“If we have to force a door, we will,” Hotchner said. “You do understand that?”

She swallowed and nodded.

“Thank you.” He nodded to Morgan, who went outside, Reid trailing behind him. While they went through the garage, Hotchner and Prentiss would stay with Mrs. Dryden in the house.

Once outside, depending on Hotch and Prentiss to keep Mrs. Dryden away from the windows, Morgan drew his pistol, and moved forward cautiously. He was still on alert, even though he felt certain the woman wasn’t lying, the possibility remained that the suspect was in that darkroom right now. On this job, one careless entry could be your last. Reid, behind Morgan with his own pistol in hand, had learned that lesson the hard way, when an UnSub had taken the young agent hostage.

The garage sat at an angle to the long driveway with two separate doors instead of one large one, a walk-in door on the south side, closest to the house. Morgan unlocked the door and stepped into shadowy darkness. Having just come in from the bright sunlight, his eyes took a few agonizing seconds adjusting themselves to the dimness.

Morgan strained to hear, but was greeted only by silence. His fingers found a wall switch and flipped it. Two ceiling-mounted bulbs came on to cast a pale glow. In the nearer of the two stalls sat a Ford Wind-star van. The space beyond was empty and past that a workbench stood against the north wall, tools hanging on a pegboard. To his right, a flight of stairs led up to a windowless door guarded by a hasp and padlock. Above the door, a red lightbulb (not turned on) stuck out like a big blister.

Morgan holstered his weapon and moved toward the workbench, finally allowing Reid access into the garage. Shooting that lock off was not an option Morgan relished—that kind of stuff worked better in the movies. He had hoped for bolt cutters, but none presented themselves; he was granted his second wish, though: a crowbar leaning against the wall in the corner.

Morgan climbed the stairs with his new tool, and jammed the bar behind the hasp from underneath, braced himself and pulled up.

The hasp groaned but did not give.

He pulled harder, it groaned louder, but still did not give. Muscles burning, he pulled up on the bar and, finally, the hasp squealed and gave with such force, Morgan damn near went ass-over-elbows back down the stairs.

After barely maintaining his balance, he crouched and waited, to see if anyone was within the sealed-off room who had an opinion to express about his intrusion—for instance, bullets flying through the closed door…

Nothing.

Morgan opened the loft door. To his right, his hand found a switch and flipped it. The room remained dark, but Reid called from downstairs: “That red light just came on!”

Morgan turned it off and found another switch next to it. When he flipped that, two ceiling fluorescents flickered to life.

The long, wide room ran the entire length and width of the garage. The space was surprisingly cool for this hot, humid August day— air-conditioning, Morgan realized. Pretty pricey extra for a spare room above a garage, photo lab or not.

A long table along the back wall was home to a large laser printer, a flat-panel monitor, a mouse, and a keyboard. A two-foot computer tower squatted beneath the table.

Floor-to-ceiling bookshelves consumed the west wall. Shorter shelves on the north wall, below a window, held leather-bound, numbered journals. On two long, end-to-end tables midroom, where the chemicals and baths and pictures hanging to dry should have been, no sign of any photography darkroom equipment was to be seen. Instead, the tables were covered with maps, photos, and a few books.

Coming in, Reid said, “I figured as much. All digital.”

Morgan jerked a thumb toward the computer tower. “You think you could get into that?”

Shaking his head, Reid said, “I wouldn’t even try. Too much chance of losing evidence. We’ll get the local computer forensics crew in.”

At the tables, Morgan looked down at maps with had spots circled on them— each one a crime scene.

And the photos, grisly photos, were shots from every crime scene, as well.

“They could just be from the job,” Reid said, with a reasonable lilt in his voice. “His job is, after all, to go to crime scenes and take photos. He could explain all this stuff away as circumstantial.”

Morgan pointed to one of the books, Serial Killers and Mass Murderers: Profiling Why They Killby Max Ryan.

“Circumstantial,” Reid said.

Then Morgan saw it.

From under the book where it had peeked out at him, Morgan pulled out a photo—Addie Andrews and Benny Mendoza… before the shooting.

The couple walked along obviously unaware their picture was being taken, coming down the sidewalk from Addie’s house, probably shot from the park across the way.

Morgan held it up for Reid to see.

“ That,” Reid said, “will be harder for him to explain.”

“Go get Hotch and tell him we’re going to need a search warrant before we go any further… but there’s not much doubt we’ve found our man.”

“Well, his lair, anyway,” Reid said, then, holding up a photo of a two-story brick townhouse with a flat roof. “This is interesting. And worrisome.”

“Why?” Morgan asked. “What’s that?”

“That is 2319 East One-Hundredth Street—where Richard Speck murdered eight nurses. The crime that’s going to be copied next, if we’re right. And where Rossi and those two Chicago detectives were headed, when we saw them last.”

Chapter Eleven

August 7 Chicago, Illinois

   Generally, Supervisory Special Agent David Rossi was fairly laid-back; right now he was on edge.

Hotchner had phoned twice, over the last two hours—once with the name of their suspect, crime scene photographer Daniel Dryden, and again to alert him that Dryden was still unaccounted for and might well be headed Rossi’s way, if the picture Reid had found in the garage loft was any indication.

Rossi and the two detectives, Lorenzon and Tovar, sat in a black SUV, air conditioner doing overtime. The two cops were in front, the FBI agent in back.

Across the street, in the late afternoon heat, two African-American women sat on the front stoop of 2319, the first-floor windows and the inside front door open. A small window air conditioner chugged in a second-floor window. The women, both in shorts and tank tops, were watching three young children playing in a minuscule front yard, two boys and a girl, none older than five, taking turns chasing a plastic ball, kicking it, catching it, then kicking it again, each squealing with delight, oblivious to the humid heat.

Rossi explained the Dryden situation to the two detectives.

“Daniel fuckin’ Dryden?” Lorenzon said with a head shake. “Him I would’ve never guessed. How would a zero like Dryden have the balls for something like this?”

Rossi said, “That opinion’s part of what motivates him.”

Lorenzon looked puzzled. “My opinion?”

“Not yours in particular, but that sort of mind-set. Dryden had some early success, and now he thinks he’s a loser—and that’s the feeling people get being around him. He’s smart. No question, we’ve seen that. Yet in his day-to-day life, he doesn’t have any self-confidence. He feels he doesn’t have control. These killings, this is how he gets back some control.”

Lorenzon was frowning. “Control of what?”

“The victim, for starters. You remember what we said about manipulation, control, and domination?”

“Yeah, sure.”

“This is where that comes into play. Dryden manipulates, controls, and dominates his prey. For once, he’s not on the receiving end of such things.”

“How can he compare being snubbed to killing people?”