“Karthain is the old dream,” said Patience. “It’s served its purpose. We have gathered strength, honed our skills, and collected the wealth we need to do what we must. There will be no more contracts. No more Bondsmagi. We are retiring from the public life of this world. Never again can we allow such an institution as this to arise.”

“That … that danger you spoke of?” said Locke, unnerved and startled by the magnitude of the changes Patience’s words implied.

“There are things moving and dreaming in the darkness,” said Patience. “We refuse to risk any further chance of waking them up. Yet human magic mustsurvive, so we must learn how to make it as quiet as possible.”

“Why run us through this damned election?” said Locke. “Gods, why not just put us in a room and tell us this shit and save us all so much trouble?”

“Wise members of my order a century ago,” said Patience, “foresaw our direction beyond a shadow of a doubt. We used our contracts to enrich ourselves, but they also made us arrogant. They fueled the impulse to dominate, to see our powers as limitless and the world as our clay.

“These wise men and women knew that a crisis would break, a time for blood, and the only way to win would be to achieve surprise. They envisioned a disruption of our ordinary lives so profound and yet so routine that it could conceal preparations for a fight when the time came. The Five-Year Games became a regular part of our society, a pageant and a release. But a few of us were always trusted with the original intention of the games, and the knowledge that we might have to employ it.”

“So it was all just … a monumental misdirection?” said Locke. “While we danced for everyone’s amusement, you sharpened your knife and stuck it in somebody’s back”?”

“All those magi that I once described as exceptionalists,” said Patience. “All those brothers and sisters. I mourn them, even as I know there was no convincing them. They will stay in Karthain forever. The rest of us go on.”

“Why tell us any of this?” said Jean.

“Because I value your discomfort.” Patience smiled without warmth. “I described the conditions of your employment very succinctly. We are not vanishing from the world, merely from the eyes of ordinary people. Share our business with anyone and you are alwaysin our reach.”

“Ordinary people,” said Locke. “Well, how ordinary am I, really? What’s the truth of all the tales you spun about my past?”

“You should look at the painting I brought for Sabetha.” Patience tapped the wrapped object leaning against the wall behind her. “I’m leaving it here, though in a day or two it will be nothing but white ash. It’s the only portrait of Lamor Acanthus ever painted during his life. I ought to tell you, the likeness is impeccable.”

“A simple answer!” shouted Locke. “What am I?”

“You’re a man who doesn’t get to knowthe answer,” said Patience, and now her smile was genuine. She was shaking with the obvious difficulty of containing her laughter. “Look at you. Camorri! Confidence trickster! You think you know what revengeis? Well, here’s mine on you. Before I was Archedama Patience, I was called Seamstress. Not because I enjoy needlework, but because I tailor to fit.”

Locke could only stare at her, feeling cold and hollow to the depths of his guts.

“Live a good long life without your answer,” she said. “I think you’ll find the evidence neatly balanced in either direction. Now, one thing more will I tell you, and this only because I know it will haunt and disquiet you. My son preferred to mock my premonitions, but only because he didn’t want to face the fact that they always have substance. I shall give you a little prophecy, Locke Lamora, as best as I have seen it.

“Three things must you take up and three things must you lose before you die: a key, a crown, a child.” Patience pushed her hood up over her head. “You will die when a silver rain falls.”

“You’re making all this shit up,” said Locke.

“I could be,” said Patience. “I very well could be. And that’s part of your punishment. Go forth now and live, Locke Lamora. Live, uncertain.”

She gestured once and was gone.

2

JEAN REMAINED at the door, staring at the gray-wrapped package. Finally, Locke worked up the nerve to seize it and tear away the cover.

It was an oil painting. Locke stared at it for some time, feeling the lines on his face draw taut as a bowstring, feeling moistness well in the corners of his eyes.

“Of course,” he said. “Of course. Lamor Acanthus. And wife, I presume.”

He made a noise that was half dour laugh and half strangled sob, and threw the painting on the bed. The black-robed man in the portrait looked nothing like Locke; he was broad-shouldered, with the classically dark, sharp aspect of a Therin Throne patrician. The woman beside him bore the same sort of haughty glamour, down to her bones, but she was much fairer of skin.

Her thick, flowing hair was as red as fresh blood.

“I’m everything Sabetha was afraid of,” said Locke. “Tailored to fit.”

“I’m … I’m sorry as hell I got you into this,” said Jean.

“Shit! Don’t go wobbly on me now, Jean. I was as good as dead, and the only way out of this was to go through, all the way to Patience’s endgame. Now she’s played it.”

“We can go after Sabetha,” said Jean. “She’s had half an hour, how far could she get?”

“I want to,” said Locke, wiping his eyes. “Gods, I can still smell her everywhere in this room. And gods, I want her back.” He slumped onto the bed. “But I … I promised to trust her. I promised to … respect her decisions, no matter how much it fucking cut me. If she has to run from this, if she has to be away from me, then for as long as she needs, I’ll … I’ll accept it. If she wants to find me again, what could stop her?”

Jean put his hands on Locke’s shoulders and bowed his head in thought.

“You’re gonna be fucking miserableto live with for a couple of weeks,” he said at last.

“Probably,” said Locke with a rueful chuckle. “I’m sorry.”

“Well, we should case this place and pack everything useful we can lay our hands on,” said Jean. “Clothes, food, tools. We don’t have to go after Sabetha, but we’d best have our asses on the road before the sun peeks over the horizon.”

“Why?”

“Karthain hasn’t kept up an army or maintained its walls for three hundred years,” said Jean. “In a few hours, it’s going to wake up to discover that the only thing keeping it protected from the world at large has vanished during the night. Do you want to be here when thatmess breaks wide open?”

“Oh, shit. Good point.”

Locke stood up and looked around the room one last time.

“Key, crown, child,” he muttered. “Well, fuck you, Patience. Three things must you kiss before I let you spook me for good. My boots, my balls, and my ass.”

Locke pulled his boots on and followed Jean down the stairs, impatient to have Karthain at his back and slowly sinking into the horizon.

EPILOGUE

WINGS

1

THE BOY IS six. He stares at the Amathel, breathes the lake air, the wholesome scents of life and freshness. He stares at the glinting lights, the jewels in the blackness, the secrets of the Eldren scattered in the depths. The dock folk claim that fishermen in the water at night have been driven mad by the lights, have dived down toward them, pulling frantically, as if toward the surface, until they drowned. Or vanished.

The boy is not afraid of the lights. The boy has power the dock folk can only guess at. He feels a pressure in his temples when he stares out across the waters. He hears something lower and lovelier than the steady wash of the waves and the cries of the birds. The power of the hidden things calls to the power of the boy.