End monologue Dialogue Thus crumbleth the matzo ball, Jer, said Merope/Margana tenderly: Each must revolt in his/her own RESET I’ll stop by de vez en cuando to do a leaf or two with you. St. Elret smile upon you, Irving intoned, and upon your leafy anagram Amen Bye.

Exposition complication climax dénouement. Comrade Mack, we are ready. That was 3 weeks 3 days ago. Since then Daylight Saving Time has begun, de Gaulle has lost his referendum and retired, the Bounty crew has mutinied, General Proctor and Tecumseh have besieged Fort Meigs, Mayday Mayday, Louis XVII has been restored to the throne of France, and Napoleon has given out the fiction of his death on St. Helena, vive le RESET Peter Minuit has bought Manhattan, and LILYVAC and we, vouchsafed this astonishing illumination from Comrades Rodriguez Thelma and Irving, blessed and inspired by Merope/Margana who drops us the odd wish you were here from Chautauqua Institution or the Remobilization Farm where she is making the Revolution in her own RESET Alone here with the letters of our amen we have found the treasure; we have found the lock; nothing is wanting save the key for LILYVAC’s unscrambling of the LEAFY ANAGRAM. And while funding is available to us from many sources, the voice of History tells us to RESET This is the final battle On Wisconsin Off the pigs Hail to the chief O say can you see any bedbirds on me Today is Tuesday the 13th Jamestown founded U.S. declares war on Mexico Riots at SUNY/Stony Brook Arson at Brooklyn College Nixon urges draft reform Sunny and mild here in Lily Dale then cloudy and showers We are floating like a butterfat stinging like a key to the RESET Complimentary close Hold on just an adjective minute A modest supplementary grant, Comrade, from the Tidewater Foundation or perhaps from the legacy of His Majesty your father if his will has been done would surely do to work the last remaining monkey wrenches out of the ointment of this flawed leafy RESET Next thing we know it will write in longhand and even fill in the blanks in its own armor like a simile Having a wonderful time wish you were RESET 10 2 2

H: Ambrose Mensch to Yours Truly. A reflection upon History. His defeat by the Director at Ocean City: an Unwritable Sequence. Magda celebrates a certain anniversary.

The Lighthouse, etc.

Erdmann’s Cornlot, etc.

May 12, 1969

FROM:

Ambrose Mensch, Whom etc.

TO:

Yours Truly, Author of

RE:

Your message to me of May 12, 1940

Madam or Sir:

History is a code which, laboriously and at ruinous cost, deciphers into HISTORY. She is a scattered sibyl whose oak-leaf oracles we toil to recollect, only to spell out something less than nothing: e.g., WHOL TRUTH, or ULTIMATE MEANIN.

Item: On the bumper of the car next to mine in the hotel parking lot in Ocean City this morning, a sticker reading, in large capitals, BUMPER STICKER. This evening at the Lighthouse, on the rear of Peter’s pickup, another, put there by the twins, declaring in ever diminishing type:

THE CLOSER YOU GET THE LESS YOU SEE

Item: My attempt to reenact in Ocean City this morning what I am only now and here enacting: this latest reply to your letter of etc. 29 years ago today — when, as now, Saturn was on the farther shore of Pisces, leaving the water signs for another revolution of the zodiac — on the beach below Willy Erdmann’s Cornlot I received your water message, the sense of which perhaps only now I begin to see. Zeus knows I have been bone-tired before: wrung out, hung over, down. But never heretofore all these and almost 40 too, my life’s first half wound past its terminating ticks, no key in hand yet to rewind me for the second. Only some portents that, if one does not look to’t, biography like history may reenact itself as farce.

Amazing, this A.M.‘s business on the beach! To have wrestled all night with Prinz’s damned scenario; to have found after all the words that might make the wordless happen; then to be shown—so roughly, publicly, instantly, and incontrovertibly! — their irrelevance… We’ve lost a battle, Ma’am or Sir, in what till now I’d not understood to be a war. That P. is a genius (at improvisation, at least: a master of the situational moment) merely surprises me: I’d thought him able at his trade; now I believe him to be a genuine virtuoso. What shocks is the revelation of his absolute enmity: the man contemns, the man despises me!

Is it less or more distressing that his contempt is not even particularly personal? I ought to find it amusing that he’s out to get, not Ambrose-Mensch-the-oddball-in-the-tower, but “Arthur Morton King,” whom in his antiliteracy he mistakes for an embodiment of the written word as against the visual image; of Letters versus Pictures! Does he not see that what he’s acting out is a travesty of my own running warfare against the province of Literature? That we are comrades, allies, brothers?

Of course he sees — with the wrongheaded clear-sightedness of Drew Mack, who lumps stock liberals like Todd Andrews with reactionaries like A. B. Cook. And it “proves” P.’s point, I suppose, that in the face of his blank hostility I see my own dispute with letters to have been a lovers’ quarrel. Sweet Short Story! Noble Novel! Precious squiggles on the pristine page! Dear Germaine.

Your old letter, then, Ms. or Mr. Truly — that blank space which in my apprenticeship I toiled to fill, and toward which like a collapsing star I’d felt my latter work returning — was it after all a call to arms? Left to right, left, right, like files of troops the little heroes march: lead-footed L; twin top-heavy T’s flanked by eager E’s, arms ever ready; rear-facing R; sinuous S — valiant fellows, so few and yet so many, with whose aid we can say the unseeable! That green house is brown. Sun so hot I froze to death. History is a code which, laboriously and at ruinous cost, deciphers into etc. Little comrades, we will have our revenge! Good Yours, I have never been more concerned!

Bea Golden. Aye, Bea, I see still in my dark camera the honey image of your flesh. Your beach-towel twitches: there are the breasts Barry Singer sang, the buttocks Mel Bernstein bared, Louis Golden’s glowing gluteus, Prinz’s pudenda! A little shopworn, sure; a little overexposed. Prinz’s cold judgment, as you report it, is surely right: that you will never be an actress unless in the role of yourself-without-illusions, a washed-out small-timer, wasted prematurely by an incoherent, silly, expensive life: the role he would have you play in “our” film. (When did he string so many words together? Or was his message in some tongueless tongue?) But Bea, Bea, battered Aphrodite, how I am redrawn to you, to my own dismay! Not to “Jeannine Mack,” the little tart who frigged me to a frazzle in my freshman year, no; there’s a passion I’ve already reenacted, and have nor wind nor sap to re-re-run. It’s Reg Prinz’s played-out-prize perversely I would prong: the Bea you have become: unmobled quean of bedroom, bar, B movie. Why in the world, Y.T., do I itch for Bea? Not just that she’s Prinz’s, surely? And surely not for want of other blanks to fill?

Au contraire: the scent seems to be on me since crazy April, and will not leave me be in abstemious May. Young “Mary Jane” in the beach hotel this weekend: a ringer for Jeannine Mack 20 years ago except less well washed and high on grass instead of bourbon; hoping His Nibs the Director would notice her, but settling in the woozy meanwhile for the worn-down nib of her ex-Freshman-English prof. Nothing wrong with shagging a former student, Mister Chancellor, Members of the Board of Regents: anyhow she was C+ in class, high B in bed (my curve is lower than in yestersemester); I was tired, my mind was elsewhere (hi, Bea), and I don’t dig sex with the inarticulate, though those 21-year-old bodies are, as the children say, Something Else — not even conceived yet, Y.T., when I was first laid.