The sea before me was filled with dark and indescribable shapes, all moving constantly about just below the waves, not far offshore at all, and occasionally something slick and black — like the ridged back of an enormous leviathan or the bow of an upturned boat — would break the surface for a scant few seconds. Smooth, scaleless flesh scabbed white-brown with barnacles and whale lice, or there would be a glimpse of writhing serpentine coils, or of tentacles, perhaps. there would be something festooned with poisonous spines as tall and broken as the masts of a sunken whaler cast up from the depths after a hundred and fifty years lying lost in the silt and slime.
And I felt myself leaning into the wind, and I felt the wind bearing my weight, the resistance of that stinging gale force pushing against my body. I could only wonder that it did not lift me like a kite or a dead leaf and toss me high, tumbling ass over tits, into the air.
Behind me, Constance remained taciturn, and as the storm’s voice grew ever greater in magnitude, ever more insistent, seeming intent upon devouring all othersound, her silence began to wear at my nerves. For whatever reason, her not speaking had become more corrosive than the salt and the lashing blow. As the storm chewed at the shoreline, so her refusal to speak ate at my nerves. And I turned to her, then, and she was standing naked, only a foot or so behind me, her clothing ripped away by the hurricane (if it wasa hurricane). Jesus, I need to get laid, because — despite the horrors of the dream — I woke horny from this vision of her, and writing it down, I’m getting horny again. Amanda always said I was easy. I never really argued with her on that point. But, anyway, there’s Constance standing buck-naked on this pebbly, shifting beach while the battered, choleric heavens assailed her pale and unprotected flesh. In that moment, I wanted only to throw her down on the sand and fuck her. I can admit that. Let the tempest take us both, but at least I could go with a goddamn smile on my face. In that moment, or those moments, I wanted to feel my lips against her lips, wanted the heat of her body pressed against my own, wanted to explore every seen and unseen inch of her with my hands and tongue and — yeah, it’s obvious enough to see where thatwas headed.
But then she did speak, after all, and her voice — though she spoke so, sosoftly — had no trouble whatsoever reaching my ears over the din of the storm.
“You went to Greece,” she said, “and what you remember most is a dead turtle?”
And in thatmoment, all my lust was transmuted to mere anger by the alchemy of human emotion. She was not Amanda, and I had never told her my Grecian sea turtle lie. This was a far greater intrusion than her arrival at the farm or her showing up uninvited in my dreams. This was some manner of mnemonic rape, I think, or so it seemed to me then.
“I never told you about the turtle,” I replied, struggling to stay calm, doing a lousy job of it.
“You went all the way to Greece,” she continued, staring past me, staring out to sea. “And then you wrote a book about it. But you left out that thing that made the greatest impression upon you?”
“There never was a fucking turtle,” I told her. “That was just a lie, because. ” and I trailed off, as the whysof my old lie were really none of her business. “I just made it up. And I’ve never told you about that night, about Amanda and the turtle and The Ark of Poseidon.”
She wiped saltwater from her flushed cheeks and smiled a sad, broken sort of smile. “Lady, you wear your past right out in the open, where anyone can see, if they only bother to look. So, don’t blame me for seeing what you’veput on exhibit.”
Behind me, the bludgeoned sky was suddenly lit by a flash of lightning so brilliant, so blinding, that it seemed to sear our shadows into the beach, like those photos you see taken after the bombing of Nagasaki and Hiroshima. The sand will melt and turn to glass,I thought, waiting and bracing myself for that seven-thousand-degree fireball. But it didn’t come — no atomic pressure wave, no flames, no air superheated by X-rays to instantly vaporize the fragile shells of me and her. Only a thunderclap rattled the world, and then, as the rumble echoed across the land, Constance leaned forward and gently kissed me on the cheek.
“When I was a kid, Sarah, I always wanted a Lite-Brite,” she whispered in my ear, and not one single syllable was lost to the jealous, wailing storm, “but it never happened.”
“You are a thief,” I replied, not whispering. “You are a thief of memories that were never yours,” and she laughed at me. There was nothing cruel in the laugh, nothing spiteful. It was more the way you might laugh to lighten a tense mood, to put someone at ease, to make a moron feel less like a moron because she or he is so goddamn dense they can’t see whatever obvious truth is staring them in the face. And it only just this second occurred to me — presumably waking me — that it did notoccur to the dreaming me that Constance could have learned these things simply by reading the journal I’ve been keeping on Dr. Harvey’s typewriter. So, is this the subconscious expression of some unsuspected paranoia on my part? Is my sleeping mind fretting that I’ve never made any attempt to hide these pages where no one else can see them, or over my having written all this down in the first place?
“Two billion trees died in that storm,” she said. “Think about it a moment. Two billiontrees.” Before I could ask her which storm she was talking about, if maybe she meant the blizzard that brought her into this world like a lion, I saw that she was crying. Only, she wasn’t crying tears, but, rather, diluted streaks of oil or acrylic paints bled from the corners of her eyes, paint in all the shades of that awful storm, as though it had somehow gotten into her and now was leaking out again.
She wiped at her face, smearing the paint across her cheekbones and the bridge of her nose. Then Constance was not speaking, but singing to me, and while the music was a mystery, I knew the words at once—“ ‘What matters it how far we go?’ his scaly friend replied. ‘There is another shore, you know, upon the other side.’ ”
And because this is a dream, and because dreams appear even less fond of resolution than waking life, I woke. I woke horny and covered in sweat and gasping, nauseous and my chest aching, any number of panicked thoughts rushing through my mind — a heart attack? Another seizure? Maybe the seizure to come along and end all my fits once and for all. And too, I had not yet passed so completely beyond the borders of the dream that I did not still fear that hurricane bearing down upon me, bearing down to scrub away the shingle and me and Constance and two billion fucking trees. But, no need to worry, right? Because there is another shore, you know, upon the other side.
I’ve got to end this and get up off my fat ass and make some coffee. It’s almost nine, and I think I hear Constance thumping around upstairs. The typewriter probably woke her, regardless of what she’s been saying. Hopefully, we’ll get our postponed walk in today, out to “the red tree,” if the weather is not too hot and we’re not both too delirious from sleep deprivation.
I’m admittedly at a loss how to write all this down — the events of the past twelve or thirteen hours — but I’m also determined that I willwrite it down. Some part of me is genuinely frightened, reluctant to put the experience into words, and, still, I find myself driven to compose some account of it. Are we back to writing as an act of exorcism? Wait, don’t answer that question. In fact, no more questions requiring answers, no more questions, just what I am left to believe occurred this afternoon when we tried to visit the tree. We talked about what happened over dinner, which Constance fixed because all I could do was sit here and smoke and stare out the kitchen window at twilight dimming the sky. We talked, but it was an indirect, guarded conversation punctuated with lengthy, uncomfortable silences. I asked her if she’d ever read Shirley Jackson’s The Haunting of Hill House,specifically the scene where Eleanor and Theodora get lost just outside the house and stumble upon a ghostly picnic. She hasn’t, and asked if I’ve read Borges’ “The Garden of Forking Paths.” I have. Of course, I have. We ended up talking about The Blair Witch Project,though that seemed to come uncomfortably near the bald factsof the matter, and so I brought up Joseph Payne Brennan’s short story “Cana van’s Back Yard,” precisely becauseI had a feeling Constance hadn’t read it. Inevitably, by fits and starts, we came to Joan Lindsay’s Picnic at Hanging Rock,both the novel and Peter Weir’s film, to Miss McCraw and Mrs. Appleyard and her charges, Irma, Miranda, Edith, and Marion.