Marcus flipped through his notebook, turning over the pages.

“Oh, there’s so much,” he said, bouncing on the balls of his feet. “We can use all of it. It’s so good, and there’s so much. We should buy this girl a present to say thank you. Polly knows her through orchestra.”

“We’ll make sure to get her complimentary tickets for opening night,” Felix said, already making a note on the side of his jotter. “And a voucher for nibbles.”

“Read out the rest,” someone called out. “Read out everything.”

August

Near the end of the first-year calendar was an underlined event described simply as “the Outing” and carefully timetabled so that the first-, second- and third-year actors were all required to participate together. The actors all assembled in the gymnasium, the second- and third-years smug and aloof in the security of having performed the exercise before.

The sixty-odd students were each assigned by the Head of Acting a part from a play. He had appointed the parts carefully, choosing students who bore a temperamental or physiological likeness to the characters he knew so well, and he smiled as he read each name off the long list he had penned into his notebook. “Henry, I’d like you to play Torvald,” he said. “I’m looking forward to seeing your Torvald. I’m guessing it’s going to be a very interesting mix”—as if Henry and Torvald were transparent overlays that could be placed upon each other to form an amalgam, a newer, brighter image that would be better and more vibrant than either the boy or the man on his own.

“Claire,” he was saying now, and turning to one of the third-years perched on the edge of the crowd. “I’ve chosen Susan from A Bed Among the Lentils for you. You’re playing out of your age range a bit, but I think you’ll manage beautifully.”

The rules of the exercise were relatively simple. The students were asked to leave the grounds of the Institute and disperse into the four city blocks that surrounded the Institute buildings. They had to remain in character for two hours. They were to be let out in small staggered batches, one batch leaving as another returned, over a period of three days. The tutors and the off-duty actors would be patrolling the city blocks, appearing to perform ordinary activities, like shopping and ordering coffee and jogging and meeting each other on the street to talk, but all the while observing the actors as they performed.

Dora. Septimus. Martha. Bo. The list went on. Stanley looked out the window and allowed his mind to wander, and soon found that he couldn’t distinguish the names of the characters from the names of the students assigned to become them.

“Stanley,” the Head of Acting called, jolting him out of his reverie. He looked up, but the Head of Acting wasn’t addressing him. “Stanley from A Streetcar Named Desire,” he was saying, and a student on the floor was nodding vigorously and scribbling down the name of the role in the margin of his exercise book. Stanley sighed and looked down at his hands.

“I know that some of these roles are easier than others,” the Head of Acting said, “and with some of these characters it’s hard to imagine them out of the context of the play. But remember that every performance is an interpretation. You can be as imaginative as you like. It’s up to you what you want to wear, whether you want to try an accent, whether you want to change your appearance to better suit your role.”

Stanley’s gaze slid sideways to the Head of Movement, standing like a patient shadow behind the Head of Acting, his ankles together and his heels against the wall. He was smiling faintly and nodding his head, but the movement looked automatic, like a weighted pendulum keeping indulgent time behind a pane of glass. He saw the Head of Movement wink at one of the students on the floor, and turned his head quickly to follow his gaze and seek out the recipient of the wink. He was too late to tell. He looked back at the Head of Movement and saw him smile and look carefully down at the floor.

The Head of Acting had reached the first-year group, and all around him his classmates were being branded one by one. Harry Bagley. George. Moss. Irene.

Stanley was assigned the part of Joe Pitt. “Read the play first,” the Head of Acting advised, and smiled a tiny smile before returning to his list. Somebody in the crowd giggled faintly and Stanley blushed, wondering what sort of person Joe Pitt was. He wrote the name on a fresh page of his organizer and then tucked the book into his bag.

August

“How long are you in town for?” Stanley asked after they had ordered. His father was busy scratching something into his electronic notebook and he didn’t answer immediately. He stabbed at the screen, folded the notebook away, and shook out his cuffs.

“Sorry, champ,” he said. “You said?”

“How long are you down for?”

“Just the weekend. I’m speaking at the conference tomorrow and then we fly out. I’ve got a joke for you. What’s the difference between acne and a Catholic priest?”

“I don’t know,” said Stanley.

“Acne only comes on your face after puberty.”

“Dad, that’s revolting,” Stanley said. He thought, A taboo is something that’s forbidden because it’s sacred.

His father held up his hands in surrender. “Too far?”

“Yes,” Stanley said. Or because it’s disgusting. He scowled despite himself and took a drink of water.

“Tell me about you, then,” his father said. “Tell me about drama school. Oh! I forgot—I’ve got something for you. I cut it out of the newspaper this morning.” He thumbed through his briefcase until he found a wad of newspaper, folded in eighths. He passed it across the table to Stanley and hummed merrily as he waited for Stanley to read it.

The headline read Girl’s Death “Terrible Waste.” The article was brief.

“You know the girl?” his father said when he’d finished. He was expectant, his eyes the gleeful half-moons of the laughing Comedy mask in the foyer of the Institute.

Stanley looked at the article again, and swallowed. “You’re going to tell me that this was the million-dollar girl.”

His father laughed. “Stanley,” he said, “this was the million-dollar girl. Did you know her?”

“What if I did?” Stanley said. “What if I did, and this was how I found out, and you’ve just been horribly insensitive to both of us?”

Stanley’s father reached across to twitch the page out of Stanley’s hands. “It’s just a bit of fun,” he said, tucking the wad back into his briefcase. “I thought you’d laugh. Don’t look at me like that.”

He shook his finger playfully at Stanley, and reached for his tumbler. “Anyway, if you did know her,” he said, “then I’d be congratulating you, because you’d have picked her from the start and you’d have taken out a policy.”

“That girl is a real person somewhere,” Stanley said.

“That girl is a corpse somewhere,” his father corrected. He gave Stanley a stern critical look, as if gravely disappointed and seeing him truly for the first time. He said, “I really thought you’d laugh.”

ELEVEN