Before Osiris could reach the edge of the stage, Seth came bounding after him oik those thick bow-legs. He seized the stump of Osiris' arm and used it as a handle to drag him back into the centre of the stage, where he threw him sprawling full-length on the stone flags. The tinsel crown tumbled from Osiris' head and the plaits of dark hair fell to his shoulders as he lay in a spreading puddle of his own blood.
'Please spare me,' Osiris shrieked, as Seth stood over him, and Seth laughed. It was a full-throated roar of genuine amusement. Rasfer had become Seth, and Seth was hugely enjoying himself.
That savage laughter woke the audience from its trance. However, the illusion was complete. They no longer believed that they were watching a play, and for all of them this terrible spectacle had become reality. Women screamed and men roared with fury as they witnessed the murder of their god.
'Spare him! Spare the great god Osiris!' they howled, but not one of them rose from his seat or rushed on to the stage to attempt to prevent the tragedy from being played out.
They knew that the straggles and passions of the gods were beyond the influence of mortal men.
Osiris reached up and pawed at Seth's legs with his one remaining hand. Still laughing, Seth grabbed bis wrist and pulled his arm out to its full length, inspecting it as a butcher might inspect the shoulder of a goat before he sections it.
'Cut it off!' screamed a voice in the crowd, thick with the lust for blood. The mood had swung again.
'Kill him!' screamed another. It has always troubled me how the sight of blood and violent death affects even the mildest of men. Even I was stirred by this terrible scene, sickened and horrified, it is true, but beneath it stirred by a revolting excitement.
With a casual sweep of the blade, Seth struck off the arm, and Osiris fell back, leaving the twitching limb in Seth's red fist. He was trying to rise to his feet, but he had no hands to support himself. His legs kicked spasmodically, and his head whipped from side to side, and still he screamed. I tried to force myself to turn away, but though my gorge rose and scalded the back of my throat, still I had to watch.
Seth hacked the arm into three pieces through the joint of the wrist and the elbow. One at a time he hurled the fragments into the packed ranks of the audience. As they spun through the air they sprinkled those below with drops of ruby. They roared like the lions hi Pharaoh's zoo at feeding-time, and held up their hands to catch these holy relics of their god.
Seth worked on with dedicated gusto. Osiris' feet he chopped off at the ankles. Then the calves at the knees, and the thighs at the hip joints. As he threw each of these to mem, the mob clamoured for more.
"The talisman of Seth!' howled a voice amongst them. 'Give us the talisman of Seth!' and the cry was taken up. According to the myth, the talisman is the most powerful of all the magical charms. The person who has it in his possession controls all the dark forces of the underworld, It is the only one of the fourteen segments of Osiris' body that was never recovered by Isis and her sister Nephthys from the far corners of the earth to which Seth scattered them. The talisman of Seth is that same part of the body that Rasfer deprived me of, and which forms the centre-piece of that beautiful necklace that was the cynical gift of my Lord Intef. 'Give us the talisman of Seth!' the mob howled, and Seth reached down and lifted the red sodden tunic of the limbless trunk at his feet. He was still laughing. I shuddered as I recognized that merciless sound that I had heard so often at my own punishment sessions. In sympathy I experienced once again the sudden fire in my groin as the short sword flashed in Seth's hairy paw, already wet and running with his victim's blood, and he lifted on high the piteous relic.
The crowd pleaded for it. 'Give it to us,' ttfey begged him. 'Give us the power of the talisman.' The spectacle had transformed them into ravening beasts.
Seth ignored their pleas. 'A gift,' he cried. 'A gift from one god to another. I Seth, god of darkness, dedicate this talisman to the god-Pharaoh, Mamose the divine.' And he hopped down the stone stairs on those powerful bow-legs and placed the relic at Pharaoh's feet.
To my amazement the king leaned forward and gathered it up to himself. His expression beneath the powder and paint was spellbound,"as though this was the true relic of the god. I am sure that at that moment he truly believed it was. He held it in his right hand through all that ensued.
His gift accepted, Seth rushed back on to the stage to complete his butchery. The thing that haunts me still is that the poor dismembered creature was alive and sensate to the very end. I realized that the drug I had given Tod had done little to dull his senses. I saw the terrible agony in his eyes as he lay in the lake of his own blood and rolled his head from side to side, the only part that remained to him to move.
For me, then, it came as an intense relief when at last Seth struck off the head and held it up by its thick plaited locks for the crowd to admire. Even then, the poor creature's eyes swivelled wildly in their sockets as he looked for the very last time on this world. At last they dulled and glazed over, and Seth tossed the head to them.
Thus the first act of our pageant ended in swelling and rapturous applause that threatened to shake the granite pillars of the temple from their bases.
DURING THE INTERMISSION MY SLAVE helpers cleaned away the gruesome evidence of the slaughter from the set. I was particularly concerned that my Lady Lostris should not realize what had truly taken place in the first act. I wished her to believe that all had gone as we had rehearsed it. So I had arranged that she stay in her tent, and that one of Tanus' men remain at the entrance to keep her there, and also to ensure that none of her Cushite maidens were allowed to peep out at the first act and rush back to Lostris with a report. I knew that if she realized the truth, she would be too distraught to play her part. While my helpers used buckets of water from our stage Nile to wash away the ghastly evidence, I hurried to my mistress's tent to reassure her and to satisfy myself that my precautions to shield her had been effective.
'Oh, Taita, I heard the applause,' she greeted me happily. 'They love your play. I am so happy for you. You so richly deserve this success.' She chuckled in a conspiratorial fashion. 'It sounded as though they believed the murder of Osiris was real, and the buckets of ox-blood with which you drenched Tod were truly the blood of the god.'
'Indeed, my lady, they seemed totally deceived by our little tricks,' I agreed, although I still felt faint and ill from what I had just lived through.
My Lady Lostris suspected nothing, and when I led her out on to the stage, she barely glanced at the grisly stains that remained upon the stones. I posed her in her opening position, and adjusted the torchlight to flatter her. Even though I was accustomed to it, still her beauty choked my throat and made my eyes sting with tears.
I left her concealed by the linen curtains, and stepped out to face my audience. There was no sarcastic applause to greet me this time. Every one of them, from Pharaoh to the meanest vassal, was captive to my voice, as in my lambent prose I described the mourning of Isis and her sister Nephthys at the death of their brother.
When I stepped down and the curtain was drawn aside to reveal the grieving figure of Isis, the audience gasped aloud at her loveliness. After the horror and blood of the first act, her presence was all the more moving.
Isis began to sing the lament for the dead, and her voice thrilled through the gloomy halls of the temple. As her head moved to the cadence of her voice, the torchlight was reflected in a darting and flickering shaft from the bronze moon that surmounted her horned headdress.