"All right," he said. "You're right. And I don't see what harm it'll do to tell you what you want to know."

"I am right," she said, stifling the urge to grab him and shake him.

Annja tore her eyes away from his piercing. It was a silver hoop through the septum, culminating in a pair of balls right beneath his nose. To be sure, living in New York City, she was not unaccustomed to seeing piercings, some much more exotic than this. But this particular type always exerted a certain sickening fascination for her.

"All right," he said. "All right, I saw him."

"Who? Byron?"

"No." Another eye slide. "The Holy Child. I guess."

"What?"

"Some little kid dressed like him, anyway." The young man named Quade seemed unhappy. "It was pretty late at night. Sometimes I go there to work on things. It's about the only time I get." From Randy she knew that Quade did metal sculpture. He was also taking classes in welding at the Central New Mexico Community College.

"Go on," she said when he bogged down.

"Well, like, I totally saw him. This kid. All dressed in these funny clothes, you know? Just like those paintings Byron does. Walking around the yard all by himself late at night."

"Didn't you say anything to anyone about it?"

He seemed to shake all over rather than just his head. "I don't really believe in all this religious stuff, you know? And anyway I may have been a little stoned the time I saw him."

"Really? Well, thank you, Quade. You've been a real help," Annja said.

"Please don't tell Byron about any of this. Please."

She smiled broadly. "And you are who?"

She wondered, as she hopped down from the top of the elaborate ironwork arch over the narrow front gate to the Chiaroscuro Guerrilla Art Compound, if she was trespassing. Or breaking and entering.

Feeling a little gun-shy, literally, about the street north of the gallery, she had parked on a more industrial side street a block south, just up from a gas station that was closed for the night. A quick reconnaissance on foot had convinced her that any other means of getting into the compound would be too challenging. The compound was surrounded on three sides by a nine-foot cinder-block wall topped with gleaming rolls of razor tape. Perhaps it was a relic of its days as a warehouse and industrial lot. And possibly not. There was some valuable equipment on the grounds, as well as the artwork.

Getting in this way required Annja to do so in plain view on a wide, well-lit street. Fortunately there was little traffic going by at the late hour.

It was a pleasantly cool evening, tinted with the remnants of the day's chili roasting and some other, less distinctive and also pleasant burn smells that she rather hoped came from the ritual cremation of autumn leaves. A fingernail moon did little to illuminate the area.

Inside the front gate the narrow passage between buildings was dark. She dropped into a three-point landing, froze, listened. Nothing.

She wore her dark jacket zipped over a canary-yellow T-shirt and dark blue running pants. She had opted for a compromise between low visibility and going around dressed like, well, a burglar. She figured if she bumped into anyone official she could quickly unzip her jacket. The blazing hue of her shirt would bolster the desired presumption of her innocence. She hoped.

There were some floodlights shining sloshing bright light among the buildings and the courtyard. They were not many nor particularly well sited. They left big, irregular bands and blotches of shadow ideal for slipping through on sneaky business. Annja half stood and crept forward, quietly.

Quade said Byron has a studio apartment in the southwest corner of the courtyard, she thought. That's just ahead and to the right.

She reached the end of the dark-stuccoed building to her right, paused, listened. She sensed no sign of any other life within the compound. She slipped around the corner.

A man stood scarcely six feet in front of her. She gasped.

"I believe the line is, 'We've got to stop meeting like this,'" Father Godin said.

"What are you doinghere?" She managed to whisper even as she struggled to breathe again. He'd startled the air clean out of her.

"Steady, there," he said softly. He shook his head in exaggerated reproof. A black watch cap covered his silver plush hair. Other than that, he was dressed as usual. "I thought we were going to be working together."

"Really. Well, it occurred to me that might not be the brightest idea for me," Annja said.

"It's better than working at cross-purposes, is it not?"

"Am I going to keep stumbling over you everywhere I go?"

She saw his grin in the darkness. "I might ask the same."

A train began to rock and clatter along the tracks a couple of blocks to the west. By its sound it had not slowed for the station a little way north.

"All right. I should've known you'd be thinking along the same lines I am. And if we're going to be following parallel lines, I'd rather have you on my side," she said begrudgingly.

He held a finger to his lips. It momentarily infuriated her.

He had turned around and started walking along the back of the brown building toward the right edge of the little courtyard. The tree and the twisted-metal sculptures went beyond bizarre to outright menacing in the random mixing of glare and shadow.

She followed. The train sounds subsided. Godin reached the long, slumpy porch shared by the apartments and paused. She moved up beside him. He glanced at her, eyes invisible behind his circular lenses. Then he walked toward Byron's door. He stopped suddenly. Coming up behind, she sensed tension in him, like a hunting dog on point.

The door of the artist's studio apartment stood open just a hands-breadth behind the swayback, fraying screen. Inside it was dark.

From within came a tortured moan.

Chapter 21

Godin's right hand came out of his jacket holding his revolver. He opened the screen slowly. Annja held it for him. From somewhere he produced a short, thick flashlight. Holding it reversed in his left hand, he crossed wrists, bracing his gun hand on top. Clicking the flashlight on, he kicked open the door, stepped inward and immediately out of sight to the right.

None too sure what was expected of her, Annja went through the door after him. She did not summon the sword. It was unwieldy in close quarters, and she didn't want to accidentally stick Godin. Or Byron, should the young artist still be on his feet.

With Godin a dimly sensed presence hard on her right, her attention was drawn by the intense beam of white light angled downward. It illuminated a shape sprawled with its head toward the door. The head had wild, wavy dark hair. Parts of it seemed matted to the big, round skull.

With a cry Annja dropped to her knees beside the youth. She helped him sit up gingerly as Godin moved through the small apartment, checking room by room with light and handgun ready. She remembered vaguely that such room-clearing was supposed to be done by more than one person. But he knew what he was doing and she didn't. She deemed it best to keep out of the way and tend to Byron.

He wore a gray sweatshirt, dark sweatpants. His feet were bare. The shirt was ripped and spattered with blood. He had drying blood trailing down over his mouth, and his skin looked very pale.

"The house is clear," Godin reported, coming out of the back. He clicked off his flashlight, put it away, then moved to right a lamp on its end table and turn it on. The shade, madly askew, cast dizzying shadows up the wall.