We waited at the foot of the steps below the sidewalk. Across the way a sign in an unwashed store window said: Sonny Tom Laundry Will Moving at Monday for Corner Fourth Street Down-flight. Brannigan had taken out a cigar and stripped it but did not light up.

Sommers got there in a minute. He had pulled on a yellow sports shirt and thonged leather sandals and he was smoking.

He glanced at me, dismissed me as a mere adjutant, then waited expressionlessly for Brannigan.

Brannigan was above him on the steps. “I suppose you were here all night?”

“Most if it, yes.”

“What time did you get in?”

“Three-thirty, perhaps four. Why?”

“Any other people with you before that?”

“Yes. Two or three young writers who come to me for advice and—”

“Where?”

“The White Horse Tavern, then a coffee shop down on Mac-dougal. Exactly what is all this, anyhow?”

“There any gap between the time you left the others and came here?”

“No, none at all. They walked me up, in fact. These other fellows haven’t been published yet, so it’s sort of an obligation to let them hang around as much as they—”

“Okay, okay, you’re a famous writer and the disciples cluster around like flies. We get the general drift, Sommers. The girl with you all evening long?”

Sommers’s face had darkened. He didn’t answer.

“I asked you if the girl was around all night.”

“Yes. Now look, I don’t think I have to answer any of this. If I don’t get an explanation I—”

“ Wherfs the last time you saw Catherine Hawes?”

He frowned slightly. “Cathy? A week or so ago. No, more than that. It was a Sunday, so it’s almost two weeks.”

“Tell us about her.”

“Now just what is that supposed to mean?” He glanced at me then back to Brannigan. “She isn’t in some kind of trouble—?”

“What kind of trouble would she be in, Sommers?”

“Well, how would I know? Look, what’s the point in giving me a hard time? Ask me a sensible question and I’ll give you a decent answer, huh?^”

Brannigan bit off the end of his cigar, turning to spit. “Tell us about her, Sommers. What she does, what she thinks.”

“Oh, come on, will you? If you’d let me know what ifs about maybe I could—”

“You’re the writer. So write. Give us a paragraph about Catherine Hawes.”

Sommers shrugged wearily. He studied his cigarette, dragged on it, flipped it out toward the gutter. He would have liked more of an audience but he gave it to us anyhow. “Catherine Hawes,” he said. “About twenty-five, exceptionally pretty. Bright too, but without much intellect. Neurotic, divorced, essentially uninhibited. Just enough sensitivity and awareness so that she can’t be satisfied with the ordinary middle-class existence — husband, family, that sort of thing — but not enough creativity or drive to find anything to take its place. She drifts, goes off the deep end sometimes, generally out of sheer boredom — drinks too much, looks for new kicks. There are a lot of girls like her. They shouldn’t go to college to start with. They get just enough ideas about art and rebellion to get restless. But most of them settle down eventually, wind up at cocktail parties in the country club and forget they ever knew the difference. They play golf. Cathy probably will too, sooner or later.”

“You said she was married.”

“She cheated. It broke up.”

“She a nympho?”

“I wouldn’t put it that way. She was knocking around a lot before the marriage. People get used to that. It’s not the sexual satisfaction so much as the excitement of somebody new. Hell, even I was the same way. I was married a couple of times myself, out of this same Village milieu. It was good enough while it lasted — I didn’t need other women, no — but the idea is always there. You get the urge, you follow through. Anyhow it’s an important experience for a writer. You’ve got to—”

“Edifying,” Brannigan cut in. “Who would she go to if she got into a jam? Who is she closest to?”

Sommers shrugged again. “Look, I don’t really know. The girl she lives with, perhaps. Sally Kline. Maybe she’d come to me. How about it now — what kind of trouble?”

“You sure you haven’t seen her in a week and a half?”

“Positive.”

“She come around here often?”

“Once a week, perhaps. A writer has to discipline his use of time. In any event there’s nothing steady about it, if that’s what you mean.”

“I gathered that inside,” Brannigan said.

“Now look, if that’s a crack—”

“Probably it was. Skip it. I don’t read books myself so I wouldn’t know what it takes to write them.”

Sommers chewed his lip, not knowing whether he could afford to get angry or not. We stood there. Two young girls passed us on the street, chattering. “That illiterate,” one of them said. “All he did was say hello and then keep shoving me into corners—”

I was taking a Camel. “I bum one of those?” Sommers asked. “I left mine in back.”

I gave him one and lit it. He nodded, hardly looking at me. He hadn’t really seen me since we’d gotten there, which I supposed explained why he liked Hemingway so much. Hemingway never sees anybody either.

“I don’t know what else to say without knowing what it’s all about,” he told Brannigan.

“That’s good enough for now,” Brannigan decided. “You’ll hear from the department again.” He had started up the stairs.

When he did get the urge to read, it patently wasn’t going to be something of Sommers’s.

“Well, for crying out loud,” Sommers said after us, “this is some deal. You come around asking all kinds of personal questions and then you—”

“You can go back in,” Brannigan said, stopping. “Your sweetheart’s probably getting edgy in there.”

“That’s none of your damned business!” Sommers had made up his mind to get sore after all. “Police. Try to be decent and what does it get you? Thanks a lot, mister.”

“You’re welcome. You’ve been a cooperative, helpful citizen. And now you can blow.”

“The hell with you,” Sommers said abruptly. “Sure, I’ve been cooperative. And I didn’t have to answer a damned one of your questions. You guys give me a royal pain. A bunch of tough, cynical, uncreative clods, what the hell do you know? What I do in my apartment is my own concern and I don’t need any comments from your end. I’m a writer and a good one, and if you want to know I spent four years in jail. Sure, lift an eyebrow when I tell you. Go back and look it up, it’s all there. I stole eleven thousand dollars when I was eighteen. Eighteen! You guys wouldn’t have had the imagination to swipe apples! Well, I did my time and I don’t owe you anything, see?”

I wondered precisely what had brought all that on. Brannigan was at the top of the steps, looking at his cigar. “Nobody said you owed us anything, Sommers,” he said quietly.

“Yeah, well, I don’t have to make any explanations about my private life either. What I do to make myself a better writer is my business. You slobs wouldn’t know an experience if it hit you in the face.”

He made a point of deliberately flinging away the cigarette I’d just given him. That was quite an approach he had toward his profession at that. I could almost visualize him at work, writing stirring exhortations in his notebook: Very important! Every Tuesday and Thursday, nine to eleven, be sure to have an experience! The vestibule door slammed after him when he whirled and went inside.

Brannigan was already walking. “Writer,” he said. “If that self-centered phony is a writer then I’m — I’m—”

“Marcel Proust,” I said. “Ducky Medwick. What the hell, you didn’t have to needle him that way.”

“Greenwich Village,” he grunted. He did not say anything else until we had gotten into the car. Then he said, “And the next one is a queer. That Neva, the photographer. And I suppose the one after that — what’s his name? That Arthur Leeds — will be a hermaphrodite. Why don’t you go the hell home and catch up on some sleep? They’ll have the body out of there by now.”