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At Insight Editions, I am indebted to publisher Raoul Goff, without whom this book would still be an idea. And thank you to Marc Scott Zicree, with whom I share many affinities. Behind the scenes, editor Jake Gerli and the rest of the book team—art director Chrissy Kwasnik, designer Jon Glick, translator Mike Engle, and editorial staff Chris Prince, Rachel Anderson, and Elaine Ou—did a wonderful job molding my predilections into this fine presentation.

Thank you, too, to my representatives Richard Abate, George Hayum, and Gary Ungar, for standing by me and guiding me through this book development process.

Without these kindred spirits in the world of filmmaking, there would be much less of a story to tell about the notebooks and my films: Pedro and Agustín Almodóvar, Belén Atienza, Álvaro Augustín, Arthur H. Gorson, Elena Manrique, Bertha Navarro, Bernard Nussbaumer, Alejandro Springall, Telecinco, Paolo Vasile, and Jorge Vergara.

Thank you all,

Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions _384.jpg

CREDITS

Cover design by Jon Glick

COPYRIGHT

Guillermo del Toro: Cabinet of Curiosities

My Notebooks, Collections, and Other Obsessions

Copyright © 2013 Guillermo del Toro.

“Ode to a Master” copyright © 2013 James Cameron.

“Casa del Toro” copyright © 2013 John Landis.

“Guillermo and Me” copyright © 2013 Alfonso Cuarón.

“Resurrection” copyright © 2013 Ron Perlman.

“The Collecting Instinct” copyright © 2013 Adam Savage.

“Notebook Thoughts from Abroad” copyright © 2013 Neil Gaiman.

“The Magician” copyright © 2013 Cornelia Funke.

“My Days with del Toro” copyright © 2013 Mike Mignola.

“At the Mountains of Magnificence” © 2013 Tom Cruise.

“Guillermo’s Mainstays of Horror” adapted from the Foreword by Guillermo del Toro to The White People and Other Weird Stories by Arthur Machen (Penguin Classics), copyright © Guillermo del Toro, 2011; and the Penguin Horror series editor introduction by Guillermo del Toro, “Haunted Castles, Dark Mirrors: On the Penguin Horror Series” (Penguin Books), copyright © Necropia, Inc., 2013.

Guillermo del Toro’s Cabinet of Curiosities © Guillermo Del Toro 2014. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

First published in 2013 by:

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ISBN 978-0-06-208284-8

EPub Edition January 2014 ISBN 9780062335937

Library of Congress Control Number: 2013940369

Cronos © Producciones Iguana, S.A. and October Films Inc and Universal Studios

Mimic © Dimension Films

The Devil’s Backbone © El Deseo S.A.

Blade II © New Line Productions, Inc. (sl3)

Hellboy © Revolution Studios Distribution Company, LLC. All Rights Reserved.

Pan’s Labyrinth © Telecinco Cinema and Tequila Gang, S.A. de C.V.

Hellboy II © 2008 Universal Studios and Internationale Filmproduktion Eagle

Filmproduktionsgesellschaft mbh Co. KG

Don’t Be Afraid of the Dark © Miramax Film Corp.

Pacific Rim © 2013 Warner Bros. Entertainment Inc. and Legendary Pictures

Funding, LLC.

Hellboy is a trademark of Mike Mignola.

The pagination of this electronic edition does not match the edition from which it was created. Please refer to a printed edition to identify a specific photo credit.

Key: t=top, tl=top left, tc=top center tr=top right, ml=middle left, mr=middle right, c=center, b=bottom, bl=bottom left, bc=bottom center, br=bottom right

Cronos artwork and photography courtesy of Universal Studios Licensing LLC and Tequila Gang, S.A. de C.V. and Ventana Films / Arthur Gorson: 63, 77tl, 77tr, 77bl, 77br, 78, 801, 80r, 81, 82t, 82b, 83, 84t, 84b; The Devil’s Backbone artwork and photography courtesy of El Deseo S.A. and Tequila Gang, S.A. de C.V.: 98tl, 98ml, 98br, 98bl, 98br, 101 tl, 101ml, 101 mr, 101 bl, 101 br, 108br, 111; Blade II artwork and photography used courtesy of New Line Productions, Inc.: 112(all), 115tl, 115tm, 115tr, 115ml, 115br, 117tr, 117bl, 118t, 1221, 125, 126tl, 126r, 130t, 130b; Hellboy artwork and photography courtesy of Columbia Pictures: 12br, 132tl, 132tr, 132mr, 132bl, 132c, 132bc, 138r, 141 tl, 141tr, 143tl, 143tr, 143b, 145t, 145b, 149tr, 149bl, 152b, 155bl, 156r, 1591, 159r, 161t, 162, 164t, 164ml, 164b, 167tl, 164bl, 171t, 171b, 172t, 172b; Pan’s Labyrinth artwork and photography courtesy of Telecinco Cinema, Tequila Gang, S.A. de C.V, and Producciones Anhelo: back cover, 6, 48, 54, 61, 62, 64–5, 174 (all), 179t, 179b, 180tl, 180b, 183tr, 183b, 1871, 1871, 187 tr, 187br, 188t, 188b, 1911, 191r, 1921, 192r, 195, 1971, 197r, 199t, 199bl, 200, 2021, 202t, 204, 207, 208tl, 208tr, 208bl, 208br, 211 tl, 211bl; Hellboy II artwork and photography courtesy of Universal Studios Licensing LLC: 49, 50, 55, 56, 118b, 150b, 155t, 212c, 212mr, 212bl, 212br, 215, 216t, 216b, 2191, 219r, 2231, 224, 226tl, 226r, 229tr, 229mr, 229b, 235, 237t, 237b; Pacific Rim artwork and photography courtesy of Legendary Pictures: 238tr, 238bl, 238mr, 238br, 241 (all), 2431, 245br, 2461, 247r, 249; Courtesy Basil Gogos: 10c, 136; Courtesy of Kunsthistorisches Museum, Vienna: 23; Courtesy of Mirada: 42l; Courtesy of Bridgeman Art Library, Ltd.: 47; Courtesy of Directmedia Publishing GmbH: 53; Courtesy of Ronald Grant Archive / Mary Evans: 98tr; Courtesy of the Guy Davis: 101 tr; Courtesy of Mike Mignola: 1381, 223r; Photographs by Michael Collopy: 10tc, 10ml, 40b, 59, 72, 108tl; Photographs by Ethan Boehme: 10br, 15, 16m, 18t, 18b, 19, 20, 30, 33, 34, 35, 36t, 36b, 37, 39, 40t, 41, 42r, 43, 44t, 44b, 45, 66, 69

Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. If you are the copyright holder of any uncredited image herein, please contact the publisher and corrections will be made to future reprints or editions of this book.

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