My mother must have seen Mrs. Netterfield at various times before she saw her walking down our lane. Maybe they had never spoken. It’s possible, though, that they had. My mother might have made a point of it, even if my father had told her that it was not necessary. It might even lead to trouble was what he probably would have said. My mother had sympathy for people who were like Mrs. Netterfield, as long as they were decent.

But now she was not thinking of friendliness or decency. Now she was running out the kitchen door to grab me out of my baby carriage. She left the carriage and the covers where they were and ran back into the house, attempting to lock the kitchen door behind her. The front door she did not need to worry about—it was always locked.

But there was a problem with the kitchen door. As far as I know, it never had a proper lock. There was just a custom, at night, of pushing one of the kitchen chairs against that door, and tilting it with the chair back under the doorknob in such a way that anybody pushing it to get in would have made a dreadful clatter. A fairly haphazard way of maintaining safety, it seems to me, and not in keeping, either, with the fact that my father had a revolver in the house, in a desk drawer. Also, as was natural in the house of a man who regularly had to shoot horses, there was a rifle and a couple of shotguns. Unloaded, of course.

Did my mother think of any weapon, once she had got the doorknob wedged in place? Had she ever picked up a gun, or loaded one, in her life?

Did it cross her mind that the old woman might just be paying a neighborly visit? I don’t think so. There must have been a difference in the walk, a determination in the approach of a woman who was not a visitor coming down the lane, not making a friendly approach down our road.

It is possible that my mother prayed, but never mentioned it.

She knew that there was an investigation of the blankets in the carriage, because, just before she pulled down the kitchen-door blind, she saw one of those blankets being flung out to land on the ground. After that, she did not try to get the blind down on any other window, but stayed with me in her arms in a corner where she could not be seen.

No decent knock on the door. But no pushing at the chair, either. No banging or rattling. My mother in the hiding place by the dumbwaiter, hoping against hope that the quiet meant the woman had changed her mind and gone home.

Not so. She was walking around the house, taking her time, and stopping at every downstairs window. The storm windows, of course, were not on now, in summer. She could press her face against every pane of glass. The blinds were all up as high as they could go, because of the fine day. The woman was not very tall, but she did not have to stretch to see inside.

How did my mother know this? It was not as if she were running around with me in her arms, hiding behind one piece of furniture after another, peering out, distraught with terror, to meet with the staring eyes and maybe a wild grin.

She stayed by the dumbwaiter. What else could she do?

There was the cellar, of course. The windows were too small for anybody to get through them. But there was no inside hook on the cellar door. And it would have been more horrible, somehow, to be trapped down there in the dark, if the woman did finally push her way into the house and came down the cellar steps.

There were also the rooms upstairs, but to get there my mother would have had to cross the big main room—that room where the beatings would take place in the future, but which lost its malevolence after the stairs were closed in.

I don’t know when my mother first told me this story, but it seems to me that that was where the earlier versions stopped—with Mrs. Netterfield pressing her face and hands against the glass while my mother hid. But in later versions there was an end to just looking. Impatience or anger took hold and then the rattling and the banging came. No mention of yelling. The old woman may not have had the breath to do it. Or perhaps she forgot what it was she’d come for, once her strength ran out.

Anyway, she gave up; that was all she did. After she had made her tour of all the windows and doors, she went away. My mother finally got the nerve to look around in the silence and concluded that Mrs. Netterfield had gone somewhere else.

She did not, however, take the chair away from the doorknob until my father came home.

I don’t mean to imply that my mother spoke of this often. It was not part of the repertoire that I got to know and, for the most part, found interesting. Her struggle to get to high school. The school where she taught, in Alberta, and where the children arrived on horseback. The friends she had at normal school, the innocent tricks that were played.

I could always make out what she was saying, though often, after her voice got thick, other people couldn’t. I was her interpreter, and sometimes I was full of misery when I had to repeat elaborate phrases or what she thought were jokes, and I could see that the nice people who stopped to talk were dying to get away.

The visitation of old Mrs. Netterfield, as she called it, was not something I was ever required to talk about. But I must have known about it for a long time. I remember asking her at some point if she knew what had become of the woman afterwards.

“They took her away,” she said. “Oh, I think so. She wasn’t left to die alone.”

After I was married and had moved to Vancouver, I still got the weekly paper that was published in the town where I grew up. I think somebody, maybe my father and his second wife, made sure that I had a subscription. Often I barely looked at it, but one time, when I did, I saw the name Netterfield. It was not the name of someone who was living in the town at present but had apparently been the maiden name of a woman in Portland, Oregon, who had written a letter to the paper. This woman, like me, still had a subscription to her hometown paper, and she had written a poem about her childhood there.

There were several verses, and as I read I began to understand that she was talking about the same river flats that I had thought belonged to me.

“The lines I am enclosing were written from memories of that old hillside,” she said. “If they are worthy of a little space in your time-honored paper, I thank you.”

That was our bank. My bank. Another verse was about a stand of maples, but there I believe she was remembering it wrong—they were elms, which had all died of Dutch elm disease by now.

The rest of the letter made things clearer. The woman said that her father—his name had been Netterfield—had bought a piece of land from the government in 1883, in what was later called the Lower Town. The land ran down to the Maitland River.

She had left out, just as I would have done, the way the spring got muddied up and soiled all around by horses’ hooves. And of course left out the manure.

In fact, I had once made up some poems myself, of a very similar nature, though they were lost now, and maybe had never been written down. Verses that commended Nature, then were a bit hard to wind up. I would have composed them right around the time that I was being so intolerant of my mother, and my father was whaling the unkindness out of me. Or beating the tar out of me, as people would cheerfully say back then.