EUGENE ONEGUINE [Onegin]:

A Romance of Russian Life in Verse

by

ALEXANDER PUSHKIN

Translated from the Russian by Lieut.-Col. [Henry] Spalding

London Macmillan and Co. 1881

PREFACE

Eugene Oneguine, the chief poetical work of Russia's greatest poet, having been translated into all the principal languages of Europe except our own, I hope that this version may prove an acceptable contribution to literature. Tastes are various in matters of poetry, but the present work possesses a more solid claim to attention in the series of faithful pictures it offers of Russian life and manners. If these be compared with Mr. Wallace's book on Russia, it will be seen that social life in that empire still preserves many of the characteristics which distinguished it half a century ago—the period of the first publication of the latter cantos of this poem.

Many references will be found in it to our own country and its literature. Russian poets have carefully plagiarized the English— notably Joukovski. Pushkin, however, was no plagiarist, though undoubtedly his mind was greatly influenced by the genius of Byron— more especially in the earliest part of his career. Indeed, as will be remarked in the following pages, he scarcely makes an effort to disguise this fact.

The biographical sketch is of course a mere outline. I did not think a longer one advisable, as memoirs do not usually excite much interest till the subjects of them are pretty well known. In the "notes" I have endeavored to elucidate a somewhat obscure subject. Some of the poet's allusions remain enigmatical to the present day. The point of each sarcasm naturally passed out of mind together with the society against which it was levelled. If some of the versification is rough and wanting in "go," I must plead in excuse the difficult form of the stanza, and in many instances the inelastic nature of the subject matter to be versified. Stanza XXXV Canto II forms a good example of the latter difficulty, and is omitted in the German and French versions to which I have had access. The translation of foreign verse is comparatively easy so long as it is confined to conventional poetic subjects, but when it embraces abrupt scraps of conversation and the description of local customs it becomes a much more arduous affair. I think I may say that I have adhered closely to the text of the original.

The following foreign translations of this poem have appeared:

1. French prose. Oeuvres choisis de Pouchekine. H. Dupont. Paris, 1847.

2. German verse. A. Puschkin's poetische Werke. F. Bodenstedt. Berlin, 1854.

3. Polish verse. Eugeniusz Oniegin. Roman Aleksandra Puszkina. A. Sikorski. Vilnius, 1847.

4. Italian prose. Racconti poetici di A. Puschkin, tradotti da A. Delatre. Firenze, 1856.

London, May 1881.

CONTENTS

   Mon Portrait

   A Short Biographical Notice of Alexander Pushkin

   Eugene Oneguine

   Canto I: "The Spleen"

   Canto II: The Poet

   Canto III: The Country Damsel

   Canto IV: Rural Life

   Canto V: The Fete

   Canto VI: The Duel

   Canto VII: Moscow

   Canto VIII: The Great World

Mon Portrait

Written by the poet at the age of 15.

Vous me demandez mon portrait,

Mais peint d'apres nature:

Mon cher, il sera bientot fait,

Quoique en miniature.

Je suis un jeune polisson

Encore dans les classes;

Point sot, je le dis sans facon,

Et sans fades grimaces.

Oui! il ne fut babillard

Ni docteur de Sorbonne,

Plus ennuyeux et plus braillard

Que moi-meme en personne.

Ma taille, a celle des plus longs,

Elle n'est point egalee;

J'ai le teint frais, les cheveux blonds,

Et la tete bouclee.

J'aime et le monde et son fracas,

Je hais la solitude;

J'abhorre et noises et debats,

Et tant soit peu l'etude.

Spectacles, bals, me plaisent fort,

Et d'apres ma pensee,

Je dirais ce que j'aime encore,

Si je n'etais au Lycee.

Apres cela, mon cher ami,

L'on peut me reconnaitre,

Oui! tel que le bon Dieu me fit,

Je veux toujours paraitre.

Vrai demon, par l'espieglerie,

Vrai singe par sa mine,

Beaucoup et trop d'etourderie,

Ma foi! voila Pouchekine.

Note: Russian proper names to be pronounced as in French (the nasal sound of m and n excepted) in the following translation. The accent, which is very arbitrary in the Russian language, is indicated unmistakably in a rhythmical composition.

A Short Biographical Notice of Alexander Pushkin.

Alexander Sergevitch Pushkin was born in 1799 at Pskoff, and was a scion of an ancient Russian family. In one of his letters it is recorded that no less than six Pushkins signed the Charta declaratory of the election of the Romanoff family to the throne of Russia, and that two more affixed their marks from inability to write.

In 1811 he entered the Lyceum, an aristocratic educational establishment at Tsarskoe Selo, near St. Petersburg, where he was the friend and schoolmate of Prince Gortchakoff the Russian Chancellor. As a scholar he displayed no remarkable amount of capacity, but was fond of general reading and much given to versification. Whilst yet a schoolboy he wrote many lyrical compositions and commenced Ruslan and Liudmila, his first poem of any magnitude, and, it is asserted, the first readable one ever produced in the Russian language. During his boyhood he came much into contact with the poets Dmitrieff and Joukovski, who were intimate with his father, and his uncle, Vassili Pushkin, himself an author of no mean repute. The friendship of the historian Karamzine must have exercised a still more beneficial influence upon him.