"Ah," he said. "I wondered who had come. Welcome, Death." With as much composure as I could muster, I said, "I am the Journeyman Severian—of the guild of torturers, as you see. My entrance was entirely involuntary, and to be truthful, I would be very grateful to you if you could explain just how it happened. When I was in the corridor outside, this room appeared to be no more than a painting. But when I took a step or two back to view the one on the other wall, I found myself in here. By what art was that done?"

"No art," the man in the yellow robe said. "Concealed doors are scarcely an original invention, and the constructor of this room did no more than devise a means of concealing an open door. The room is shallow, as you see; indeed, it is shallower than you perceive even now, unless you're already aware that the angles of the floor and ceiling converge, and that the wall at the end is not so high as the one through which you came."

"I see," I said, and in fact I did. As he spoke that crooked room, which my mind, accustomed always to ordinary ones, had tricked me into believing of normal shape, became itself, with a slanted and trapezoidal ceiling and a trapezoidal floor. The very chairs that faced the wall through which I had come were things of little depth, so that one could hardly have sat on them; the tables were no wider than boards.

"The eye is deceived in a picture by such converging lines," the man in the yellow robe continued.

"So that when it encounters them in reality, with little actual depth and the additional artificiality of monochromatic lighting, it believes it sees another picture—particularly when it has been conditioned by a long succession of true ones. Your entrance with that great weapon caused a real wall to rise behind you to detain you until you had been examined. I need hardly add that the other side of the wall is painted with the picture you believed you saw."

I was more astounded than ever. "But how could the room know I carried my sword?"

"That is more complex than I can well explain . . . far more so than this poor room. I can only say that the door is wrapped with metal strands, and that these know when the other metals, their brothers and sisters, pass their circle."

"Did you do all this?"

"Oh, no. All these things . . ." He paused. "And a hundred more like them, make up what we call the Second House. They are the work of Father Inire, who was called by the first Autarch to create a secret palace within the walls of the House Absolute. You or I, my son, would no doubt have built a mere suite of concealed rooms. He contrived that the hidden house should be everywhere coextensive with the public one."

"But you aren't he," I said. "Because now I know who you are! Do you recognize me?" I drew off my mask so he could see my face.

He smiled and said, "You came but once. The khaibit did not please you, then."

"She pleased me less than the woman she counterfeited—or rather, I loved the other more. Tonight I have lost a friend, yet it seems to be a time for meeting old acquaintances. May I ask how you've come here from your House Azure? Were you summoned for the thiasus? I saw one of your women earlier tonight."

He nodded absently. An oddly angled mirror set above a trumean at one side of the strange, shallow room caught his profile, delicate as a cameo, and I decided he must be an androgyne. Pity welled up in me, with a sense of helplessness, as I thought of him opening the door to men, night after night, at his establishment in the Algedonic Quarter. "Yes," he said. "I will remain here for the celebration, then go." My mind was full of the picture old Rudesind had shown me in the corridor outside, and I said,

"Then you can show me where the garden is."

I sensed at once that he had been caught off-guard, possibly for the first time in many years. There was pain in his eyes, and his left hand moved (though only slightly) toward the vial at his throat. "So you have heard of that . . ." he said. "Even supposing that I knew the way, why should I reveal it to you?

Many will seek to flee by that road if the pelagic argosy sights land."

CHAPTER TWENTY-ONE - HYDROMANCY

Several seconds passed before I rightly understood what it was the androgyne had said. Then the remembered scent of Thecla's roasted flesh rose sickening-sweet in my nostrils, and I seemed to feel the unquiet of the leaves. Forgetting in the stress of the moment how futile such precautions must be in that deception-filled room, I looked about, seeking to assure myself that no one could overhear us, then found that without my having willed it (consciously, I had intended to question him before betraying my connection with Vodalus) my hand had taken the knife-shaped steel from the innermost compartment of my sabretache.

The androgyne smiled. "I felt you might be the one. For days now I have been expecting you, and I have kept the old man outside and many others under instructions to bring promising strangers to me."

"I was imprisoned in the antechamber," I said. "And so lost time."

"But you escaped, I see. It isn't likely you'd be released before my man came to search it. It's well you did—there isn't much time left . . . the three days of the thiasus, then I must go. Come, and I will show you the way to the Garden, though I am by no means sure you will be permitted to enter." He opened the door by which he had come in, and this time I saw that it was not truly rectangular. The room beyond was hardly larger than the one we had left; but its angles seemed normal, and it was richly furnished.

"You came to the correct part of the Secret House at least," the androgyne said. "Otherwise we would have had to walk a weary way. Your pardon, while I read the message you brought." He crossed to what I at first supposed was a glass-topped table, and put the steel under it on a shelf. At once a light kindled, shining down from the glass, though there was no light above it. The steel grew until it seemed a sword, and its striations, in place of mere teeth on which to strike sparks from a flint, I saw to be lines of flowing script.

"Stand back," the androgyne said. "If you have not read this before, you must not read it now." I did as he bid, and for some time watched him bending over the little object I had carried away from Vodalus's glade. At last he said, "There is no help for it then . . . we must fight on two flanks. But this is none of your affair. Do you see that cabinet with the eclipse carved in its door? Open it and lift down the book you find there. Here, you may put it on this stand."

Although I feared some trap, I opened the door of the cabinet he had indicated. It held one monstrous book—a thing nearly as tall as I and a good two cubits wide—that stood with its cover of mottled blue-green leather facing me much as a corpse might had I opened the lid of an upright casket. Sheathing my sword, I gripped this great volume with both hands and placed it on the stand. The androgyne asked if I had seen it previously, and I told him I had not.

"You looked fearful of it, and tried . . . as it appeared to me—to keep your face from it when you carried it." He threw back the cover as he spoke. The first page, thus revealed, was written in red in a character I did not know.

"This is a warning to the seekers of the path," he said. "Shall I read it to you?" I blurted, "It seemed to me that I saw a dead man in the leather, and that he was myself." He closed the cover again and ran his hand over it. "These pavonine dyeings are but the work of craftsmen long gone—the lines and swirls beneath them, only the scars of the suffering animals' backs, the marks of ticks and whips. But if you are fearful, you need not go."