So there again was that Egyptian connection.

But after the explosion beneath the cloister, all further evidence had been destroyed: the glass caskets, the bodies, even Malachy's lost book of prophecies.

All gone.

And probably just as well. The future was best left unknown.

But Malachy's prophecies of the popes ended with a bit of a foggy mystery. According to Rachel's uncle, Malachy had numbered all the popes on his list, with the exception of the very last one, Petrus Romanus, the one who would see the end of the world. This last apocalyptic pope had been assigned no number.

"This suggests to some scholars," Vigor had explained from his hospital bed, "that perhaps an unknown number of popes remain unnamed between the current pope and the last. And that the world might go on for a little bit longer."

Gray certainly hoped so.

Finally buffed dry, he wrapped a towel around his waist and headed into the bedroom. He discovered he wasn't alone.

"I thought you were leaving," Gray said.

She lay tangled in the sheets, one long leg bared to the hip. She stretched like a lithe lioness waking, one arm over her head, exposing a hint of breast. As she lowered her arm, she lifted the bedsheet. Her body still lay hidden in folds and shadows-but the invitation was plain.

"Again?" he asked.

An eyebrow tipped higher, followed by a shadow of a smile.

Gray sighed, undid his towel, and tossed it aside.

A man's work was never done.

Epilogue

October 23, 11:55 P.M.

Washington, D.C.

Painter headed down the last flight of stairs to the nethermost region of Sigma Command. It was only a few minutes before midnight, an inauspicious moment to be visiting a morgue.

But the package had arrived only an hour ago. The work had to be done swiftly. Afterward, all evidence would be destroyed, cremated on site. He reached the morgue.

Sigma's head pathologist, Dr. Malcolm Reynolds, was waiting and led him inside. "I have the body ready."

Painter followed the pathologist to the neighboring room. The smell struck him first: overcooked meat gone bad. A figure lay under a sheet on the table. Wheeled next to it was a coffin. The casket's diplomatic seal had been sliced open by Dr. Reynolds.

It had taken Painter a huge effort to get the body released in secret from France and delivered here with false papers.

"It's not pretty," Malcolm warned. "The body sat in that makeshift oven for several hours before someone thought to move it."

Painter was not squeamish-at least not much. He pulled back the sheet and exposed Dr. Wallace Boyle's corpse. The man's face was bloated, blackened on one side, a purplish red on the other. Painter imagined the charbroiled side had been facedown on the brick floor of the subterranean chamber. He remembered Gray's description of the incendiary charge and how it had baked the stones.

"Help me roll him on his stomach," Painter said.

Together, they got Wallace over on his belly.

"I'll need something to shave him."

Malcolm disappeared.

As Painter waited, he stared down at the gaunt corpse. Wallace had claimed to be a member of Echelon, and according to Seichan, that name was rumored to denote the Guild's true leaders. She had no other information, except for a darker rumor, a story she'd only heard once.

Malcolm returned with an electric clipper and a disposable razor. Working quickly, Painter used the clipper to remove the hair from the back of Wallace's head, then shaved it smooth.

As he dragged the razor, he proved the rumor was true.

A small tattoo, about the size of Painter's thumbnail, had been inked at the back of the skull. It depicted the tools of a mason: drafting compasses straddling an L-square.

The symbol represented Freemasonry, a worldwide fraternal organization. But the image in the center of the symbol was wrong. The square and the compass usually framed the letter G, standing for God or Geometry.

But sometimes it stood for Guild.

Painter knew Seichan's terrorist organization had no real name, at least not spoken below the level of its leaders. Was this symbol and its connection to the Freemasons the source of the more commonly used name?

Painter studied the tattoo. In the middle of the symbol were inked a sickle moon and a star. He had never seen anything like it. Whoever these people were, they weren't Freemasons.

With the symbol exposed, Painter grew more edgy. He had found what he needed.

"Burn the body," he ordered Malcolm. "Down to ash."

Painter didn't want anyone to know what he'd learned. Much remained unknown about Seichan's former masters. But he had two pieces to the larger puzzle.

The name Echelon...and the strange symbol.

For now, that would do.

But it wasn't over-not for either side.

Malcolm asked him a question as he left. "What does it mean?"

Painter answered, knowing it to be true, "A war is coming."

AUTHOR'S NOTE TO READERS: TRUTH OR FICTION

Everything in this book is true, except for what's not. I thought I'd end this adventure by splitting those hairs. First, two elements gave birth to this story. I came upon each independently, but I knew there had to be a connection and that Sigma would need to investigate.

The History of the Celtic Cross. There is an intriguing and startling analysis of the history of the cross and the possibility that it was used as a navigational tool in ancient times. For a slew of details, diagrams, and analyses, I refer you to the fascinating book The Golden Thread of Time by Crichton Miller.

The History of Neolithic England. The details in this book about the possibility of Egyptians setting up colonies in England are true. For a more thorough study, I suggest reading Kingdom of the Ark by Lorraine Evans. Also, in regard to the Fomorian tribes found living in Ireland by the invading Celts, some historians have theorized that their descriptions (dark-skinned and skilled at agriculture) might refer to a lost tribe of Egyptians.

Ancient Symbols. The novel describes a number of symbols and the way these images were often transformed and reimagined across the centuries. Such theories have a basis in fact, including the story of the consecration crosses found carved in medieval churches.

Saints. As mentioned at the opening of the book, Malachy was an Irish saint who lived during the twelfth century and is said to have performed many miraculous healings, along with recording his famous prophecies of the popes. He was indeed buried in a tomb at Clairvaux Abbey, and the ruins of that abbey do oddly enough lie within the grounds of a maximum-security prison (a prison started by Napoleon). There are weekly tours of the ruins for two euros a head. The stories concerning the life of Saint Bernard (the Lactation Miracle, his association with the Knights Templar, and his support for the cult of the Black Madonna) are historical. For more about the Celtic saints and culture in general, I recommend How the Irish Saved Civilization by Thomas Cahill and The Quest for the Celtic Key by Karen Ralls-MacLeod and Ian Robertson.

As for the prophecies, here are Malachy's descriptions of the last few popes in history:

·

a. Pope Paul VI (1963-1978) is described with the words Flos Florum, or "flower of flowers." His heraldic coat of arms bore three lilies.

·

b. Pope John Paul I (1978) is named by Malachy as De Medietate Lunae, or "of the half moon." His papacy lasted one month, crossing from one half moon to the next.

·

c. Pope John Paul II (1978-2005) is designated as De Labore Solis, or "from the labor of the sun," which was a common metaphor for a solar eclipse. The pope was born on the day of a solar eclipse.