Изменить стиль страницы

Dana hadn’t been lying. She had no idea who Kat Donovan was, but that didn’t really seem to matter to Titus and Juicehead. Pathos never entered the equation with these two. She was less than an animal (witness Juicehead’s dog) to them. She was something inanimate, something lifeless, like this boulder, an object to be removed or bulldozed or broken into bits, depending on their want or convenience. It would be one thing if they were simply cruel or sadistic. What they were, though, was something worse.

They were completely pragmatic.

Juicehead’s steps closed in on her. Dana tried to adjust her body, tried to find a way to pounce when he passed, but her muscles wouldn’t obey. She tried to find hope in the fact that this Kat woman had spooked Titus.

Titus was worried about her.

Dana could hear it in his voice, in his questions, in his leaving her in the hands of Juicehead. Dana remembered seeing him rush out the door and drive away.

How worried was he?

Was Detective Kat Donavan, with the sweet, open face Dana had seen on that computer screen, onto him? Was she right now on her way to rescue Dana?

Juicehead was fewer than ten steps away.

Didn’t matter. Dana had nothing left. Her foot ached. Her head thrummed. She had no weapon, no strength, no experience.

Five steps away.

It was now or never.

Mere seconds until he reached her . . .

Dana closed her eyes and chose . . . never.

She ducked low and covered her head and said a silent prayer. Juicehead stopped at the boulder. Dana’s head was down, her face almost buried in the dirt. She braced for the blow.

But it never came.

Juicehead started up again, pushing his way through the branches. He hadn’t seen her. Dana didn’t move. She lay still as that boulder. She couldn’t say how long. Five minutes. Maybe ten. When she risked a look, Juicehead was nowhere in sight.

Change of plans.

Dana started heading back toward the farmhouse.

 • • •

Cozone’s man Leslie had given Kat the address of a town house on the corner of Lorimer and Noble streets in Greenpoint, Brooklyn, near the Union Baptist Church. The neighborhood was redbrick and concrete stoops. She drove past a broken-down building with a temporary sign reading HAWAIIAN TANNING SALON and couldn’t imagine any odder juxtaposition than a Hawaiian tan and Greenpoint, Brooklyn.

There were no free parking spaces, so she stuck the fly-yellow Ferrari in front of a fire hydrant. She climbed the stoop. A plastic name tape reading A. PARKER was peeling off by the second-floor buzzer. Kat pushed it, heard the sound, and waited.

A black man with a shaved head trudged down the stairs and opened the door. He wore work gloves and blue coveralls with a cable company logo. A yellow hard hat was tucked under his left arm. He stood in the doorway and said, “Can I help you?”

“I’m looking for Sugar,” she said.

The man’s eyes narrowed. “And you are?”

“My name is Kat Donovan.”

The man stood there and studied her.

“What do you want with Sugar?” he asked.

“It’s about my father.”

“What about him?”

“Sugar used to know him. I just need to ask her a few questions.”

He looked over her head and then down the block. He spotted the yellow Ferrari. She wondered whether he too would make a comment. He didn’t. He looked the other way.

“Pardon me, Mister . . . ?”

“Parker,” the man said. “Anthony Parker.”

He glanced to his left again, but didn’t really seem to be checking the street so much as buying time. He seemed uncertain what to do.

“I’m here alone,” Kat said, trying to reassure him.

“I can see that.”

“And I don’t want to cause any trouble. I just need to ask Sugar some questions.”

His eyes rested on hers. He managed a smile. “Come on inside.”

Parker opened the door all the way and held it for her. She stepped into the front foyer and pointed up the stairs.

“Second floor?” she asked.

“Yes.”

“Is Sugar up there?”

“She will be.”

“When?”

“Right behind you,” Anthony Parker said. “I’m Sugar.”

 • • •

Dana had to move slowly.

Two other men had joined the search. One had a rifle. One had a handgun. They were communicating with Reynaldo via some kind of hands-free mobile phone or walkie-talkie. They swept back and forth, preventing her from making a straight line back to the farmhouse. Often, she had to stay perfectly still for minutes at a time.

In a very odd way, it was almost as though being buried underground had helped train her for this. Every part of her body ached, but she ignored it. She was too tired to cry. She thought about hiding out here, finding a covered spot and just staying put in the hopes that someone would come and rescue her.

But that wouldn’t work.

For one thing, she needed sustenance. She had been dehydrated before all this started. Now it was getting worse. For another, the three men after her kept crisscrossing the woods, keeping her on the move. One of the men had been so close to her at one point that she could overhear Juicehead say, “If she’s out that far, she’ll die before she ever gets back.”

It was a clue. Don’t keep running in that direction away from the farm. There was nothing for her out that way. So what to do?

She had no choice. She had to get back to the farmhouse.

So for the last . . . she had no idea how long; time had become irrelevant—Dana kept on the move, moving a yard or two at a time. She stayed low. She didn’t have a compass, but she thought she still knew the general direction. She had run out here in pretty much a straight line. The return was more a zigzag.

The woods were thick, making her rely more on sound sometimes than sight, but finally, up ahead, she thought that she saw a clearing.

Or maybe that was just wishful thinking.

Dana commando-crawled toward it, moving with everything she had, which wasn’t all that much. It wouldn’t do—commando crawling was simply too exhausting. She risked getting to her feet, her head reeling from the blood rush, but every time her foot touched down on the dirt, a fresh jolt of agony rushed up her leg. She got back down and tried all fours.

It was slower going.

Five, maybe ten minutes later, she broke through the last line of trees and reached the farmhouse clearing.

So now what?

She had somehow managed to come back to exactly the place she had entered the woods. Up ahead of her was the back of that barn. To the right stood the farmhouse. She had to move. Staying where she was left her too exposed.

She made a dash for the barn.

With death so close behind her, Dana figured that she’d be able to push past the pain in her foot. But that wasn’t working. The daggers turned her sprint turn into a spastic one-legged hop. Her joints ached. Her muscles tightened.

Still, if she stopped, she would die. A simple equation when you thought of it that way.

She half fell against the side of the barn, pressing her body tight against the wall as though that might make her invisible.

So far, she was in the clear.

Okay, good. No one had spotted her yet. That was the key. Next step?

Get help.

How?

She thought about running down the drive. That had to lead to an exit, right? But she had no idea how far it was, and worse, it was wide open. She would be spotted and picked off easily.

Still, it was an option.

Dana craned her neck, trying to see to the end of the road. It was too far away.

So now what?

She had two choices. One, run down the road. Take your chances that way. Two, hide someplace. Hope someone comes to rescue her or maybe she could sneak out under nightfall.

She couldn’t think straight. Hiding till nightfall seemed somewhat feasible, but she couldn’t count on anything approaching an immediate rescue. Her tired, confused brain added up the pros and cons and reached a conclusion: Making a run for it was the best of a lot of bad options. No, she had no idea how far it was to the road. No, she didn’t know how close any other people or traffic were.