“He’s a rock,” Jessica said.
Vincent reached out, took Jessica’s hand softly in his. “How are we doing?”
Jessica looked at her husband. She saw a man in sorrow, a man laboring beneath the yoke of failure—failure to honor his marriage vows, failure to protect his wife and daughter. A crazy man had come into Vincent Balzano’s house, threatened his family, and he had not been there. This was a special corner of hell for police officers.
“I don’t know,” she said. “I’m glad you’re here, though.”
Vincent smiled, held on to her hand. Jessica didn’t pull away.
They had agreed to attend marriage counseling; their first session was in just a few days. Jessica wasn’t ready to share her bed, or her life, with Vincent again just yet, but it was a first step. If they were meant to weather these storms, they would.
Sophie had picked some flowers at the house and was methodically distributing them on the grave sites. Because she hadn’t gotten to wear the lemon-yellow Easter dress they had bought at Lord & Taylor’s on the day itself, she seemed determined to wear it every Sunday and holiday until it was too small. Hopefully, that was a long way off.
As Peter began to make his way to the car, a squirrel darted out from behind a headstone. Sophie giggled and gave chase, her yellow frock and chestnut curls radiant in the springtime sun.
She seemed happy again.
Maybe that was enough.
It had been five days since Kevin Byrne had been moved from intensive care at HUP, the hospital at the University of Pennsylvania. The bullet Andrew Chase had fired that night had lodged in Byrne’s occipital lobe, missing his brain stem by just over a centimeter. He had endured more than twelve hours of cranial surgery, and since that time he had been in a coma.
386 Richard montanari
The doctors said his vital signs were strong, but confided that every week that went by significantly reduced the likelihood that he was going to regain consciousness.
Jessica had met Donna and Colleen Byrne a few days after the incident at her house. They were developing a relationship that Jessica was starting to feel might last a long time. Either in sorrow, or joy. It was too early to tell. She had even learned a few words in sign language.
Today, as Jessica came for her daily visit, she knew she had a lot to do. As much as it made her feel bad to leave, she knew that life would, and must, go on. She’d stay about fifteen minutes. She sat in the chair in Byrne’s flower-filled room, thumbed through a magazine. For all she knew it could have been Field & Stream or Cosmo.
From time to time, she glanced up at Byrne. He was much thinner; his skin had a deep gray pallor. His hair was just starting to grow back.
Around his neck he wore the silver crucifix that Althea Pettigrew had given him. Jessica wore the angel pendant she had received from Frank Wells. It seemed that they both had their talisman against the Andrew Chases of the world.
There was so much she wanted to tell him, about how Colleen was voted valedictorian at her deaf school, about the death of Andrew Chase. She wanted to tell him that, a week earlier, the FBI had faxed the unit with the information that Miguel Duarte, the man who confessed to the murder of Robert and Helen Blanchard, had an account at a New Jersey bank under a false name. They had traced the money back to a wire transfer received from an offshore account belonging to Morris Blanchard. Morris Blanchard had paid Duarte ten thousand dollars to kill his parents.
Kevin Byrne had been right all along.
Jessica turned back to her magazine, and an article about how and where walleyes spawn. She supposed it was Field & Stream after all.
“Hey,” Byrne said.
Jessica nearly jumped out of her skin at the sound of his voice. It was low and raspy and terribly weak, but it was there.
She scrambled to her feet. She leaned over the bed. “I’m here,” she said. “I’m... I’m here.”
Kevin Byrne opened, then closed his eyes. For a horrifying moment, Jessica was certain he would never open them again. But after a few seconds he proved her wrong. “Got a question for you,” he said. “Okay,” Jessica said, her heart racing. “Sure.”
“Did I ever tell you why they call me Riff Raff?” he asked. “No,” she said, softly. She would not cry. She would not. The slightest smile graced his parched lips.
“It’s a good story, partner,” he said.
Jessica took his hand in hers.
She squeezed gently.
Partner.
ACKNOWLED GMENTS
Publishing a novel is truly a team effort, and no writer was ever blessed with a deeper bench.
Thanks to the Honorable Seamus McCaffery, Detective Patrick Boyle, Detective Jimmy Williams, Detective Bill Frazier, Detective Michele Kelly, Detective Eddie Rocks, Detective Bo Diaz, Sgt. Irma Labrice, Catherine McBride, Cass Johnston, and the men and women of the Philadelphia Police Department. Any mistakes in police procedure are mine and, if I ever get arrested in Philly, I hope this admission counts for something.
Thanks also to Kate Simpson, Jan Klincewicz, Mike Driscoll, Greg Pastore, JoAnn Greco, Patrick Nestor, Vita DeBellis, D. John Doyle, M.D., Vernoca Michael, John and Jessica Bruening, David Najfach, and Christopher Richards.
A huge debt of gratitude to Meg Ruley, Jane Berkey, Peggy Gordijn, Don Cleary, and everyone at The Jane Rotrosen Agency.
Special thanks to Linda Marrow, Gina Centrello, Rachel Kind, Libby
390 Richard montanari
McGuire, Kim Hovey, Dana Isaacson, Arielle Zibrak, and the great team at Random House/Ballantine Books.
Thanks to the city of Philadelphia for letting me create schools as well as mayhem.
As always, thanks to my family for living the writer’s life with me. It may be my name on the cover, but it is their patience, support, and love on each and every page.
ABOUT THE T YPE
This book was set in Perpetua, a typeface designed by the English artist Eric Gill, and cut by the Monotype Corporation between 1928 and 1930. Perpetua is a contemporary face of original design, without any direct historical antecedents. The shapes of the roman letters are derived from the techniques of stonecutting. The larger display sizes are extremely elegant and form a most distinguished series of inscriptional letters.
Table of Contents
part three 22
part four 59