At this moment some church clock chimed in the valley. The tent-like landscape collapsed and fell. The present showered down upon her head once more, but now that the light was fading, gentlier than before, calling into view nothing detailed, nothing small, but only misty fields, cottages with lamps in them, the slumbering bulk of a wood, and a fan-shaped light pushing the darkness before it along some lane. Whether it had struck nine, ten, or eleven, she could not say. Night had come — night that she loved of all times, night in which the reflections in the dark pool of the mind shine more clearly than by day. It was not necessary to faint now in order to look deep into the darkness where things shape themselves and to see in the pool of the mind now Shakespeare, now a girl in Russian trousers, now a toy boat on the Serpentine, and then the Atlantic itself, where it storms in great waves past Cape Horn. She looked into the darkness. There was her husband’s brig, rising to the top of the wave! Up, it went, and up and up. The white arch of a thousand deaths rose before it. Oh rash, oh ridiculous man, always sailing, so uselessly, round Cape Horn in the teeth of a gale! But the brig was through the arch and out on the other side; it was safe at last!

‘Ecstasy!’ she cried, ‘ecstasy!’ And then the wind sank, the waters grew calm; and she saw the waves rippling peacefully in the moonlight.

‘Marmaduke Bonthrop Shelmerdine!’ she cried, standing by the oak tree.

The beautiful, glittering name fell out of the sky like a steel-blue feather. She watched it fall, turning and twisting like a slow-falling arrow that cleaves the deep air beautifully. He was coming, as he always came, in moments of dead calm; when the wave rippled and the spotted leaves fell slowly over her foot in the autumn woods; when the leopard was still; the moon was on the waters, and nothing moved in between sky and sea. Then he came.

All was still now. It was near midnight. The moon rose slowly over the weald. Its light raised a phantom castle upon earth. There stood the great house with all its windows robed in silver. Of wall or substance there was none. All was phantom. All was still. All was lit as for the coming of a dead Queen. Gazing below her, Orlando saw dark plumes tossing in the courtyard, and torches flickering and shadows kneeling. A Queen once more stepped from her chariot.

‘The house is at your service, Ma’am,’ she cried, curtseying deeply. ‘Nothing has been changed. The dead Lord, my father, shall lead you in.’

As she spoke, the first stroke of midnight sounded. The cold breeze of the present brushed her face with its little breath of fear. She looked anxiously into the sky. It was dark with clouds now. The wind roared in her ears. But in the roar of the wind she heard the roar of an aeroplane coming nearer and nearer.

‘Here! Shel, here!’ she cried, baring her breast to the moon (which now showed bright) so that her pearls glowed — like the eggs of some vast moon-spider. The aeroplane rushed out of the clouds and stood over her head. It hovered above her. Her pearls burnt like a phosphorescent flare in the darkness.

And as Shelmerdine, now grown a fine sea captain, hale, fresh-coloured, and alert, leapt to the ground, there sprang up over his head a single wild bird.

‘It is the goose!’ Orlando cried. ‘The wild goose . . . ’

And the twelfth stroke of midnight sounded; the twelfth stroke of midnight, Thursday, the eleventh of October, Nineteen hundred and Twenty Eight.

This web edition published by:

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University of Adelaide

South Australia 5005

Front Table of Contents

http://ebooks.adelaide.edu.au/w/woolf/virginia/w91o/chapter6.html

Last updated Tuesday, March 4, 2014 at 11:53