I can’t believe Umm Hassan and her saintly Aziz Ayyoub, or my grandmother and the evil spell that was the cause of my father’s murder. Instead of telling me about the first fedayeen in whose ranks my father died, Shahineh told me about the cave and its curse.
Shahineh would contemplate the photo of the dead man; she’d wipe it with water to keep it fresh and would talk about the cave of al-Ghabsiyyeh.
She said she’d known that Yasin would die and that a woman was going to kill him.
“May God curse me,” she’d say, “I married him off and thought nothing of it. I was terrified by the business of the rabbi, so I married him to that girl from Tira. I paid no attention to her eyes. Her eyes had something of that fear I saw after the business with the cave.”
My grandmother said it was called Aisha’s Cave. Aisha’s Cave is to the north of the village, on the high ground that separates al-Ghabsiyyeh from al-Kabri.
My grandmother said that my paternal uncle, Mohammed Abdallah Ayyoub, was a religious scholar and a Sufi, and he had power over the djinn. “One day he sent his son Mahmoud and a boy called Sa’id with my son, Yasin, to the cave, telling them, ‘When you arrive, read this paper. A black dog will appear. Do not fear it, for it is possessed by the djinni that rules the cave, and watch out if you’re afraid!’”
My grandmother said Mohammed Abdallah Ayyoub wanted to test the three young men in preparation for their initiation into his Sufi circle.
“At the cave, it happened as he had said, for as soon as Mahmoud had finished reading the paper, the black dog appeared. Mahmoud was afraid and started to run. The dog struck him with its tail, knocked him down and then pounced on him. In the meantime, Sa’id and Yasin managed to get away. Then we don’t know what happened. Mahmoud had a fever for three days, and when his temperature went down, he left his father’s house carrying a stick. He knocked on the first door he came to, and when they opened it, he rushed at the people and beat them with the stick. He was like a madman. No, he had truly gone mad. He kept going from house to house beating and smashing until the men of the village managed to tie him up. He was sent to the insane asylum in Acre. I don’t know what the Jews did with him after the fall of Acre. During those days, people forgot themselves and their children, so how could they remember the insane? We were living in apocalyptic times. We rushed about in the fields to save our skins, but not one of us was saved, not one.
“I saw death in the eyes of my son. Yasin came back from the cave utterly transformed. I saw death hovering over him and knew he was going to die. And when he married Najwah, I saw death in her eyes, but somehow I took no notice, God curse us human beings. I saw death, but I wanted to release him from those rumors that clung to him after the incident of the Greek boy and the rabbi. So I decided to get him married and paid no attention, and he died.”
This is how things become linked in the mind of a senile old woman. The whole business of the cave is meaningless. Fantasies, Father. Fantasies, Son. We invent stories of our misery and then believe them. We’ll believe anything so as not to see. We cover our eyes and set off, and then we bump into each other.
Umm Hassan believed the story of the cave never took place and that my grandmother was crazy, persecuting my mother for no reason and forcing her to run away into God’s vast world.
But Umm Hassan knows that God’s world is narrow and that “eventually, all men meet.”
My mother fled from Beirut to Amman and then from Amman to Ramallah. She disappeared as completely as if she’d gone into your cave, dear friend. Which reminds me: Tell me about the cave. Umm Hassan said the Deir al-Asad cave was uninhabitable, so where’s the Bab al-Shams you spoke about? Where is that village that stretches through interlinked caves, “a village that’s bigger, I swear, than Ain al-Zaitoun,” as you used to say? “I proposed, ‘Come on, let’s look for caves in Galilee and bring back the refugees. A cave is better than a tent, or a house of corrugated iron, or banana leaf walls.’ But they didn’t agree. Members of the Organization said it was a pipe dream. An entire people can’t live in caves. They told me to go look for caves for the fedayeen and I saw the sarcasm in their expressions, so I didn’t look. I arranged my cave for myself and by myself and lived in it.”
Do you want me to take you back there, as Umm Hassan suggested?
“Go to his house, Son, and look. You may find their telephone number. Call them. Call his children, and they’ll work things out through the Red Cross.”
I don’t think Umm Hassan’s suggestion is practical. I’m not selfish, and it’s not that I’m afraid. To hell with this life. Whenever I think of you, I feel eyes boring into my back, eyes saying I’m scared. No, I’m not scared. Does Umm Hassan think I haven’t tried to contact your children? Do you remember that first day, Father, when Amna came to tell me of your fall? That same day I asked her to contact your children, and she did. She said she did.
“What did they say?”
“Nothing.”
I didn’t ask what nothing meant. Nothing means nothing.
She said nothing, and I didn’t comment. At the time it never occurred to me that you might live. Being sure you’d die, I didn’t think of sending you over there. What for? I don’t believe they want you anymore. This is what things have come to.
In describing your other planet, Umm Hassan told me you could see God.
“Pay attention, my son,” she said. “Pay attention to his movements. We may learn something from them. People like him see God.”
“How’s that, Umm Hassan?”
“I don’t know, my son, but I’m sure of it.”
She told me about an old woman in Acre that she’d known before everything happened. Whenever the woman awakened from her stupor, she’d tell people of strange things, and then they’d happen. “It was like she saw God, my son. I was there, training as a nurse, and this woman, who was halfway between life and death, would fall unconscious for a few days and say these strange things when she awoke. For instance, she’d say that so-and-so’s husband was going to die. The man’s wife would be nearby and would laugh it off, but when she went home, the prophecy would turn out to be true. They all started to fear her; her children and grandchildren sat around her deathbed trembling with fear, and they only relaxed when she died — as if a stone had been lifted from their chests. To tell you the truth, Khalil, I think they killed her. They were scared of her cottony words, her quavering voice, and her white hair. I think one of them smothered her with a pillow because she turned blue in death. But I didn’t say anything. I returned to the village, dying with fear. And I’m telling you now, this man, Yunes Abu Salem, is in the same place. Take him back home and let’s be done with it.”
CAN YOU hear me?
What’s happening to you?
You know, you’re really starting to look like Na’im, Noor’s son. I know you’d rather look like Ibrahim, your first son and your twin, but unfortunately you don’t look like him; you look like one of your grandsons. When I went to your house I saw a picture of Na’im. I was shocked, it was as if I were seeing you in front of me! I didn’t go to your house because of Umm Hassan. I did search for the telephone number out of curiosity though, but didn’t find it. No, I went for the pictures. And there I saw you the way you really are. What a setup, my dear friend! Two rooms and a kitchen and a bathroom. The first room for guests, with a traditional carpet spread on the floor, three sofas, a small table, a radio, a television and a video player, and one photo on the wall. I went up to the photo and saw a group of children circled around an old woman. It’s her, I thought. I moved closer because I couldn’t distinguish the features. Their features were almost obliterated, as though time had wiped them away — or not time, the photographer. The photographer had taken the picture from a distance in order to get that throng of twenty-five children around the woman into the frame. The result was a crowd of indistinguishable children. I smiled at them. You don’t know them; to you they’re just numbers and names, these grandchildren of yours whose names you won’t tell me. Wait, you did tell me about Nahilah No. 2, Noor’s daughter; you told me you loved her particularly. Which one is she?