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Margaret, too, is watching her daughter. She sits forward, eyeing Karen with a gaze that is both possessive and menacing. Apart from a brief lunge at my testicles, she has ignored me. For some reason the two women have selected each other as their chief targets, just as David has vented almost all his hostility on me. I had not expected the scissors to be in his hand when I first slapped him. He is only a few feet from me now, ready to mount his last assault. For some reason he seemed particularly outraged by the display of teddy bears I had mounted so carefully for him, and shreds of these dismembered animals lie everywhere on the floor.

Fortunately I can breathe a little more freely now. I move my head to take in the ceiling camera and my fellow combatants. Together we present a grotesque aspect. The heavy television make-up we all decided to wear has dissolved into a set of bizarre halloween masks.

All the same, we are at last together, and my affection for them overrides these small problems of mutual adjustment. As soon as they arrived, the bruise on my son’s head and my wife’s bleeding ears betrayed the evidence of some potentially lethal scuffle. I knew that it would be a testing time. But at least we are making a start, in our small way establishing the possibility of a new kind of family life.

Everyone is breathing more strongly, and the attack will clearly begin within a minute. I can see the bloody scissors in my son’s hand, and remember the pain as he stabbed me. I brace myself against the settee, ready to kick his face. With my right arm I am probably strong enough to take on whoever survives the last confrontation between my wife and daughter. Smiling at them affectionately, rage thickening the blood in my throat, I am only aware of my feelings of unbounded love.

1977

Theatre of War

Author’s preface

After three hundred years, could civil war again divide the United Kingdom? Given rising unemployment and industrial stagnation, an ever more entrenched class system and a weak monarchy detaching itself from all but its ceremonial roles, is it possible to visualize the huge antagonisms between the extreme left and right resolving themselves in open civil conflict? I take it for granted that despite its unhappy experience in South East Asia the intervention of the United States to defend its military and economic investments would be even more certain than it was in Vietnam. I also assume that the television coverage would be uninterrupted and all-pervasive, and have therefore cast it in the form of a TV documentary, of the type made popular by World in Action.

Part One

LONDON UNDER SIEGE

STREET BATTLE

Inner London, a back street in Lambeth, where confused street-fighting is taking place. Tank engine noise forms a continuous background to heavy machine-gun fire and intercom chatter. Twenty soldiers, five American and the rest British, move from door to door, firing at the other end of the street, where Big Ben is visible above the shabby rooftops. Helicopter gunships circle overhead. A tank stops by a house and soldiers dart in. A moment later a woman emerges, followed by three exhausted children and an old man carrying his bedroll. They run past with stunned faces. Bodies lie everywhere. Two negro GIs drag away a dead enemy soldier with shoulder-length hair. Stitched to his camouflage jacket is a Union Jack. The picture freezes, and the camera zooms in on the Union Jack until it fills the screen, soaked in the soldier’s blood.

WORLD IN ACTION TITLES

Superimposed over the bloody Union Jack: ‘Civil War’

Commentator

One street battle is over, but the civil war goes on. After four years no solution is in sight. American casualties total 30,000 dead, a hundred thousand missing and wounded. A million British civilians have died. Despite mounting criticism at home America pours more and more troops into what is now the European Vietnam. But the fighting continues. This week the Liberation Front launched a major offensive against a dozen cities. Here in Lambeth a suicide squad fights its way to within 800 yards of the House of Parliament. How long can the British government survive? Will peace ever come? World in Action is here to find out.

STREET BATTLE

The fighting is over, and the government forces are mopping up. They flush frightened civilians from the basements and herd them away past the bodies of enemy soldiers. At the junction with the main road in the background a British Airways advertisement hoarding is riddled with bullet holes. A sullen-faced young English woman is frisked roughly by British troops while others tear the Union Jacks from dead enemy soldiers. The tank drags away a tangle of bodies lashed together by their wrists. In a jeep loaded with looted cameras, radios and record players pop music blares from the intercom.

CUT TO NIGHT-TIME SOHO

Background of garish lights, pintable arcades, strip clubs. GIs spill out of cars and move into a bar.

Commentator

GIs relax during a weekend of R & R. Two days ago they were fighting off a Liberation Front offensive in the suburbs of Manchester. As the United Nations talks of settlement and both sides in the civil war plan new offensives, what do the ordinary GIs think of the prospects for peace?

1st US soldier (reclining in bar)

It’s a very ticklish situation over here. It’s hard to analyse and get a complete grasp of the whole story, because from my position at least you can’t get a glimpse of the whole subject. You know, you don’t know what motivates these people. Peace seems to be very far off, at least to me it does.

Commentator

Tell me, do you think it’s all worth it?

2nd US soldier

It’s hard to say. I think we’re just, as I see it, we’re fooling around. That’s about all. I do think we should be here.

Commentator

What’s the alternative to fooling around?

3rd US soldier

Well, they call it a civil war. If it’s a war, it should be that. They push us, we push them, it’s a kind of stalemate as I see it right now. I think we should show them who’s boss. Because what I’ve seen of the gooks over here, they’re going to fight, fight — you know? — and just keep on fighting.

2nd US soldier

If you’re fighting a war, fight it like a war, with all the mass of power we have. Power in reserve, air power, land power, and power from the sea. We’ve got battleships offshore can pound this place to absolutely nothing.

Commentator

Tough talk from the GIs as they relax, but in the bright light of day, as London picks up the pieces after the latest NLF offensive, what exactly is the present military position? Can either side win this war? In New York today President Reagan was asked what kind of settlement he would hope to resolve. The President replied: ‘I don’t think we can talk about settlement of the war at this point. I think we can talk about our willingness to accept a coalition or fusion government. At least it could very well be talked about in the open before we begin to talk about negotiations.’ President Reagan spent the day in New York City where he addressed a luncheon audience and denied that the war is indefensible, a view strongly challenged by Congressional leaders of both parties. But how accurate is the picture which the American public at large has of the civil war?

NEWSREEL

Medley of clips — Civilians running as GIs and British government troops move across a tenement courtyard, firing at a roof-top sniper; helicopters circling a fortified Wembley Stadium; street execution near Piccadilly Circus of three NLF soldiers in plain clothes, hands wired, as a crowd outside a sandbagged cinema looks on; corpses of children laid out in a village hail; gun-battle outside a Top-Rank Bingo hall; crowd at Bellevue, Manchester, fun-fair backing off a roundabout to reveal a body pumped up and down by a wooden unicorn to the Wurlitzer music; lines of strip clubs in Oxford, entrances guarded by Military Police barring civilians; pound-notes over-printed ‘One Dollar’; tanks ringing Parliament Square; shops loaded with consumer goods; a huge bonfire of Union Jacks; elderly refugees camping on the canted decks of a multi-storey car park in Dover, guarded by uncertain-looking GIs straight off a troop-carrier; government troops demolishing a rebel earth bunker lined with carefully framed portraits of George VI during World War II, visiting munitions factories and bombed-out East Enders.