“Why is she cross now if you are carrying out her 'orders'?” I answered.

He looked at me subtly.

“Cher ami; if I had not agreed she would have been dreadfully angry, dread-ful-ly! But yet less than now that I have

consented.”

He was pleased with this saying of his, and we emptied a bottle between us that evening. But that was only for a moment, next day he was worse and more ill-humoured than ever.

But what I was most vexed with him for was that he could not bring himself to call on the Drozdovs, as he should have done on their arrival, to renew the acquaintance of which, so we heard they were themselves desirous, since they kept asking about him. It was a source of daily distress to him. He talked of Lizaveta Nikolaevna with an ecstasy which I was at a loss to understand. No doubt he remembered in her the child whom he had once loved. But besides that, he imagined for some unknown reason that he would at once find in her company a solace for his present misery, and even the solution of his more serious doubts. He expected to meet in Lizaveta Nikolaevna an extraordinary being. And yet he did not go to see her though he meant to do so every day. The worst of it was that I was desperately anxious to be presented to her and to make her acquaintance, and I could look to no one but Stepan Trofimovitch to effect this. I was frequently meeting her, in the street of course, when she was out riding, wearing a riding-habit and mounted on a fine horse, and accompanied by her cousin, so-called, a handsome officer, the nephew of the late General Drozdov — and these meetings made an extraordinary impression on me at the time. My infatuation lasted only a moment, and I very soon afterwards recognised the impossibility of my dreams myself — but though it was a fleeting impression it was a very real one, and so it may well be imagined how indignant I was at the time with my poor friend for keeping so obstinately secluded.

All the members of our circle had been officially informed from the beginning that Stepan Trofimovitch would see nobody for a time, and begged them to leave him quite alone. He insisted on sending round a circular notice to this effect, though I tried to dissuade him. I went round to every one at his request and told everybody that Varvara Petrovna had given “our old man” (as we all used to call Stepan Trofimovitch among ourselves) a special job, to arrange in order some correspondence lasting over many years; that he had shut himself up to do it and I was helping him. Liputin was the only one I did not have time to visit, and I kept putting it off — to tell the real truth I was afraid to go to him. I knew beforehand that he would not believe one word of my story, that he would certainly imagine that there was some secret at the bottom of it, which they were trying to hide from him alone, and as soon as I left him he would set to work to make inquiries and gossip all over the town. While I was picturing all this to myself I happened to run across him in the street. It turned out that he had heard all about it from our friends, whom I had only just informed. But, strange to say, instead of being inquisitive and asking questions about Stepan Trofimovitch, he interrupted me, when I began apologising for not having come to him before, and at once passed to other subjects. It is true that he had a great deal stored up to tell me. He was in a state of great excitement, and was delighted to have got hold of me for a listener. He began talking of the news of the town, of the arrival of the governor's wife, “with new! topics of conversation,” of an opposition party already formed in the club, of how they were all in a hubbub over the new ideas, and how charmingly this suited him, and so on. He talked for a quarter of an hour and so amusingly that I could not tear myself away. Though I could not endure him, yet I must admit he had the gift of making one listen to him, especially when he was very angry at something. This man was, in my opinion, a regular spy from his very nature. At every moment he knew the very latest gossip and all the trifling incidents of our town, especially the unpleasant ones, and it was surprising to me how he took things to heart that were sometimes absolutely no concern of his. It always seemed to me that the leading feature of his character was envy. When I told Stepan Trofimovitch the same evening of my meeting Liputin that morning and our conversation, the latter to my amazement became greatly agitated, and asked me the wild question: “Does Liputin know or not?”

I began trying to prove that there was no possibility of his finding it out so soon, and that there was nobody from whom he could hear it. But Stepan Trofimovitch was not to be shaken. “Well, you may believe it or not,” he concluded unexpectedly at last, “but I'm convinced that he not only knows every detail of 'our' position, but that he knows something else besides, something neither you nor I know yet, and perhaps never shall, or shall only know when it's too late, when there's no turning back! . . .”

I said nothing, but these words suggested a great deal. For five whole days after that we did not say one word about Liputin; it was clear to me that Stepan Trofimovitch greatly regretted having let his tongue run away with him, and having revealed such suspicions before me.

II

One morning, on the seventh or eighth day after Stepan Trofimovitch had consented to become “engaged,” about eleven o'clock, when I was hurrying as usual to my afflicted friend, I had an adventure on the way.

I met Karmazinov, “the great writer,” as Liputin called him. I had read Karmazinov from a child. His novels and tales were well known to the past and even to the present generation. I revelled in them; they were the great enjoyment of my childhood and youth. Afterwards I grew rather less enthusiastic over his work. I did not care so much for the novels with a purpose which he had been writing of late as for his first, early works, which were so full of spontaneous poetry, and his latest publications I had not . liked at all. Speaking generally, if I may venture to express my opinion on so delicate a subject, all these talented gentlemen of the middling sort who are sometimes in their lifetime accepted almost as geniuses, pass out of memory quite suddenly and without a trace when they die, and what's more, it often happens that even during their lifetime, as soon as a new generation grows up and takes the place of the one in which they have flourished, they are forgotten and neglected by every one in an incredibly short time. This somehow happens among us quite suddenly, like the shifting of the scenes on the stage. Oh, it's not at all the same as with Pushkin, Gogol, Moliere, Voltaire, all those great men who really had a new original word to say! It's true, too, that these talented gentlemen of the middling sort in the decline of their venerable years usually write themselves out in the most pitiful way, though they don't observe the fact themselves. It happens not infrequently that a writer who has been for a long time credited with extraordinary profundity and expected to exercise a great and serious influence on the progress of society, betrays in the end such poverty, such insipidity in his fundamental ideas that no one regrets that he succeeded in writing himself out so soon. But the old grey-beards don't notice this, and are angry. Their vanity sometimes, especially towards the end of their career, reaches proportions that may well provoke wonder. God knows what they begin to take themselves for — for gods at least! People used to say about Karmazinov that his connections with aristocratic society and powerful personages were dearer to him than his own soul, people used to say that on meeting you he would be cordial, that he would fascinate and enchant you with his open-heartedness, especially if you were of use to him in some way, and if you came to him with some preliminary recommendation. But that before any stray prince, any stray countess, anyone that he was afraid of, he would regard it as his sacred duty to forget your existence with the most insulting carelessness, like a chip of wood, like a fly, before you had even time to get out of his sight; he seriously considered this the best and most aristocratic style. In spite of the best of breeding and perfect knowledge of good manners he is, they say, vain to such an hysterical pitch that he cannot conceal his irritability as an author even in. those circles of society where little interest is taken in literature. If anyone were to surprise him by being indifferent, he would be morbidly chagrined, and try to revenge himself.