“This is how she sits literally for days together, utterly alone, without moving; she tries her fortune with the cards, or looks in the looking-glass,” said Shatov, pointing her out to me from the doorway. “He doesn't feed her, you know. The old woman in the lodge brings her something sometimes out of charity; how can they leave her all alone like this with a candle!”
To my surprise Shatov spoke aloud, just as though she were not in the room.
“Good day, Shatushka!” Mile. Lebyadkin said genially.
“I've brought you a visitor, Marya Timofyevna,” said Shatov.
“The visitor is very welcome. I don't know who it is you've brought, I don't seem to remember him.” She scrutinised me intently from behind the candle, and turned again at once to Shatov (and she took no more notice of me for the rest of the conversation, as though I had not been near her).
“Are you tired of walking up and down alone in your garret?” she laughed, displaying two rows of magnificent teeth.
“I was tired of it, and I wanted to come and see you.”
Shatov moved a bench up to the table, sat down on it and made me sit beside him.
“I'm always glad to have a talk, though you're a funny person, Shatushka, just like a monk. When did you comb your hair last I Let me do it for you.” And she pulled a little comb out of her pocket. “I don't believe you've touched it since I combed it last.”
“Well, I haven't got a comb,” said Shatov, laughing too.
“Really? Then I'll give you mine; only remind me, not this one but another.”
With a most serious expression she set to work to comb his hair. She even parted it on one side; drew back a little, looked to see whether it was right and put the comb back in her pocket.
“Do you know what, Shatushka?” She shook her head. “You may be a very sensible man but you're dull. It's strange for me to look at all of you. I don't understand how it is people are dull. Sadness is not dullness. I'm happy.”
“And are you happy when your brother's here?”
“You mean Lebyadkin? He's my footman. And I don't care whether he's here or not. I call to him: 'Lebyadkin, bring the water! 'or' Lebyadkin, bring my shoes!' and he runs. Sometimes one does wrong and can't help laughing at him.
“That's just how it is,” said Shatov, addressing me aloud without ceremony. “She treats him just like a footman. I've heard her myself calling to him, 'Lebyadkin, give me some water!' And she laughed as she said it. The only difference is that he doesn't fetch the water but beats her for it; but she isn't a bit afraid of him. She has some sort of nervous fits, almost every day, and they are destroying her memory so that afterwards she forgets everything that's just happened, and is always in a muddle over time. You imagine she remembers how you came in; perhaps she does remember, but no doubt she has changed everything to please herself, and she takes us now for different people from what we are, though she knows I'm 'Shatushka.' It doesn't matter my speaking aloud, she soon leaves off listening to people who talk to her, and plunges into dreams. Yes, plunges. She's an extraordinary person for dreaming; she'll sit for eight hours, for whole days together in the same place. You see there's a roll lying there, perhaps she's only taken one bite at it since the morning, and she'll finish it to-morrow. Now she's begun trying her fortune on cards. .”. .”
“I keep trying my fortune, Shatushka, but it doesn't come out right,” Marya Timofyevna put in suddenly, catching the last word, and without looking at it she put out her left hand for the roll (she had heard something about the roll too very likely). She got hold of the roll at last and after keeping it for some time in her left hand, while her attention was distracted by the conversation which sprang up again, she put it back again on the table unconsciously without having taken a bite of it.
“It always comes out the same, a journey, a wicked man, somebody's treachery, a death-bed, a letter, unexpected news. I think it's all nonsense. Shatushka, what do you think? If people can tell lies why shouldn't a card?” She suddenly threw the cards together again. “I said the same thing to Mother Praskovya, she's a very venerable woman, she used to run to my cell to tell her fortune on the cards, without letting the Mother Superior know. Yes, and she wasn't the only one who came to me. They sigh, and shake their heads at me, they talk it over while I laugh. 'Where are you going to get a letter from, Mother Praskovya,' I say, 'when you haven't had one for twelve years?' Her daughter had been taken away to Turkey by her husband, and for twelve years there had been no sight nor sound of her. Only I was sitting the next evening at tea with the Mother Superior (she was a princess by birth), there was some lady there too, a visitor, a great dreamer, and a little monk from Athos was sitting there too, a rather absurd man to my thinking. What do you think, Shatushka, that monk from Athos had brought Mother Praskovya a letter from her daughter in Turkey, that morning — so much for the knave of diamonds — unexpected news! We were drinking our tea, and the monk from Athos said to the Mother Superior, 'Blessed Mother Superior, God has blessed your convent above all things in that you preserve so great a treasure in its precincts,' said he. 'What treasure is that?' asked the Mother Superior. 'The Mother Lizaveta, the Blessed.' This Lizaveta the Blessed was enshrined in the nunnery wall, in a cage seven feet long and five feet high, and she had been sitting there for seventeen years in nothing but a hempen shift, summer and winter, and she always kept pecking at the hempen cloth with a straw or a twig of some sort, and she never said a word, and never combed her hair, or washed, for seventeen years. In the winter they used to put a sheepskin in for her, and every day a piece of bread and a jug of water. The pilgrims gaze at her, sigh and exclaim, and make offerings of money. 'A treasure you've pitched on,' answered the Mother Superior —(she was angry, she disliked Lizaveta dreadfully)—' Lizaveta only sits there out of spite, out of pure obstinacy, it is nothing but hypocrisy.' I didn't like this; I was thinking at the time of shutting myself up too. 'I think,' said I, 'that God and nature are just the same thing.' They all cried out with one voice at me, 'Well, now!' The Mother Superior laughed, whispered something to the lady and called me up, petted me, and the lady gave me a pink ribbon. Would you like me to show it to you? And the monk began to admonish me. But he talked so kindly, so humbly, and so wisely, I suppose. I sat and listened. 'Do you understand?' he asked. 'No,' I said, 'I don't understand a word, but leave me quite alone.' Ever since then they've left me in peace, Shatushka. And at that time an old woman who was living in the convent doing penance for prophesying the future, whispered to me as she was coming out of church, 'What is the mother of God? What do you think?' 'The great mother,' I answer, 'the hope of the human race.' 'Yes,' she answered, 'the mother of God is the great mother — the damp earth, and therein lies great joy for men. And every earthly woe and every earthly tear is a joy for us; and when you water the earth with your tears a foot deep, you will rejoice at everything at once, and your sorrow will be no more, such is the prophecy.' That word sank into my heart at the time. Since then when I bow down to the ground at my prayers, I've taken to kissing the earth. I kiss it and weep. And let me tell you, Shatushka, there's no harm in those tears; and even if one has no grief, one's tears flow from joy. The tears flow of themselves, that's the truth. I used to go out to the shores of the lake; on one side was our convent and on the other the pointed mountain, they called it the Peak. I used to go up that mountain, facing the east, fall down to the ground, and weep and weep, and I don't know how long I wept, and I don't remember or know anything about it. I would get up, and turn back when the sun was setting, it was so big, and splendid and glorious — do you like looking at the sun, Shatushka? It's beautiful but sad. I would turn to the east again, and the shadow, the shadow of our mountain was flying like an arrow over our lake, long, long and narrow, stretching a mile beyond, right up to the island on the lake and cutting that rocky island right in two, and as it cut it in two, the sun would set altogether and suddenly all would be darkness. And then I used to be quite miserable, suddenly I used to remember, I'm. afraid of the dark, Shatushka. And what I wept for most was my baby. ...”