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Felix helps him with his duffel bag. Tom unzips it and removes something. Then he lets it fall to the foyer floor.

It’s a phone book.

“We’re going to call every number in here,” he says. “Every single one. And somebody is going to answer.”

It’s only a phone book, but Tom has turned it into a beacon.

“Now,” Tom says. “Let’s eat.”

The others excitedly prepare the dining room. Olympia gets the utensils. Felix fills glasses with water from the buckets.

Tom is back.

Jules is back.

“Malorie!” Olympia calls. “It’s canned crabmeat!”

Malorie, caught somewhere between two worlds, enters the kitchen and begins helping with dinner.

thirty-six

Someone is following them.

There is no use asking herself how much farther they have to go. She doesn’t know when she will hear the recorded voice that tells her she’s arrived. She doesn’t know if it still exists. Now, she only paddles, she only perseveres.

An hour ago, they passed what sounded like lions engaged in battle. There were roars. Birds of prey screech threats from the sky. Things growl and snort from the woods. The river’s current is moving faster. She remembers the tent Tom and Jules found in the street outside their house. Could there be something like that, so astonishingly out of place, here, on the river? Could they crash into it . . . now?

Out here, she knows, anything imagined is possible.

But right now, it is something much more concrete that worries her.

Someone is following them. Yes, the Boy heard it, too.

A phantom echo. A second rowing, in step with her own.

Who would do it? And if they meant to harm her and the children, why didn’t they do it when she was passed out?

Is it someone escaping their home as well?

“Boy,” she says quietly, “tell me what you can about them.”

The Boy is listening.

“I don’t know, Mommy.”

He sounds ashamed.

“Are they still there?”

“I don’t know!”

Listen.”

Malorie considers stopping. Turning. Facing the noise she hears behind them.

The recording will be playing on a loop. You’ll hear it. It’s loud. Clear. And when you do, that’s when you’ll have to open your eyes.

What follows them?

“Boy,” she says again. “Tell me what you can about them.”

Malorie stops rowing. Water rushes around them.

“I don’t know what it is,” he says.

Still, Malorie waits. A dog barks from the right bank. A second bark answers.

Wild dogs, Malorie thinks. More wolves.

She begins paddling again. She asks the Boy again what he hears.

“I’m sorry, Mommy!” he yells. His voice is cracked with tears. Shame.

He doesn’t know.

It has been years since the Boy wasn’t able to identify a sound. What he hears is something he’s never heard before.

But Malorie believes he can still help.

“How far away are they?” Malorie asks.

But the Boy is crying.

“I can’t do it!”

Keep your voice down!” she hisses.

Something grunts from the left bank. It sounds like a pig. Then another one. And another.

The river feels too thin. The banks too close.

Does something follow them?

Malorie rows.

thirty-seven

For the first time since arriving at the house, Malorie knows something the others don’t.

Tom and Jules have just returned. As the housemates prepared dinner, Tom brought the new stock of canned goods to the cellar. Malorie met him down there. Maybe Gary kept the notebook because he wanted to study Frank’s writing. Or maybe he wrote it himself. But Tom needed to know. Now.

In the cellar light, he looked tired but triumphant. His fair hair was dirty. His features looked more aged than the first time she was down here with him. He was losing weight. Methodically, he removed cans from his and Jules’s duffel bags and set them on the shelves. He began talking about what it was like inside the grocery store, the stench of so much rotten food, when Malorie found her opportunity.

But just when she did, the cellar door opened.

It was Gary.

“I’d like to help you if I can,” he said to Tom from the top of the stairs.

“All right,” Tom said. “Come on down then.”

Malorie exited as Gary reached the dirt floor.

Now everybody is seated at the dining room table. And Malorie is still looking for her opportunity.

Tom and Jules describe their week slowly. The facts are incredible, but Malorie’s mind is fixed on Gary. She tries to act normal. She listens to what they say. Each minute that passes is another in which Tom doesn’t know that Gary may be a threat to the rest of them.

It almost feels like she and the others are intruding on Gary’s space. Like Gary and Don had the decency to invite them into their dining room, their favorite place for exchanging whispered words. The two have spent so much time in here that it smells of them. Would they have joined the group if dinner was served in the living room? Malorie doesn’t think so.

As Tom describes walking three miles blindfolded, Gary is affable, talkative, and inquisitive. And every time he opens his mouth Malorie wants to yell at him to stop. Come clean first, she wants to say.

But she waits.

“Would you say then,” Gary says, his mouth full of crab, “that you are now convinced animals are not affected?”

“No, I wouldn’t say that,” Tom says. “Not yet. Maybe we just didn’t pass anything for them to see.”

“That’s unlikely,” Gary says.

Malorie almost screams it.

Tom then announces he has another surprise for everyone.

“Your duffel bag is a veritable clown car,” Gary says, smiling.

When Tom returns, he’s carrying a small brown box. From it, he pulls forth eight bicycle horns.

“We got these at the grocery store,” he says. “In the toy aisle.”

He hands them out.

“Mine has my name on it,” Olympia says.

“They all do,” Tom says. “I wrote them, blindfolded, with a Sharpie.”

“What are they for?” Felix asks.

“We’re inching toward a life of spending more time outside,” Tom answers, sitting down. “We can signal one another with these.”

Suddenly, Gary honks his horn. It sounds like a goose. Then it sounds like geese, as everyone honks their horns chaotically.

The circles under Felix’s eyes stretch as he smiles.

“And this,” Tom says, “is the grand finale.” He reaches into his duffel bag and pulls forth a bottle. It’s rum.

“Tom!” Olympia says.

“It’s the real reason I wanted to go back to my house,” he jokes.

Malorie, listening to the housemates laugh, seeing their smiling faces, can stand it no longer.

She stands up and slams her palms on the table.

“I looked through Gary’s briefcase,” she says. “I found the notebook he told us about. The one about tearing the blankets down. The one he said Frank took with him.”

The room goes silent. Every housemate is looking at her. Her cheeks are red with heat. Sweat prickles her hairline.

Tom, still holding the bottle of rum, studies Malorie’s face. Then he slowly turns to Gary.

“Gary?”

Gary looks to the tabletop.

He’s buying time, Malorie thinks. The fucker is buying time to think.

“Well,” he says, “I hardly know what to say.”

“You looked through someone else’s things?” Cheryl says, rising.

“I did. Yes. I know that violates the rules of the house. But we need to talk about what I found.”

The room is silent again. Malorie is still standing. She feels electric.

“Gary?” Jules pushes.

Gary leans back in his chair. He breathes deep. He crosses his arms over his chest. Then he uncrosses them. He looks serious. Annoyed. Then he grins. He stands up and goes to the briefcase. He brings it back and sets it on the table.