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All now being in readiness, the funeral director calls a staff conference to make sure that each assistant knows his precise duties. Mr. Wilber Krieger writes: “This makes your staff feel that they are a part of the team, with a definite assignment that must be properly carried out if the whole plan is to succeed. You never heard of a football coach who failed to talk to his entire team before they go on the field. They have been drilled on the plays they are to execute for hours and days, and yet the successful coach knows the importance of making even the bench-warming third-string substitute feel that he is important if the game is to be won.” The winning of thisgame is predicated upon a glass-smooth handling of the logistics. The funeral director has notified the pallbearers, whose names were furnished by the family, has arranged for the presence of a clergyman, organist, and soloist, has provided transportation for everybody, has organized and listed the flowers sent by friends. In Psychology of Funeral Service, Mr. Edward A. Martin points out: “He may not always do as much as the family thinks he is doing, but it is his helpful guidance that they appreciate in knowing they are proceeding as they should…. The important thing is how well his services can be used to make the family believe they are giving unlimited expression to their own sentiment.”

The religious service may be held in a church or in the chapel of the funeral home; the funeral director vastly prefers the latter arrangement, for not only is it more convenient for him, but it affords him the opportunity to show off his beautiful facilities to the gathered mourners. After the clergyman has had his say, the mourners queue up to file past the casket for a last look at the deceased. The family is not asked whether they want an open-casket ceremony; in the absence of instruction to the contrary, this is taken for granted. Consequently, well over 68 percent of all American funerals in the mid-1990s featured an open casket—a custom unknown in other parts of the world. Foreigners are astonished by it. An Englishwoman living in San Francisco described her reaction in a letter to the writer:

I myself have attended only one funeral here—that of an elderly fellow worker of mine. After the service I could not understand why everyone was walking towards the coffin (sorry, I mean casket), but thought I had better follow the crowd. It shook me rigid to get there and find the casket open and poor old Oscar lying there in his brown tweed suit, wearing a suntan makeup and just the wrong shade of lipstick. If I had not been extremely fond of the old boy, I have a horrible feeling that I might have giggled. Then and there I decided that I could never face another American funeral—even dead.

The casket (which has been resting throughout the service on a Classic Beauty Ultra Metal Casket Bier) is now transferred by a hydraulically operated device called Porto-Lift to a balloon-tired, Glide Easy casket carriage which will wheel it to yet another conveyance, the Cadillac Funeral Coach. This may be lavender, cream, light green. Black, once de rigueur, is coming back into fashion. Interiors, of course, are color-correlated, “for the man who cannot stop short of perfection.”

At graveside, the casket is lowered into the earth. This office, once the prerogative of friends of the deceased, is now performed by a patented mechanical lowering device. A “Lifetime Green” artificial grass mat is at the ready to conceal the sere earth, and overhead, to conceal the sky, is a portable Steril Chapel Tent (“resists the intense heat and humidity of summer and the terrific storms of winter… available in Silver Grey, Rose or Evergreen”). Now is the time for the ritual scattering of the earth over the coffin, as the solemn words “earth to earth, ashes to ashes, dust to dust” are pronounced by the officiating cleric. This can today be accomplished “with a mere flick of the wrist with the Gordon Leak-Proof Earth Dispenser. No grasping of a handful of dirt, no soiled fingers. Simple, dignified, beautiful, reverent! The modern way!” The Gordon Earth Dispenser is of nickel-plated brass construction. It is not only “attractive to the eye and long wearing”; it is also “one of the ‘tools’ for building better public relations” if presented as “an appropriate non-commercial gift” to the clergy. It is shaped something like a saltshaker.

Untouched by human hand, the coffin and the earth are now united.

It is in the function of directing the participants through this maze of gadgetry that the funeral director has assigned to himself his relatively new role of “grief therapist.” He has relieved the family of every detail, he has revamped the corpse to look like a living doll, he has arranged for it to nap for a few days in a slumber room, he has put on a well-oiled performance in which the concept of deathhas played no part whatsoever—unless it was inconsiderately mentioned by the clergyman who conducted the religious service. He has done everything in his power to make the funeral a real pleasure for everybody concerned. He and his team have given their all to score an upset victory over death.

Dale Carnegie has written that in the lexicon of the successful man there is no such word as “failure.” So have the undertakers managed to delete the word “death” and all its associations from their vocabulary. They have from time to time published lists of In and Out words and phrases to be memorized and used in connection with the final return of dust to dust; then, still dissatisfied with the result, they have elaborated and revised the list. Thus, a 1916 glossary substitutes “prepare body” for “handle corpse.” Today, though, “body” is Out and “remains” or “Mr. Jones” is In.

“The use of improper terminology by anyone affiliated with a mortuary should be strictly forbidden,” declares Edward A. Martin. He suggests a rather thorough overhauling of the language; his deathless words include: “service, not funeral; Mr., Mrs., Miss blank, not corpse or body; preparation room, not morgue; casket, not coffin; funeral director or mortician, not undertaker; reposing room, not showroom; baby or infant, not stillborn; deceased, not dead; autopsy or post-mortem, not ‘post’; coach, not hearse; shipping case, not shipping box; flower car, not flower truck; cremains or cremated remains, not ashes; clothing, dress, suit, etc., not shroud; drawing room, not parlor.”

This rather basic list was refined in 1956 by Victor Landig in his Basic Principles of Funeral Service. He enjoins the reader to avoid using the word “death” as much as possible, even when such avoidance may seem impossible; for example, a death certificate should be referred to as a “vital statistics form.” One should speak not of the “job” but rather of the “call.” We do not “haul” a dead person, we “transfer” or “remove” him—and we do this in a “service car,” not a “body car.” We “open and close” his grave rather than dig and fill it, and in it we “inter” rather than bury him. This is done not in a graveyard or cemetery, but rather in a “memorial park.” The deceased is beautified, not with makeup, but with “cosmetics.” Anyway, he didn’t die, he “expired.” An important error to guard against, cautions Mr. Landig, is referring to “cost of the casket.” The phrase “amount of investment in the service” is a wiser usage here.

Miss Anne Hamilton Franz, writing in Funeral Direction and Management, adds an interesting footnote on the use of the word “ashes” to describe (in a word) ashes. She fears this usage will encourage scattering (for what is more natural than to scatter ashes?), and prefers to speak of “cremated remains” or “human remains.” She does not like the word “retort” to describe the container in which cremation takes place, but prefers “cremation chamber” or “cremation vault,” because this “sounds better and softens any harshness to sensitive feelings.”