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‘Great,’ I told him, ‘but careful with those vocabulary selectors. Remember the golden rule: the ideal sentence is one word long. What else have you got?’

‘What else? Nothing. This is likely to take all week, perhaps all year.’

I nearly swallowed the phone. ‘Tristram, what’s the matter? For heaven’s sake, haven’t you paid, the power bill or something? Have they cut you off?’

Before I could find out, however, he had rung off.

‘One sonnet a day,’ I said to Tony. ‘Good God, he must be on manual. Crazy idiot, he probably doesn’t realize how complicated those circuits are.’

We sat tight and waited. Nothing came the next morning, and nothing the morning after that. Luckily, however, Aurora wasn’t in the least surprised; in fact, if anything she was pleased that Tristram’s rate of progress was slowing.

‘One poem is enough,’ she told me, ‘a complete statement. Nothing more needs to be said, an interval of eternity closes for ever.’

Reflectively, she straightened the petals of a hyacinth. ‘Perhaps he needs a little encouragement,’ she decided.

I could see she wanted to meet him.

‘Why don’t you ask him over for dinner?’ I suggested.

She brightened immediately. ‘I will.’ She picked up the telephone and handed it to me.

As I dialled Tristram’s number I felt a sudden pang of envy and disappointment. Around me the friezes told the story of Melander and Corydon, but I was too preoccupied to anticipate the tragedy the next week would bring.

During the days that followed Tristram and Aurora Day were always together. In the morning they would usually drive out to the film sets at Lagoon West, the chauffeur at the wheel of the huge Cadillac. In the evenings, as I sat out alone on the terrace, watching the lights of Studio 5 shine out into the warm darkness, I could hear their fragmented voices carried across the sand, the faint sounds of crystal music.

I would like to think that I resented their relationship, but to be truthful I cared very little after the initial disappointment had worn off. The beach fatigue from which I suffered numbed the senses insidiously, blunting despair and hope alike.

When, three days after their first meeting, Aurora and Tristram suggested that we all go ray-fishing at Lagoon West, I accepted gladly, eager to observe their affair at closer quarters.

As we set off down the Stars there was no hint of what was to come. Tristram and Aurora were together in the Cadillac while Tony Sapphire, Raymond Mayo and I brought up the rear in Tony’s Chevrolet. We could see them through the blue rear window of the Cadillac, Tristram reading the sonnet to Aurora which he had just completed. When we climbed out of the cars at Lagoon West and made our way over to the old abstract film sets near the sand reefs, they were walking hand in hand. Tristram in his white beach shoes and suit looked very much like an Edwardian dandy at a boating party.

The chauffeur carried the picnic hampers, and Raymond Mayo and Tony the spear-guns and nets. Down the reefs below we could see the rays nesting by the thousands, scores of double mambas sleek with off-season hibernation.

After we had settled ourselves under the awnings Raymond and Tristram decided on the course and then gathered everyone together. Strung out in a loose line we began to make our way down into one of the reefs, Aurora on Tristram’s arm.

‘Ever done any ray-fishing?’ Tristram asked me as we entered one of the lower galleries.

‘Never,’ I said. ‘I’ll just watch this time. I hear you’re quite an expert.’

‘Well, with luck I won’t be killed.’ He pointed to the rays clinging to the cornices above us, wheeling up into the sky as we approached, whistling and screeching. In the dim light the white tips of their stings flexed in their sheaths. ‘Unless they’re really frightened they’ll stay well away from you,’ he told us. ‘The art is to prevent them from becoming frightened, select one and approach it so slowly that it sits staring at you until you’re close enough to shoot it.’

Raymond Mayo had found a large purple mamba resting in a narrow crevice about ten yards on our right. He moved up to it quietly, watching the sting protrude from its sheath and weave menacingly, waiting just long enough for it to retract, lulling the ray with a low humming sound. Finally, when he was five feet away, he raised the gun and took careful aim.

‘There may seem little to it,’ Tristram whispered to Aurora and me, ‘but in fact he’s completely at the ray’s mercy now. If it chose to attack he’d be defenceless.’ The bolt snapped from Raymond’s gun and struck the ray on its spinal crest, stunning it instantly. Quickly he stepped over and scooped it into the net, where it revived after a few seconds, threshed its black triangular wings helplessly and then lay inertly.

We moved through the groynes and galleries, the sky a narrow winding interval overhead, following the pathways that curved down into the bed of the reef. Now and then the wheeling rays rising out of our way would brush against the reef and drifts of fine sand would cascade over us. Raymond and Tristram shot several more rays, leaving the chauffeur to carry the nets. Gradually our party split into two, Tony and Raymond taking one pathway with the chauffeur, while I stayed with Aurora and Tristram.

As we moved along I noticed that Aurora’s face had become less relaxed, her movements slightly more deliberate and controlled. I had the impression she was watching Tristram carefully, glancing sideways at him as she held his arm.

We entered the terminal fornix of the reef, a deep cathedral-like chamber from which a score of galleries spiralled off to surface like the arms of a galaxy. In the darkness around us the thousands of rays hung motionlessly, thei phosphorescing stings flexing and retracting like winking stars.

Two hundred feet away, on the far side of the chamber, Raymond Mayo and the chauffeur emerged from one of the galleries. They waited there for a few moments. Suddenly I heard Tony shouting out. Raymond dropped his speargun and disappeared into the gallery.

Excusing myself, I ran across the chamber. I found them in the narrow corridor, peering around in the darkness.

‘I tell you,’ Tony was insisting. ‘I heard the damn thing singing.’

‘Impossible,’ Raymond told him. They argued with each other, then gave up the search for the mysterious song-ray and stepped down into the chamber. As we went I thought I saw the chauffeur replace something in his pocket. With his beaked face and insane eyes, his hunched figure hung about with the nets of writhing rays, he looked like a figure from Hieronymus Bosch.

After exchanging a few words with Raymond and Tony I turned to make my way back to the others, but they had left the chamber. Wondering which of the galleries they had chosen, I stepped a few yards into the mouth of each one, finally saw them on one of the ramps curving away above me.

I was about to retrace my steps and join them when I caught a glimpse of Aurora’s face in profile, saw once again her expression of watchful intent. Changing my mind, I moved quietly along the spiral, just below them, the falls of sand masking my footsteps, keeping them in view through the intervals between the overhanging columns.

At one point I was only a few yards from them, and heard Aurora say clearly: ‘Isn’t there a theory that you can trap rays by singing to them?’

‘By mesmerizing them?’ Tristram asked. ‘Let’s try.’

They moved farther away, and Aurora’s voice sounded out softly, a low crooning tone. Gradually the sound rose, echoing and re-echoing through the high vaults, the rays stirring in the darkness.

As we neared the surface their numbers grew, and Aurora stopped and guided Tristram towards a narrow sun-filled arena, bounded by hundred-foot walls, open to the sky above.

Unable to see them now, I retreated into the gallery and climbed the inner slope on to the next level, and from there on to the stage above. I made my way to the edge of the gallery, from which I could now easily observe the arena below. As I did so, however, I was aware of an eerie and penetrating noise, at once toneless and all-pervading, which filled the entire reef, like the high-pitched sounds perceived by epileptics before a seizure. Down in the arena Tristram was searching the walls, trying to identify the source of the noise, hands raised to his head. He had taken his eyes off Aurora, who was standing behind him, arms motionless at her sides, palms slightly raised, like an entranced medium.