Something made me start up, a low, piteous howling of dogs somewhere far below in the valley, which was hidden from my sight. Louder it seemed to ring in my ears, and the floating moats of dust to take new shapes to the sound as they danced in the moonlight. I felt myself struggling to awake to some call of my instincts. Nay, my very soul was struggling, and my half-remembered sensibilities were striving to answer the call. I was becoming hypnotised!

Quicker and quicker danced the dust. The moonbeams seemed to quiver as they went by me into the mass of gloom beyond. More and more they gathered till they seemed to take dim phantom shapes. And then I started, broad awake and in full possession of my senses, and ran screaming from the place.

The phantom shapes, which were becoming gradually materialised from the moonbeams, were those three ghostly women to whom I was doomed.

I fled, and felt somewhat safer in my own room, where there was no moonlight, and where the lamp was burning brightly.

When a couple of hours had passed I heard something stirring in the Count's room, something like a sharp wail quickly suppressed. And then there was silence, deep, awful silence, which chilled me. With a beating heart, I tried the door, but I was locked in my prison, and could do nothing. I sat down and simply cried.

As I sat I heard a sound in the courtyard without, the agonised cry of a woman. I rushed to the window, and throwing it up, peered between the bars.

There, indeed, was a woman with dishevelled hair, holding her hands over her heart as one distressed with running. She was leaning against the corner of the gateway. When she saw my face at the window she threw herself forward, and shouted in a voice laden with menace, "Monster, give me my child!"

She threw herself on her knees, and raising up her hands, cried the same words in tones which wrung my heart. Then she tore her hair and beat her breast, and abandoned herself to all the violences of extravagant emotion. Finally, she threw herself forward, and though I could not see her, I could hear the beating of her naked hands against the door.

Somewhere high overhead, probably on the tower, I heard the voice of the Count calling in his harsh, metallic whisper. His call seemed to be answered from far and wide by the howling of wolves. Before many minutes had passed a pack of them poured, like a pent-up dam when liberated, through the wide entrance into the courtyard.

There was no cry from the woman, and the howling of the wolves was but short. Before long they streamed away singly, licking their lips.

I could not pity her, for I knew now what had become of her child, and she was better dead.

What shall I do? What can I do? How can I escape from this dreadful thing of night, gloom, and fear?

25 June. — No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be. When the sun grew so high this morning that it struck the top of the great gateway opposite my window, the high spot which it touched seemed to me as if the dove from the ark had lighted there. My fear fell from me as if it had been a vaporous garment which dissolved in the warmth.

I must take action of some sort whilst the courage of the day is upon me. Last night one of my post-dated letters went to post, the first of that fatal series which is to blot out the very traces of my existence from the earth.

Let me not think of it. Action!

It has always been at night-time that I have been molested or threatened, or in some way in danger or in fear. I have not yet seen the Count in the daylight. Can it be that he sleeps when others wake, that he may be awake whilst they sleep? If I could only get into his room! But there is no possible way. The door is always locked, no way for me.

Yes, there is a way, if one dares to take it. Where his body has gone why may not another body go? I have seen him myself crawl from his window. Why should not I imitate him, and go in by his window? The chances are desperate, but my need is more desperate still. I shall risk it. At the worst it can only be death, and a man's death is not a calf's, and the dreaded Hereafter may still be open to me. God help me in my task! Goodbye, Mina, if I fail. Goodbye, my faithful friend and second father. Goodbye, all, and last of all Mina!

Same day, later. — I have made the effort, and God helping me, have come safely back to this room. I must put down every detail in order. I went whilst my courage was fresh straight to the window on the south side, and at once got outside on this side. The stones are big and roughly cut, and the mortar has by process of time been washed away between them. I took off my boots, and ventured out on the desperate way. I looked down once, so as to make sure that a sudden glimpse of the awful depth would not overcome me, but after that kept my eyes away from it. I know pretty well the direction and distance of the Count's window, and made for it as well as I could, having regard to the opportunities available. I did not feel dizzy, I suppose I was too excited, and the time seemed ridiculously short till I found myself standing on the window sill and trying to raise up the sash. I was filled with agitation, however, when I bent down and slid feet foremost in through the window. Then I looked around for the Count, but with surprise and gladness, made a discovery. The room was empty! It was barely furnished with odd things, which seemed to have never been used.

The furniture was something the same style as that in the south rooms, and was covered with dust. I looked for the key, but it was not in the lock, and I could not find it anywhere. The only thing I found was a great heap of gold in one corner, gold of all kinds, Roman, and British, and Austrian, and Hungarian, and Greek and Turkish money, covered with a film of dust, as though it had lain long in the ground. None of it that I noticed was less than three hundred years old. There were also chains and ornaments, some jewelled, but all of them old and stained.

At one corner of the room was a heavy door. I tried it, for, since I could not find the key of the room or the key of the outer door, which was the main object of my search, I must make further examination, or all my efforts would be in vain. It was open, and led through a stone passage to a circular stairway, which went steeply down.

I descended, minding carefully where I went for the stairs were dark, being only lit by loopholes in the heavy masonry. At the bottom there was a dark, tunnel-like passage, through which came a deathly, sickly odour, the odour of old earth newly turned. As I went through the passage the smell grew closer and heavier. At last I pulled open a heavy door which stood ajar, and found myself in an old ruined chapel, which had evidently been used as a graveyard. The roof was broken, and in two places were steps leading to vaults, but the ground had recently been dug over, and the earth placed in great wooden boxes, manifestly those which had been brought by the Slovaks.

There was nobody about, and I made a search over every inch of the ground, so as not to lose a chance. I went down even into the vaults, where the dim light struggled, although to do so was a dread to my very soul. Into two of these I went, but saw nothing except fragments of old coffins and piles of dust. In the third, however, I made a discovery.

There, in one of the great boxes, of which there were fifty in all, on a pile of newly dug earth, lay the Count! He was either dead or asleep. I could not say which, for eyes were open and stony, but without the glassiness of death, and the cheeks had the warmth of life through all their pallor. The lips were as red as ever. But there was no sign of movement, no pulse, no breath, no beating of the heart.