’s leg is worse; he no longer drives).

Here we yet abide, sir, still Getting It Together whilst Apollo-11 and Luna-15 zip ’round their moon orbits, and Thor Heyerdahl’s crippled Ra limps on toward Barbados, and the strange news trickles in from Martha’s Vineyard of Senator Edward Kennedy’s (also peculiar) accident. It was that fucker Prinz, right? enquires my woozy master. I daresay, luv, say I. And I do dare so say, though I never saw him and though the mike boom lad (not the light boom, luv) has rung us up twice, in fear of lawsuit no doubt, to ask after his victim’s condition and to swear it was All Accidental.