“You didn’t.”

It’s kind of fun to keep Lori guessing, so Molly just lifts her shoulders in a shrug. Maybe, maybe not.

Lori shakes her head. “Let’s have a look at those papers.”

Molly hands over the community service forms, dutifully filled out and dated, along with the spreadsheet with the record of her hours and the required signatures.

Scanning the forms, Lori says, “Impressive. Who did the spreadsheet?”

“Who do you think?”

“Huh.” Lori juts out her bottom lip and scribbles something at the top of the form. “So did you finish?”

“Finish what?”

Lori gives her a quizzical smile. “Cleaning out the attic. Isn’t that what you were supposed to be doing?”

Right. Cleaning out the attic.

The attic actually is cleaned out. Every single item has been removed from every single box and discussed. Some things have been brought downstairs, and some unsalvageable pieces thrown away. True, most of the stuff got put back in the boxes and is still in the attic. But now the linens are neatly folded; breakables are carefully wrapped. Molly got rid of boxes that were oddly sized or misshapen or in bad shape and replaced them with new thick cardboard boxes, uniformly rectangular. Everything is clearly labeled by place and date with a black Sharpie and neatly stacked in chronological sequence under the eaves. You can even walk around up there.

“Yeah, it’s finished.”

“You can get a lot done in fifty hours, huh?”

Molly nods. You have no idea, she thinks.

Lori opens the file on the table in front of her. “So look at this—a teacher put a note in here.”

Suddenly alert, Molly sits forward. Oh shit—what now?

Lori lifts the paper slightly, reading it. “A Mr. Reed. Social studies. Says you did an assignment for his class . . . a ‘portaging’ project. What’s that?”

“Just a paper,” she says cautiously.

“Hmm . . . you interviewed a ninety-one-year-old widow . . . that’s the lady you did your hours with, right?”

“She just told me some stuff. It wasn’t that big a deal.”

“Well, Mr. Reed thinks it is. Says you went above and beyond. He’s nominating you for some kind of prize.”

“What?”

“A national history prize. You didn’t know about this?”

No, she didn’t know about this. Mr. Reed hasn’t even handed the paper back yet. She shakes her head.

“Well, now you do.” Lori folds her arms and leans back on her stool. “That’s pretty exciting, huh?”

Molly feels like her skin is glowing, like she’s been slathered in some kind of warm honeylike substance. She feels a grin growing on her face and has to fight to stay cool. She makes an effort to shrug. “I probably won’t get it or anything.”

“You probably won’t,” Lori agrees. “But as they say at the Oscars, it’s an honor to be nominated.”

“Load of crap.”

Lori smiles, and Molly can’t help it, she smiles back.

“I’m proud of you, Molly. You’re doing well.”

“You’re just glad I’m not in juvie. That would count as a fail for you, right?”

“Right. I’d lose my holiday bonus.”

“You’d have to sell your Lexus.”

“Exactly. So stay out of trouble, okay?”

“I’ll try,” Molly says. “No promises. You don’t want your job to get too boring, do you?”

“No danger of that,” Lori says.

THE HOUSEHOLD HUMS ALONG. TERRY KEEPS TO HER ROUTINE, AND Molly pitches in where she can—throwing in a load of laundry and hanging it on the line, making stir-fries and other veggie-heavy dinners for Vivian, who doesn’t seem to mind the extra cost and the lack of living creatures on the menu.

After some adjustment, Jack has warmed to the idea of Molly living here. For one thing, he can visit her without Dina’s disapproving glare. For another, it’s a nice place to hang out. In the evenings they sit on the porch in Vivian’s old wicker chairs as the sky turns pink and lavender and red, the colors seeping toward them across the bay, a magnificent living watercolor.

One day, to everyone’s shock and amazement except Molly’s, Vivian announces that she wants to get a computer. Jack calls the phone company to find out how to install Wi-Fi in the house, then sets about getting a modem and wireless router. After talking through the various options, Vivian—who as far as anyone knows has never so much as nudged awake an electronic keyboard—decides to order the same matte silver thirteeninch laptop Molly has. She doesn’t really know what she’ll use it for, she says—just to look things up and maybe read the New York Times.

With Vivian hovering at her shoulder, Molly goes to the site and signs in on her own account: click, click, credit card number, address, click . . . okay, free shipping?

“How long will it take to arrive?”

“Let’s see . . . five to ten business days. Or maybe a little longer.”

“Could I get it sooner?”

“Sure. It just costs a little more.”

“How much more?”

“Well, for twenty-three dollars it can be here in a day or two.”

“I suppose at my age there’s no point in waiting, is there?”

As soon as the laptop arrives, a sleek little rectangular spaceship with a glowing screen, Molly helps Vivian set it up. She bookmarks the New York Times and AARP (why not?) and sets up an e-mail account ([email protected]), though it’s hard to imagine Vivian using it. She shows Vivian how to access the tutorial, which she dutifully follows, exclaiming to herself as she goes: “Ah, that’s what that is. You just push that button—oh! I see. Touchpad . . . where’s the touchpad? Silly me, of course.”

Vivian is a fast study. And soon enough, with a few quick strokes, she discovers a whole community of train riders and their descendants. Nearly a hundred of the two hundred thousand children who rode the trains are still alive. There are books and newspaper articles, plays and events. There’s a National Orphan Train Complex based in Concordia, Kansas, with a website that includes riders’ testimonies and photographs and a link to FAQs. (“Frequently asked questions?” Vivian marvels. “By whom?”) There’s a group called the New York Train Riders; the few remaining survivors and their many descendants meet annually in a convent in Little Falls, Minnesota. The Children’s Aid Society and the New York Foundling Hospital have websites with links to resources and information about historical records and archives. And there is a whole subgenre of ancestor research—sons and daughters flying to New York clutching scrapbooks, tracking down letters of indenture, photographs, birth certificates.

With help from Molly, Vivian sets up an Amazon account and orders books. There are dozens of children’s stories about the trains, but what she’s interested in is the documents, the artifacts, the self-published train-rider stories, each one a testimony, a telling. Many of the stories, she finds, follow a similar trajectory: This bad thing happened, and this—and I found myself on a train—and this bad thing happened, and this—but I grew up to become a respectable, law-abiding citizen; I fell in love, I had children and grandchildren; in short, I’ve had a happy life, a life that could only have been possible because I was orphaned or abandoned and sent to Kansas or Minnesota or Oklahoma on a train. I wouldn’t trade it for the world.

“So is it just human nature to believe that things happen for a reason—to find some shred of meaning even in the worst experiences?” Molly asks when Vivian reads some of these stories aloud.

“It certainly helps,” Vivian says. She is sitting in one wingback with a laptop, scrolling through stories from the Kansas archives, and Molly in the other, reading actual books from Vivian’s library. She’s already plowed through Oliver Twist and is deep into David Copperfield when Vivian squeaks.

Molly looks up, startled. She’s never heard Vivian make that sound. “What is it?”

“I think . . .” Vivian murmurs, her face glowing bluish in the skim-milk tint from the screen as she moves two fingers down across the trackpad, “I think I may have just found Carmine. The boy from the train.” She lifts the computer from her lap and hands it to Molly.