The masons had begun by sawing a thick slab from the top of it. Upon this granite hd a master mason was fashioning the likeness of the mummiform Pharaoh, with his arms crossed and the crook and flail gripped in his dead hands. Another team of masons was now engaged,in hollowing out the interior of the main granite block to provide a nest into which the cluster of inner coffins would fit perfectly. Including the huge outer sarcophagus, there would be seven coffins hi all, fitting one within the other like a child's puzzle-toy. Seven was, of course, one of the magical numbers. The innermost coffin would be of pure gold, and later we watched it being beaten out of the formless mass of metal in the hall of the goldsmiths.
It was this multiple sarcophagus, this mountain of stone and gold housing the king's wrapped corpse, that the great golden hearse would carry along the causeway to the hills, a slow journey that would take seven whole days to complete. The hearse would stop each night in one of the small shrines that were spaced at intervals along the causeway.
A fascinating adjunct to the hall of statues was the ushabti shop at the rear where the servants and retainers who would escort the dead king were being carved. These were perfect little manikins of wood representing all the grades and orders of Egyptian society who would work for the king in the hereafter, so as to enable him to maintain his estate and the style of his existence in the underworld.
Each ushabti was a delightfully carved wooden doll dressed in the authentic uniform of his calling and bearing the appropriate tools. There were farmers and gardeners, fishermen and bakers, beer-brewers and handmaidens, soldiers and tax-collectors, scribes and barbers, and hundreds upon hundreds of common labourers to perform every menial task and to go forward in the king's place if ever he were called upon by the other gods to work in the underworld.
At the head of this congregation of little figures there was even a grand vizier whose miniature features closely resembled those of my Lord Intef. Pharaoh picked out this manikin and examined him closely, turning him over to read the description on his back.
My name is Lord Intef, grand vizier of the Upper Kingdom, Pharaoh's sole companion, three times the recipient of the Gold of Praise. I am ready to answer for the king.
Pharaoh passed the doll to my Lord Intef. 'Is your physique truly so muscular, my Lord Intef?' he asked with a smile just below the surface of his dour expression, and the grand vizier bowed slightly.
'The sculptor has failed to do me justice, Your Majesty.'
The last treasury that the king visited that day was the hall of the goldsmiths. The infernal glow of the furnaces cast a strange glow on the features of the jewellers as they worked with total concentration at their benches. I had coached them well. At the entrance of the royal entourage, the goldsmiths knelt in unison to make the triple obeisance to Pharaoh, and then rose and resumed their work.
Even in that large hall the heat of the furnace flames was so sulphurous as almost to stop the breath, and we were soon bathed in our own sweat. However, the king was so fascinated by the treasure displayed for him that he seemed not to notice the oppressive atmosphere. He went directly to the raised dais in the centre of the hall where the most experienced and skilful smiths were at work upon the golden inner coffin. They had perfectly captured Pharaoh's living face in the shimmering metal. The mask would fit exactly over his bandaged head. It was a divine image with eyes of obsidian and rock-crystal, and with the cobra-headed uraeus encircling the brow. I truly believe that no finer masterpiece of the goldsmith's art has ever been fashioned in all the thousand years of our civilization. This was the peak and the zenith. All the unborn ages might one day marvel at its splendour.
Even after Pharaoh had admired the golden mask from every angle, he seemed unable to tear himself too far from it. He spent the remainder of the day on the dais beside it, seated on a low stool while box after cedar-wood box of exquisite jewels were laid at his feet and the contents catalogued for him.
I cannot believe that such a treasure was ever before accumulated in one place at one time. To make a bald list of the items does not in the least way suggest the richness and the diversity of it all. None the less, let me tell you at the outset that, there were six thousand four hundred and fifty-five pieces already in the cedar-wood boxes, and that each day more were added to the collection as the jewellers worked on tirelessly.
There were rings for Pharaoh's toes as well as his fingers; there were amulets and charms, and gold figurines of the gods and goddesses; there were necklaces and bracelets and pectoral medallions and belts on which were inlaid falcons and vultures and all the other creatures of the earth and the sky and the river; there were crowns and diadems studded with lapis lazuli and garnets and agate and carnelians and jasper and every gemstone that civilized man holds dear.
The artistry with which all this had been designed and manufactured eclipsed all that had been created over the preceding one thousand years. It is often in decline that a nation creates its most beautiful works of art. In the formative years of empire the obsession is with conquest and the building-up of wealth. It is only once this has been achieved that there is leisure and a desire to develop the arts, and?more importantly?rich and powerful men to sponsor them.
The weight of gold and silver already used in the manufacture of the hearse and the funeral mask and all the rest of this breathtaking collection of treasure was in excess of five hundred takhs; thus it would have taken five hundred strong men to lift it all. I had calculated that this was almost one-tenth of the total weight of these precious metals that had been mined in the entire one thousand years of our recorded history. All of this the king intended taking with him to the tomb.
Who am I, a humble slave, to question the price that a king was willing to pay for eternal life? Suffice it only to state that in assembling this treasure, while at the same time conducting the war against the Lower Kingdom, Pharaoh had, almost alone and unaided, plunged this very Egypt of ours into beggary.
No wonder, then, that Tanus in his declamation had singled out the depredation of the tax-collectors as one of the most terrible afflictions visited upon the populace. Between them and the robber bands that ravaged unchecked and unhindered through the countryside, we were all ruined and crushed under the financial yoke that was too heavy for any of us to bear. To survive at all, we had to evade the tax collector's net. So as he set out to beggar us for his own aggrandizement, the king made criminals of us at the same moment. Very few of us, great or small, rich or poor, slept well at night. We lay awake dreading at any moment the heavy knock of the tax-collector upon the door.
Oh, sad and abused land, how it groaned beneath the yoke!
LAVISH QUARTERS HAD BEEN PREPARED in the necropolis in which the king would spend that night upon the west bank of the Nile, close to his own final resting-place in the gaunt black hills. The necropolis, the city of the dead, was almost as extensive as Karnak itself. It was home to all those associated with the building and the care of the funerary temple and the royal tomb. There was a full regiment of the elite guard to protect the holy places, for the usurper in the north was as avaricious for treasure as was our own dear king, while the robber barons in the desert became each day bolder and more daring. The treasuries of the funerary temple were a sore temptation to every predator hi the two kingdoms, and beyond.