The auction seemed to be at its peak. A whole crowd of decent people, clustered together, vied excitedly with each other over something. The words "Rouble, rouble, rouble," coming from all sides, gave the auctioneer no time to repeat the rising price, which had already grown four times over the initial one. The surrounding crowd was excited over a portrait that could not have failed to stop anyone with at least some understanding of painting. The lofty brush of an artist was clearly manifest in it. The portrait had evidently already been renewed and restored several times, and it represented the swarthy features of some Asian in loose attire, with an extraordinary, strange expression on his face; but most of all, the people around it were struck by the extraordinary aliveness of the eyes. The more they looked at them, the more the eyes seemed to penetrate into each of them. This strangeness, this extraordinary trick of the artist, occupied almost everyone's attention. Many of the competitors had already given up, because the bids rose incredibly. There remained only two well-known aristocrats, lovers of painting, who simply refused to give up such an acquisition. They were excited and would probably have raised the bid impossibly, if one of the onlookers there had not suddenly said:

"Allow me to interrupt your dispute for a time. I have perhaps more right to this portrait than anyone else."

These words instantly drew everyone's attention to him. He was a trim man of about thirty-five with long black hair. His pleasant face, filled with some carefree brightness, spoke for a soul foreign to all wearisome worldly shocks; in his clothing there was no pretense to fashion: everything in him spoke of the artist. This was, in fact, the painter B., known personally to many of those present.

"Strange as my words may seem to you," he went on, seeing the general attention directed at him, "if you are resolved to listen to a brief story, you will perhaps see that I had the right to speak them. Everything assures me that this portrait is the very one I am looking for."

A quite natural curiosity lit up on the faces of almost all of them, and the auctioneer himself stopped, openmouthed, with the upraised hammer in his hand, preparing to listen. At the beginning of the story, many kept involuntarily turning their eyes to the portrait, but soon they all fixed their eyes on the narrator alone, as his story became ever more engrossing.

"You know that part of the city which is called Kolomna." So he began. "There everything is unlike the other parts of Petersburg; there it is neither capital nor province; you seem to feel, as you enter the streets of Kolomna, that all youthful desires and impulses are abandoning you. The future does not visit there, everything there is silence and retirement; everything has settled out of the movement of the capital. Retired clerks move there to live, and widows, and people of small income who, after some acquaintance with the Senate, 20 condemned themselves to this place for almost their whole lives; pensioned-off cooks who spend all day jostling in the marketplaces, babbling nonsense with some peasant in a small-goods shop, and every day take five kopecks' worth of coffee and four of sugar; and, finally, that whole class of people who may be called by one word: ashen-people whose clothing, faces, hair, eyes have a sort of dull, ashen appearance, like a day on which there is neither storm nor sun in the sky, but simply nothing in particular: a drizzling mist robs all objects of their sharpness. Retired theater ushers, retired titular councillors, retired disciples of Mars with a blind eye and a swollen lip, can be included here. These people are utterly passionless: they walk about without looking at anything, they are silent without thinking about anything. They have few chattels in their rooms, sometimes simply a bottle of pure Russian vodka, which they sip monotonously all day, without any strong rush to the head aroused by a heavy intake such as a young German artisan likes to treat himself to on Sundays-that daredevil of Meshchanskaya Street, who takes sole possession of the pavements once it's past midnight.

"Life in Kolomna is terribly solitary: there is rarely a carriage, except maybe the kind actors go around in, which with its rumbling, jingling, and clanking is all that disturbs the universal silence. There everybody goes on foot; a cabby with no passengers quite often plods along, bringing hay to his bearded little nag. You can find lodgings for five roubles a month, even with morning coffee. Widows living on pensions are the aristocrats of the place-they behave themselves well, sweep their room frequently, discuss the high price of beef and cabbage with their lady friends; there's often a young daughter with them, a silent, speechless, sometimes comely being, a vile little dog, and a wall clock with a sadly ticking pendulum. Then come actors, whose earnings do not allow them to move out of Kolomna-free folk who, like all artists, live for pleasure. Sitting in their dressing gowns, they repair a pistol, glue up various useful household objects from cardboard, play checkers or cards with a visiting friend, spend the morning that way, and do almost the same thing in the evening, with the addition of an occasional glass of punch. After these aces and the aristocracy of Kolomna come the extraordinarily puny and piddling. It's as difficult to name them as it is to count the multitude of insects that generate in stale vinegar. There are old women who pray, old women who drink, old women who both pray and drink, old women who get along by incomprehensible means, like ants- they drag old rags and linens from the Kalinkin Bridge to the flea market and sell them there for fifteen kopecks; in short, often the most wretched sediment of mankind, whose condition no philanthropic political economist could find the means to improve.

"I mention them in order to show you how often these people have the need to seek one-time, sudden, temporary assistance, to resort to borrowing; and then there settle among them a special sort of moneylenders, who provide them with small sums on a pledge and at high interest. These small moneylenders are oftentimes more unfeeling than any of the big ones, because they emerge in the midst of poverty and the most manifest beggarly rags, something not seen by the wealthy moneylender, who deals only with those who come to him in carriages. And therefore human feeling dies all too early in their souls. Among these moneylenders there was one… but it will do no harm to inform you that the event I've begun to tell you about took place in the last century-namely, during the reign of the late empress Catherine II. You can understand yourselves that the very appearance and inner life of Kolomna must have changed significantly And so, among the moneylenders there was one-an extraordinary being in all respects-who had long since settled in that part of the city. He went about in loose Asian attire; the dark color of his face pointed to his southern origin, but precisely what his nationality was-Indian, Greek, Persian-no one could say for certain. Tall, almost extraordinary stature, a swarthy, lean, burnt face, its color somehow inconceivably terrible, large eyes of an extraordinary fire, and thick, beetling brows, distinguished him greatly and sharply from all the ashen inhabitants of the capital. His dwelling itself was unlike all the other little wooden houses. It was a stone building, like those once built in great numbers by Genoese merchants-with irregular, unequal-sized windows, iron shutters, and iron bars. This moneylender differed from other moneylenders in that he was able to supply any sum to anyone, from a destitute old woman to an extravagant courtier. The most brilliant carriages often turned up in front of his house, in the windows of which the heads of magnificent society ladies often appeared. The rumor spread, as usual, that his iron coffers were filled with an inestimable fortune in money, jewelry, diamonds, and various pledges, but that nonetheless he was not mercenary in the same way other moneylenders were. He gave money out willingly, fixing seemingly advantageous terms of payment; but through certain strange mathematical calculations, he somehow made the interest increase enormously. So, at least, rumor said. But strangest of all, and what could not fail to strike many, was the strange fate that befell all those who took money from him: they all ended their lives in some unfortunate way. Whether this was simply people's opinion, absurd superstitious talk, or a deliberately spread rumor, remained unknown. But within a short period of time several vivid and spectacular examples occurred before everyone's eyes.