“Who we are,” LaShawna sang. “What we are/ who. What we are/ who. Get us in, get us out/ who.”

It was a chant that helped them focus; they had done it before at Sable Mountain when the teachers and counselors weren't watching or listening, and especially after a difficult day.

The room filled with their scents. A little something like electricity passed between them and LaShawna started to hum two tunes, two sets of over and under. She was good at that, better than Stella.

The day seemed to melt away and Stella felt her neck and back loosen and they began to remember all the good they had experienced together.

“Lovely. We're in it,” LaShawna said, and started to hum again.

“I can-KUK feel the baby,” Celia said. “He's so small and quiet. He smells like Will, a little—if I remember, it's been so long.”

“He smells like Will,” Stella agreed.

“It's so good to be with both of you again,” Celia said.

“I had a dream about this, weeks ago,” LaShawna said. “I was awake, with my friends, but everything was dark, and I was looking so far down into myself it hurt. I saw something down there. A little glow hidden way at the bottom . . .”

“Like what?” Celia said, squirming in fascination.

“Let me show you,” LaShawna said, and squeezed their palms tightly.

Celia bit her lip and closed her eyes. “I'm looking deep.”

“Can you see them?” LaShawna whispered. She chanted softly, “If you take away/strip it down/ all the days and years/ all the thoughts . . . Who are we? Umm-hmm. Down there deep in a cave. Get us in, get us out/ Who?”

Stella reached down to where LaShawna was, using her palm-touch for guidance. She actually did see something at the bottom of a long, deep well, three somethings, actually, and then four, the baby within her joining. Like four luminous golden kernels of corn, hidden away at the bottom of four separate tunnels of memory and life.

“What are they?” Celia asked quietly, eyes still closed. Stella closed her own eyes now to see these peculiar things more clearly.

“They're like us, part of us, but way below us,” LaShawna said.

“They're so quiet-KUK, like they're asleep. Peaceful.”

“The baby's is not much different from ours,” Stella observed. “Why is that?”

“Maybe they're the important ones and we're just shadows trapped way up here. We're ghosts to them, maybe. Ummm . . . I'm losing them . . . I can't see them now,” LaShawna said, and opened her eyes with a sigh. “That was spooky.”

The waking dream ended and left Stella feeling a little woozy. The air in the room had turned cold and they shivered and laughed, then clasped hands tighter, listening to their own heartbeats.

“Spooky,” LaShawna said again. “I'm glad you see them, too.”

They sat that way for hours, just touching hands and scenting and being quiet together until the dawn came.

7

LAKE STANNOUS

The third snow of the year came in late October, fat flakes slipping down and nodding between the trees and over the dirt and gravel pathways throughout Oldstock. Kaye hurried from her classroom in the overheated school building, clutching a parka over her shoulders. Puffing, her lips and fingers numb, she met Mitch and Luce Ramone on the path to the infirmary—a name Kaye hated, with its emphasis on dysfunction. Mitch wrapped her in his arms and she marched quickly, close to his side, looking up at him with tight lips and large eyes.

“We have the partners and side mothers in the birthing room,” Luce said. Most of the children—the Shevites, Kaye corrected—did not speak in doubles, over-under, around them, more out of politeness than any obvious reserve or caution. Slowly, over the last four months, the Shevites had come to trust Kaye and Mitch, and together they had worked out procedures to calm mothers about to give birth. Kaye did not know whether it was mumbo jumbo or a new way of doing things. She was about to find out. Now there were twelve pregnancies in Oldstock and Stella was serving a very important function. Keep reminding yourself. Be proud. Be courageous. Oh, God.

So much was being learned. So many questions were being answered. But why my daughter? Why someone who, if she dies, takes me with her, soul if not body?

The last two months had been the happiest in Kaye's life, and the most tense and awkward.

They gingerly climbed the snowy steps into the old infirmary and down the linoleum-tiled floors, along the plastered hallway lit with dim incandescent bulbs, into the delivery room.

Stella was sitting on the bent and padded bench, puffing and blowing. A rusty gurney covered with a foam mattress and clean white sheets waited for her if she wanted to sleep. She gritted her teeth into a contraction.

Kaye set about arranging the medical instruments, making sure they had been kept in the old autoclave long enough.

“Where did you get these antiques?” she asked Yuri Sakartvelos as he came in, hands held in the air, dripping from the scrub station. Yevgenia smiled at Kaye and her wrinkled cheeks grew golden-green as she slipped the gloves on Yuri's hands.

“Pray they don't have to do anything,” Kaye whispered grimly to Mitch.

“Shush,” Mitch warned. “They're doctors.”

“From Russia, Mitch,” Kaye responded. “How long since they've done anything but set a broken leg or dress a wound?”

As Mitch caught a catnap, in the twelfth hour of Stella's long delivery—that had not changed much, difficult births for babies with large heads—Kaye stood outside the infirmary and breathed the cold early morning air and watched the snow.

While Kaye taught in the village school, Mitch had helped the Shevites restore a small lumber mill and clear the debris from the old concrete foundations and start putting up new houses for the families.

It was not yet clear what shape those families would take; probably not just father, mother, and children, and on this score the Sakartvelos were as clueless as Kaye and Mitch. There had never been so many Shevites together before; though some said there were larger communities in the East and the South, perhaps in New Jersey or Georgia or Mississippi, lying low.

The young Shevites were designing the homes. They felt uncomfortable when deprived of company for more than a few hours. Large windows Kaye could certainly understand, after so many years in cramped dorms and even cells. But there was no double pane glass available, not yet, and winters in Oldstock could be cold. While the foundations provided some constraint on their imaginations, some of the drawings were looking very odd indeed: bathrooms and toilet facilities without walls—“Why privacy? We know what's happening”—and narrow “scent shafts” connecting adjacent homes. The whole idea of privacy seemed up for grabs.

Kaye's best moments were spent with Stella and Mitch and Stella's deme. Most of the students in Kaye's class were part of Stella's deme. Her curiosity and relative ease with these intruder humans, her parents, seemed to blend over into those closest to her, and that extended family had adopted Kaye and Mitch.

The Sakartvelos, on the other hand, treated Kaye and Mitch civilly enough, but seldom socialized. They seemed a little standoffish even with the others in their community, perhaps because of early trauma and years of living alone, growing middle-aged with little company.

The concept and practice of demes was still growing, but the demes formed thus far made up the most stable of all the social structures and experiments going on in Oldstock, and the oldest. Stella's deme consisted of seven permanent partners—three males and four females—and twelve exchange members.

Deme partners usually did not mate, though they could fall in love—Stella was very definite about that, but not very clear what it entailed. Romantic love was running wild in Oldstock, complete with exchanges of dried fruit, perfumes when available, carved wooden statues, but such infatuations seldom had anything to do with sex.